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First Quartet

First Quartet, 1988

Mel Bochner

An abstracted painting of a pink girl, arms and legs outstretched, rendered in dark-brown lines and circles against a brown background, with scattered stick drawings around her. The lines are illuminated by surrounding points of color in yellow, orange, green, pink, and beige.

Dancing Girl, 1940

Paul Klee

A work made of gilded beechwood, gilt bronze, and velvet.

Sofa, 1807

Augustus Welby Northmore Pugin

A work made of rayon and cotton, warp-float faced 7:1 satin weave with self-patterning ground wefts bound in satin and plain weave derived alternating float weave; woven on loom with jacquard attachment.

Fountains and Palm Fronds, c. 1926

F. Schumacher & Co.

A work made of chromogenic color prints (12) and silkscreens (2), from the portfolio "artists & photographs" (1975).

Daguerre Soup (La Soupe de Daguerre), 1975

Marcel Broodthaers

A work made of cotton, plain weave, block printed.

Gazelles, 1929/30

Paul Poiret

A work made of polyester and rayon, tied and free double cloth of plain and twill weaves self-patterned by main warps and ground wefts; two selvages present.

French Tercet (Blanket), 1995

Kristie Strasen

A work made of polyester and rayon, double-faced complementary warp and weft warp chevron twill weave.

Florentine Brocade (Blanket), 1995

Kristie Strasen

A work made of polyester and rayon, warp-float faced satin weave self-patterned by areas of twill and plain interlacings.

Brocatelle (Blanket), 1995

Kristie Strasen

A work made of polyester and rayon, palin weave with supplementary patterning wefts and self-patterned by main warp and ground weft floats.

Grosgrain Rib (Blanket), 1995

Kristie Strasen

A work made of linen, plain weave; screen printed.

Panel, 1930s

Donald Deskey

A work made of linen, plain weave, block printed with surface paint corrections.

Panel (Furnishing Fabric), 1955

Ling Po

A work made of cotton, plain weave; block printed.

Antelopes, 1929/30

Paul Poiret

A work made of cotton and rayon, warp-float faced satin weave with supplementary patterning wefts tied by secondary binding warps in plain interlacings and self-patterned by ground weft floats.

Modern Damask (Sample), 1951

F. Schumacher & Co.

A work made of linen and cotton, two-color complementary wefts in plain, twill, and satin weaves.

Sample, 1925/75

F. Schumacher & Co.

A work made of cotton, plain weave with self-patterning complementary ground wefts bound by secondary binding warps in plain interlacings.

Sample, 1930s (produced 1950s)

Paul Follot

A work made of cotton wool and rayon, plain and twill weaves of complementary warps and self-patterning complementary ground wefts.

Sample, 1925/75

F. Schumacher & Co.

A work made of silk and gilt metal wrapped silk, satin weave with supplementary brocading wefts bound in twill interlacing and self-patterned by reversing of faces.

Panel, 1900

F. Schumacher & Co.

A work made of cotton, plain weave; screen printed.

Plumes, 1929/30

Paul Poiret

A work made of cotton, plain weave; engraved roller printed.

The Eisenhower Toile (Furnishing Fabric), c. 1953

Elisabeth Draper

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