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A work made of etching on heavy ivory laid paper.

View of the Temple of Fortuna Virilis. Now the Armenian church of S. Maria Egizziaca, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Site of the ancient Roman Forum, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Piazza di Spagna, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Piazza della Rotonda, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy white laid paper.

View of Piazza Navona above the ruins of the Circus of Domitian, from Views of Rome, 1750/59, published 1800–07

Giovanni Battista Piranesi

A work made of collage composed of cut and pasted paper elements, with graphite, gouache and yellow pencil, on incised tan wove paper, adhered to a wood panel.

Mica Magritte, 1963

Joseph Cornell

A work made of etching on heavy ivory laid paper.

View along the Via del Corso of the Palazzo dell' Accademia established by Louis XIV, King of France for French students of Painting, Sculpture and Architecture, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

The Pyramid of Gaius Cestius, from Views of Rome, 1750/59, published 1800–07

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the large Trevi Fountain formerly called the Acqua Vergine, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Piazza del Popolo, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of Piazza Navona above the ruins of the Circus of Domitian, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

Arch of Septimius Severus through which passed the ancient Sacred Way, bringing victors to the Capitol, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

Remains of a room belonging to the Praetorian Fort at Hadrian's Villa, Tivoli, from Views of Rome, 1774, published 1800–07

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

Remains of the so-called Temple of Apollo at Hadrian's Villa, Tivoli, from Views of Rome, 1768

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Basilica of San Sebastiano fuori delle mura [St. Sebastian outside the Walls] on the Appian Way, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on ivory laid paper.

View of the Customs House in Piazza di Pietra, which was built within the ruins of the Temple of Marcus Aurelius Antoninus Pius in his Forum, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Palazzo della Consulta on the Quirinal housing the Papal Secretariat, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Façade of the Basilica of S. Croce in Gerusalemme [the Holy Cross in Jerusalem], from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the palace of the illustrious Barberini family on the Quirinal Hill, designed by Cavaliere Bernini, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Palazzo di Montecitorio, from Views of Rome, 1750/59

Giovanni Battista Piranesi

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