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A work made of cotton, plain weave; resist printed.

Fragment, Meiji period (1868–1912)/ Taishô period (1912–1926), 1875/1925

A work made of compound satin weave; silk and gilt-paper.

Zagu (Seating Mat), Edo period (1615–1868), 1775/1800

A work made of silk; lampas technique.

Fragment, 1200-50

A work made of cotton, plain weave; resist printed with blocks.

Fragment, 18th century

A work made of silk, satin weave; brocaded.

Panel (Dress Fabric), 18th century

A work.

Panel, c. 1780/1800

A work made of pieced: 18 fragments of silk and gold-leaf-over-lacquered-paper strip, warp-float faced 4:1 satin weave with weft-float faced 1:2 'z' twill interlacings of secondary binding warp and supplementary patterning wefts; lined with silk, plain weave.

Seating Mat, Meiji period (1868–1912), 1875/1900

A work made of silk, warp-float faced mixed twill weave with creped paired wefts (chirimen); stenciled.

Sample, Shôwa period (1926–1989), 1984

A work made of silk, warp-float faced 2:1 ’s’ twill weave with creped paired wefts (chirimen); stenciled and resist dyed (yuzen-zome).

Sample, Shôwa period (1926–1989), 1984

A work made of linen, twill weave; resist printed.

Fragment, 18th century

A work made of cotton, plain weave; resist printed.

Panel, 1901/25

A work made of marker on tracing paper.

River City: Exterior Elevation, 1979

Bertrand Goldberg

A work made of pen and brown ink, with brush and brown wash, and black chalk, heightened with lead white (discolored), on blue laid paper, laid down on blue wove paper.

Landscape with the Temptation of Christ, n.d.

Angeluccio

A work made of watercolor with incising, over graphite, on ivory wove paper, laid down on tan board.

Italianate Landscape with Traveling Peasants in Foreground, 1700/99

Frederick de Moucheron

A work made of found stuffed cloth toys.

Eviscerated Corpse, 1989

Mike Kelley

A work made of pen and brown ink, with brush, brown wash and red chalk, on cream laid paper.

Neptune and Minerva Discussing the Foundation of Athens, n.d.

Charles Le Brun

A work made of black chalk with smudging, scraping and erasing with traces of white chalk on cream laid paper.

The Lectern, 1871

Léon Augustin Lhermitte

A work made of graphite on cream wove paper.

Rocca di Papa, c. 1825

Edouard Bertin

A work made of pen and brown ink with traces of graphite on cream laid paper.

View of the Serpentara Between Olivano and Civitella, 1825

Théodore Caruelle d' Aligny

A work made of pen and brown ink, with brush and brown wash, over traces of graphite, on tan laid paper.

Agamemnon Kneeling in Front of the Temple of Diana, c. 1548-1550

Fontainebleau School

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