Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of screenprint on nishinouchi (japanese paper).

Japan Pavilion, Seville, Spain, Exterior Perspective, 1998

Tadao Ando

A grand, double-height room with wood paneling, stenciled wall patterns, four hexagonal columns, and an interior balcony with guardrail at left.

Chicago Stock Exchange Trading Room: Reconstruction at the Art Institute of Chicago, 1893/94 (original built) 1972 (original demolished) 1976/77 (reconstructed)

Adler & Sullivan, Architects

A work made of enamel sign paint on canvas.

Tree Lined Street, 1989

Kay Rosen

A work made of enamel sign paint on canvas.

Torsos Rot, 1989

Kay Rosen

A work made of enamel sign paint on canvas.

Hug Hugh Ugh, 1989

Kay Rosen

A work made of enamel sign paint on canvas.

Odd Odd Otto, 1989

Kay Rosen

A work made of enamel sign paint on canvas.

Two Eiffels, 1989

Kay Rosen

A work made of enamel sign paint on canvas.

4-1/2 Oxen, 1989

Kay Rosen

A work made of enamel sign paint on canvas.

Sic [Sic] Sick, 1989

Kay Rosen

A work made of enamel sign paint on canvas.

Why Not, 1989

Kay Rosen

A work made of enamel sign paint on canvas.

The River, 1989

Kay Rosen

A work made of whalebone, antler, and leather.

Drummer, Before 1984

Kania Etungat

A work made of linen, plain weave; screenprinted.

Lovers, c. 1967

Anirnik Oshuitoq

A work made of cotton, plain weave; stenciled.

Furnishing Fabric, c. 1960

Sheouak Petaulassie

A work made of stone cut relief print in black, green, and red on white japanese paper.

Owl Defending Nest, 1964

Pitseolak Ashoona

A work made of stone, bone, and braided fiber.

Hunter and Walrus, Late 20th century

Judas Ullulaq, ᔪᑕ ᐅᓗᓚ

A work made of stone.

Bear and Seal, Before 1973

Davie Atchealak, ᑎᕕ ᐊᓯᐊᓪ

A work made of bone.

Spirit no. 16, 1972

Karoo Ashevak, ᑲᕈ ᐊᓴᕙ

A work made of ink and zip-a-tone on mylar.

Playboy Club International, Chicago, Illinois, Lower Floor Plan, 1968

Bertrand Goldberg

A work made of lithograph in black on off-white wove paper.

“Pardon me, Mayor.... would you please be so kind to tell me whether swimming is allowed here?,” plate 25 from Les Baigneurs, 1840

Honoré-Victorin Daumier

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