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A work made of pen and brown ink with brush and brown wash, with traces of black chalk and pale blue wash, on ivory laid paper, squared in red chalk, laid down on ivory laid paper.

Group of Blessed Souls: Study for the Last Judgment, 1576/79

Federico Zuccaro

A work made of pen and brown ink with brush and brown wash, heightened with lead white (partly oxidized), on tan laid paper, laid down on ivory laid paper.

Saint Florian, 1600/10

Alessandro Turchi

A work made of black chalk on ivory laid paper.

Saint with the Palm of Martyrdom, n.d.

School of Carlo Maratti

A work made of pen and black ink and graphite, with brush and brown wash, on tan laid paper, tipped on to cream laid paper.

Illustration to Scene from the Liberation of Jerusalem (Gerusalemme Liberata), 1585/90

Bernardo Castello

A work made of pen and brown ink with brush and brown wash, heightened with white gouache, over traces of graphite, on cream laid paper prepared with brown wash.

Standing Female Allegorical Figure, 1566/67

Federico Zuccaro

A work made of pen and brown ink, with brush and brown wash, and red chalk, on ivory laid paper, laid down on ivory card.

Standing Soldiers and Kneeling Figures, n.d.

Taddeo Zuccaro

A work made of black and red chalk on ivory laid paper.

Female Head in Profile, Facing Right, n.d.

Workshop of Raphael

A work made of pen and brown ink, with brush and brown wash and traces of graphite, on ivory laid paper, laid down on ivory laid paper.

Illusionistic Ceiling Decoration, n.d.

Agostino Mitelli

A work made of brush and brown ink, heightened with lead white (discolored), on tan laid paper.

Adoration of the Shepherds: Upper Half, 16th century

Giulio Romano

A work made of black chalk heightened with touches of white chalk, on blue gray laid paper, laid down on blue laid paper.

Dead Man with Outstretched Arm, 17th century

Louis de Boullongne, the younger

A work made of pen and brown ink with brush and brown wash, heightened with purple wash and gold paint, over traces of black chalk, on ivory laid paper, laid down on ivory laid paper.

Cavalier in Tournament Costume on Horseback, n.d.

Circle of Niccolò dell' Abbate

A work made of red chalk (recto and verso), on ivory laid paper.

Two Sketches of Heads (recto); Two Sketches of Draped Woman (verso), c. 1600

Unknown Florentine

A work made of black chalk with pen and brown ink and brush and pale purple wash (recto), and pen and brown ink with brush and gray wash with traces of black chalk (verso), on cream laid paper.

Assumption of the Virgin (recto); Sketches of Architectural Details (verso), n.d.

Unknown Florentine

A work made of red chalk on cream laid paper, tipped onto ivory laid paper.

The Visitation, n.d.

Pietro Antonio di Pietri

A work made of charcoal, with oiled charcoal, heightened with traces of white chalk, on blue laid paper, laid down on ivory laid paper.

Reclining Nude, 1600/20

Workshop of Domenico Tintoretto

A work made of pen and brown ink and brush and brown wash, over red chalk, on ivory laid paper, squared in black chalk.

Standing Prophet with a Book and Scroll, 1562/66

Taddeo Zuccaro

A work made of red chalk (recto) on gray-brown laid paper.

Virgin and Child (recto); Portion of Altarpiece Sketch (verso), n.d.

Flaminio Torre

A work made of black and red chalk on tan laid paper, laid down on card.

Saint John the Baptist and San Bernardo degli Uberti, n.d.

Andrea del Sarto

A work made of pen and iron gall ink (recto), and red chalk (verso), on cream laid paper.

Judith with the Head of Holofernes and Sketches of River Gods (recto); Female Head, Looking Upwards (verso), c. 1639

Simone Cantarini

A work made of pen and brown ink, with red chalk, on ivory laid paper.

Transfiguration, c. 1530

Raphael

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