Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of pen and brown ink and brush and brown wash, over graphite, on cream laid paper laid down on off-white laid paper.

Antique Carved Marble Candelabra Base, 1642/44 or 1647/51

Andrea di Lione

A work made of pen and iron-gall ink, with brush and iron-gall ink wash, over black chalk, on cream laid paper.

Angel Comforting a Hermit Saint, 1660s

Giovanni Battista Pace

A work made of pen and black ink, with brush and black ink wash and touches of graphite, on ivory laid paper.

Vessel of the Russian Line (Vaisseau de ligne russe), 1827

Christoffer Wilhelm Eckersberg

A work made of black paint, over clear acrylic gel medium, over ink jet print on recto and verso of white wove paper.

Veiled Shadow XXVIII, 2011

Jaume Plensa

A work made of black chalk on off-white laid paper, tipped onto wove paper.

Chryses Imploring the Help of Apollo, from Iliad, Book I, 1765/66

Johan Tobias Sergel

A work made of pen and black ink on painted paperboard and collage of strips of painted paperboard tied with black thread with graphite, mounted to painted board.

Glove Tied, 1967

Ray Johnson

A work made of silver gelatin photograph, wooden frame, feather, and pen and black ink on painted pulpboard.

Untitled (Toby in Photobooth), 1968

Ray Johnson

A work made of opaque purple and orange watercolors on laid paper.

Orange and Purple Composition, 2006

Suzan Frecon

A work made of collage of painted paperboard, pen and black ink, opaque white watercolor, and graphite on painted board.

Toby Spiselman, 1973–77

Ray Johnson

A work made of collage of green carpet, halftone print in black ink, and painted paper board, with opaque white watercolor and pen and black, on a painted board, wrapped in plastic.

Green, 1989

Ray Johnson

A work made of black leather glove, with rubber thimble, black rope, and pen and black ink, on painted pulpboard.

Toby Spiselman's Glove, 1960/65

Ray Johnson

A work made of brush and opaque watercolor, on linen prepared with a gray ground, mounted to cream laid paper.

Drapery Study of a Standing Figure Facing Right, in Profile, late 1460s–early 1470s

Andrea del Verrocchio

A work made of black chalk and graphite, with stumping and erasing, on ivory laid paper.

Young Neapolitan Girl, 1914

Vincenzo Gemito

A work made of collage of cut and pasted photocopied papers, with traces of incising, over white-out and graphite, on cream wove paper.

Untitled, 1977

Jack Whitten

A work made of matte, opaque paint (cel-vinyl) on acetate film.

Untitled, 1994

Vincent Shine

We Stand By

We Stand By, 2009

Gedi Sibony

A work made of black and red chalk on cream wove paper.

Assumption of the Virgin, 1607/08

Federico Zuccaro

A work made of black chalk, with brush and brown wash, red chalk, and touches of graphite, heightened with white chalk and white gouache, on tan laid paper, squared in red chalk.

Study for the "Madonna of the Rosary", c. 1589

Federico Barocci

A work made of opaque watercolor on cream wove paper.

Study of the Crescent Moon in "The Ship", c. 1875

William Holman Hunt

A work made of pen and brown and black ink and brush and iron-gall ink wash, over black chalk, heightened with white gouache, on tan laid paper, pieced along right edge and incised.

The Flagellation of Christ, by 1594

Jacopo Negretti, called Palma Giovane

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