Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of pen and brown ink and brush and brown wash, over black chalk, on cream laid paper.

Christ Washing the Disciples’ Feet, 1582/84

Giovanni Balducci

A work made of pen and black ink, with brown and black ink, brush and gray wash, and touches of pen and brown ink, over black chalk, heightened with white and pale yellow gouache, on light brown paper.

Christ in the Olive Garden, 1590/1600

Tintoretto

A work made of pen and brown ink on cream laid paper.

Christ in the House of Simon the Pharisee, 1540/50 or later

Domenico Campagnola

A work made of pen and brown ink, and brush and brown wash, heightened with white gouache, over black chalk, on cream laid paper.

Young Warrior, Seen from Behind, Lifting a Curtain, 1550/55

Francesco Salviati

A work made of pen and brown ink, and brush and gray wash, over black chalk, on ivory laid paper; squared in black chalk, laid down on ivory card.

The Virgin Enthroned with Saints Gregory and James, and a Family of Donors, 1535/36

Perino del Vaga

A work made of porcelain with polychrome enamel decoration.

Tea Bowl and Saucer, c. 1770

Weesp Porcelain Factory

A work made of porcelain, polychrome enamels, and gilding.

Cup and Saucer, 1778/86

A work made of oil on canvas.

Ruined Archway, 1775/93

Francesco Guardi

A work made of porcelain, polychrome enamels, and gilding.

Cup and Saucer, 18th century

Amstel Porcelain Factory

A work made of pen and brown ink with brush and brown wash, heightened with lead white (recto), and black chalk heightened with white chalk on blue laid paper (verso), on blue laid paper.

Study for Spandrel Decoration with Satyress, Satyrs, and Putti (recto); Head of Putto (verso), c. 1588

Paolo Farinati

A work made of pen and brown ink with brush and brown wash, over black chalk, on ivory laid paper, laid down on ivory laid card.

Study for Saint James Saving an Innocent from the Flames, 1600

Lazzaro Tavarone

A work made of pen and brown ink with brush and brown wash, heightened with lead white, over black chalk, on tan laid paper, squared in black chalk (recto), and pen and brown ink over black chalk on tan laid paper (verso).

Vision of St. Francis of Assisi (recto); Saint Jerome, Vision of Saint Francis, and Two Small Sketches of St. Francis Holding the Christ Child (verso), c. 1618

Jacopo Negretti, called Palma Giovane

A work made of pen and brown ink with brush and brown wash, over graphite, on tan laid paper.

Saints Jerome and Francis of Assisi Adoring the Trinity, c. 1570

Bartolomeo Passarotti

A work made of red and black chalk with stumping, and incising, over pen and brown ink, on ivory laid paper, squared in black chalk.

Study for the Purification of the Virgin, c. 1577

Giovanni Battista Naldini

A work made of pen and brown ink with brush and brown wash, heightened with lead white, over traces of black chalk, on tan laid paper, laid down on ivory laid paper.

Study for Cosimo I Reorganizing the Tuscan Troops, 1589

Ludovico Buti

A work made of brush and brown washes and pen and brown ink, heightened with lead-white gouache (partially discolored), on cream laid paper.

Suffer the Little Children to Come unto Me, n.d.

Giovanni Battista Tinti

A work made of pen and brown ink, with brush and brown wash, over black chalk, on cream laid paper, laid down on white wove tissue.

Presentation of the Body of Saint Antoninus of Florence, 1589/90

Giovanni Battista Paggi

A work made of porcelain with polychrome enamel decoration.

Plate, Early 19th century

A work made of tin-glazed earthenware (delftware).

Plate, c. 1700

A work made of tin-glazed earthenware (delftware).

Plate, c. 1710-20

Grieksche A Factory

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