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A work made of oiled charcoal with stumping and erasing, on cream wove paper, perimeter mounted on off-white wood pulp laminate board.

The Bridge of Toledo, Madrid, c. 1903

Joseph Pennell

A work made of oiled charcoal and stumping, heightened with white chalk, on cream wove paper, perimeter mounted on off-white wood pulp laminate board.

Entrance to Zocodover, Toledo, c. 1903

Joseph Pennell

A work made of oiled charcoal with stumping and erasing, with white chalk, on cream wove paper, perimeter mounted on off-white wood pulp laminate board.

Toledo Streets, c. 1903

Joseph Pennell

A work made of oiled charcoal with stumping and erasing, on cream wove paper, perimeter mounted on off-white wood pulp laminate board.

Segovia, c. 1903

Joseph Pennell

A work made of oiled charcoal with stumping and erasing, on cream wove paper, heightened with traces of white chalk, perimeter mounted on off-white wood-pulp laminate board.

The Zocodover, Toledo, c. 1903

Joseph Pennell

A work made of oiled charcoal with stumping and erasing, on cream wove paper, perimeter mounted on off-white wood pulp laminate board.

The Alcazar, Segovia, c. 1903

Joseph Pennell

A work made of oiled charcoal with stumping and erasing, on cream wove paper, perimeter mounted on off-white wood pulp laminate board.

Delightful Pictures of Domestic Life, Alcalá, c. 1903

Joseph Pennell

Convent of the Trinitarians, Madrid

Convent of the Trinitarians, Madrid, c. 1903

Joseph Pennell

A work made of oiled charcoal with stumping and erasing, heightened with touches of white chalk, on cream wove paper, perimeter mounted on off-white wood pulp laminate board.

Alcalá, "The Gorgeous Sarcophagus" of Ximenez, c. 1903

Joseph Pennell

A work made of oiled charcoal with stumping and erasing, on cream wove paper, perimeter mounted on off-white wood pulp laminate board.

St. Juan de los Reyes, the Door and the Chains, c. 1903

Joseph Pennell

A work made of oiled charcoal with stumping and erasing, heightened with touches of white chalk and white gouache, on cream wove paper, perimeter mounted on off-white wood pulp laminate board.

Porta Viragia, Toledo, c. 1903

Joseph Pennell

A work made of oiled charcoal with stumping and erasing, heightened with touches of white gouache, on cream wove paper, perimeter mounted on off-white wood pulp laminate board.

The Baptismal Font of Cervantés, Santa Maria la Mayor, Alcalá, c. 1903

Joseph Pennell

A work made of oiled charcoal with stumping and erasing, heightened with white chalk, on cream wove paper, perimeter mounted on off-white wood pulp laminate board.

Toledo, Street of the Arch, c. 1903

Joseph Pennell

A work made of oiled charcoal with stumping and erasing, heightened with touches of white gouache, on cream wove paper, perimeter mounted on off-white wood pulp laminate board.

The Garden of the Island, Aranjuez, c. 1903

Joseph Pennell

A work made of oiled charcoal with stumping and erasing, heightened with touches of white chalk, on cream wove paper, perimeter mounted on off-white wood pulp laminate board.

Superb Puerta del Sol, c. 1903

Joseph Pennell

A work made of oiled charcoal, with stumping and erasing, heightened with touches of white chalk, on cream wove paper, perimeter mounted on off-white wood pulp laminate board.

The Towering City, Toledo, c. 1903

Joseph Pennell

A work made of oiled charcoal and white chalk, on cream wove paper, perimeter mounted on off-white wood pulp laminate board.

The Monasteries of Alcalá, c. 1903

Joseph Pennell

A work made of oiled charcoal, with stumping and erasing, on cream wove paper, perimeter mounted on off-white wood pulp laminate board.

The Escorial from the Seat of Phillip (Phillip's Chair), c. 1903

Joseph Pennell

A work made of oiled charcoal, with stumping and erasing, heightened with touches of white chalk, on cream wove paper, perimeter mounted on off-white wood pulp laminate board.

Saint Ildefonso, c. 1903

Joseph Pennell

A work made of oiled charcoal with stumping and erasing, on cream wove paper, perimeter mounted on off-white wood pulp laminate board.

The Endless Escorial, c. 1903

Joseph Pennell

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