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A work made of black chalk, with brush and black chalk wash, heightened with opaque white watercolor, over touches of charcoal, on tan laid paper.

Study of the Head of a Bearded Man, 1595/1605

Abraham Bloemaert

A work made of pen and black and brown ink, with brush and brown wash, with traces of black chalk, on blue laid paper.

Saint with Book and Cross Seated on a Cloud, c. 1591

Ferraù Fenzone

A work made of pen and brown ink with brush and brown wash, heightened with lead white, over incising, on cream laid paper, laid down on ivory laid paper.

Daedalus and Icarus, early 1530s

Giulio Romano

A work made of black and red chalks heightened with white chalk on ivory laid paper.

Head of Saint John the Evangelist: Study for the Disputation on the Immaculate Conception, 1531/36

Giovanni Antonio di Francesco Sogliani

A work made of pen and brown ink, over traces of red chalk, on pieced cream laid paper (oval), laid down on cream card.

Rest on the Flight into Egypt, c. 1590

Agostino Carracci

A work made of pen and brown ink with brush and brown wash, heightened with touches of lead white, over traces of black chalk, on ivory laid paper, with stray graphite marks, cut out and laid down on cream laid paper, laid down on tan laid card.

Daedalus and Icarus, n.d.

Giulio Romano

A work made of graphite with smudging on cream wove paper, squared for transfer.

Study for Day (Truth), 1896/98

Ferdinand Hodler

A work made of pen and black ink over graphite and blue crayon on cream laid paper.

Old Woman Mending at the Window, 1881

Max Liebermann

A work made of black chalk, heightened with white chalk, on blue laid paper, perimeter mounted to ivory wove paper.

Study of a Youth for the Loggia of Cupid and Psyche, 1611/13

Cigoli

A work made of brush and white gouache on cream laid paper prepared with a black wash, laid down onto a partial ivory laid paper mount.

A Nightmare, after 1573

Melchior Bocksberger

A work made of conté crayon on off-white laid paper.

Portrait of Anna Boch, 1894

Georges Lemmen

A work made of pen and brown ink and brush and brown wash, heightened with white opaque watercolor, over black chalk, on buff laid paper, laid down on buff laid card.

The Circumcision, 1601

Abraham Bloemaert

A work made of graphite with stumping on cream wove paper.

Study of a Standing Nude Youth, 1820

Julius Schnorr von Carolsfeld

A work made of pen and black ink and brush and gray and black washes on ivory laid paper.

The Arms of Habsberg Flanked by an Elegant Couple, 1587

Daniel Lindtmayer, II

A work made of pen and brown ink, brush and brown wash, with graphite, on cream laid paper, incised for transfer with graphite, laid down on cream paper, laid down on cream board edged with gold.

Coronation of Otto the Great in the Church of Saint'Ambrogio, Milan, 1650

Johann Christoph Storer

A work made of pen and brown ink, with brush and brown ink wash and touches of black ink wash, over traces of black chalk, on cream laid paper.

A Castle on a Crag in a Mountainous Landscape, late 1590s

Joos de Momper, II

A work made of pen and brown ink, with brush and brown wash, over traces of graphite, on cream laid paper, laid down on buff card.

Saint Charles Borromeo Entering the Town of Pavia: Design for a Wall Decoration, c. 1604

Cesare Nebbia

A work made of graphite, with stumping and wet brush, on wove paper.

Head of a Bearded Man in Half-Profile, 1894

Adolph Friedrich Erdmann von Menzel

A work made of black chalk, with touches of white chalk, on ivory laid paper.

The Rape of Europa, 1635/40

Cornelis Schut, I

A work made of black chalk, brush and gray wash, and pen and brown ink, heightened with white chalk, with traces of graphite, on gray-brown laid paper, incised with a stylus for transfer.

Christ in the Garden of Olives, 1615/35

Gerrit van Honthorst

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