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A work made of graphite on cream wove paper.

The Beach at Royan, n.d.

Maxime Lalanne

A work made of pen and gray ink with brush and gray wash and watercolor, over traces of graphite, on tan wove paper, laid down on card.

Doctor Syntax on the Road, n.d.

Thomas Rowlandson

A work made of watercolor on paper.

Ightham Mote, Kent, n.d.

Hercules Brabazon Brabazon

A work made of watercolor and pen and brown ink, over graphite (recto), and graphite (verso), on cream wove paper.

One of the Ladies of the Harem (recto); Fragment of a Landscape (verso), 1854/56

Constantin Guys

A work made of pen and brown ink, and brush and black, gray and brown wash, on cream wove paper (discolored to tan).

Standing Woman, c. 1870–1875

Constantin Guys

A work made of oil paint, with graphite (recto), and oil paint with touches of black crayon varnished overall (verso), on gray cardboard.

Mme Lili Grenier (recto); Landscape with Church (verso), 1885/88

Henri de Toulouse-Lautrec

A work made of pen and brown ink with brush and watercolor, on ivory wove paper.

Dover Coach, n.d.

Thomas Rowlandson

A work made of pen and gray and brown ink, with brush and watercolor, over traces of graphite, on tan wove paper, laid down on card.

Postcart Monks and Women Near Church Door, 1791

Thomas Rowlandson

A work made of pen and gray and brown ink with brush and watercolor, over traces of graphite, on ivory wove paper, laid down on ivory wove paper.

View of Prizes Taken by Lord Howe Coming in Portsmouth, July 1794

Thomas Rowlandson

A work made of pen and gray and brown ink with brush and watercolor, over traces of graphite, on tan wove paper, laid down on card.

Post House in Cologne, 1791

Thomas Rowlandson

A work made of watercolor, with touches of gouache, on cream wove card.

The Ant and the Grasshopper, 1875

Jehan Georges Vibert

A work made of pen and brown ink with brush and watercolor, over traces of graphite, on ivory wove paper.

A View on the Thames, n.d.

Thomas Rowlandson

A work made of graphite on cream wove paper.

Study for Exhibition Room, Somerset House, from Microcosm of London, c. 1808

Augustus Charles Pugin

A work made of watercolor, with touches of scraping, heightened with white gouache, over traces of graphite, on tan wove paper.

Environs of Windsor Castle, n.d.

Thomas Shotter Boys

A work made of pen and brown ink over graphite (recto), and graphite (verso), on ivory wove paper.

Study for the House of Lords, 1807 (recto); c. 1807 (verso)

Augustus Charles Pugin

A work made of pen and brown ink over graphite, on ivory wove paper.

Study for House of Commons, from Microcosm of London, 1807

Augustus Charles Pugin

A work made of pen and brown ink over graphite, on cream wove paper.

Study for Opera House, from Microcosm of London, c. 1808

Augustus Charles Pugin

A work made of pen and brown ink over graphite, on ivory laid paper.

Study for The Royal Exchange, from Microcosm of London, c. 1809

Augustus Charles Pugin

A work made of pen and brown ink over graphite, on cream wove paper.

Study for King's Circus, c. 1809

Augustus Charles Pugin

A work made of pen and brown ink over graphite (recto), and graphtie (verso), on cream wove paper.

Study for Walbrook Church (recto); Sketches of Sailboats, Men and Dinghies (verso), 1807 (recto); c. 1807 (verso)

Augustus Charles Pugin

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