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A work made of etching, burin, and drypoint on ivory laid paper.

Christ at Emmaus: The Larger Plate, 1654

Rembrandt van Rijn

A work made of brocaded of double weave.

Cover (Dress Fabric), 1950s

A work made of poster.

Bayerische Staatsoper Lucia di Lammermoor, 2015

Mirko Borsche

A work made of poster.

Jansons, Stab at Mater, n.d.

Mirko Borsche

A work made of linen, plain weave; block or screen printed.

Ayesha, 1931

Silver Studio

A work made of silk and wild silk, warp-float faced 7:1 satin weave self-patterned by ground weft floats and areas of plain weave.

Panel, c. 1905

Silver Studio

A work made of black chalk, with stumping, and traces of red chalk, heightened with traces of white chalk, over stylus incising, on cream laid paper.

Christ before Pilate, 1522/23

Pontormo, (Jacopo Carrucci)

A work made of black chalk on ivory laid paper, pieced and laid down on ivory laid card.

Lamentation, 1540/68

Giorgio Giulio Clovio

A work made of cotton, plain weave; engraved roller printed.

Panel (Furnishing Fabric), 1825/75

A work made of etching and drypoint on ivory laid paper.

Christ Disputing with the Doctors: A Sketch, 1652

Rembrandt van Rijn

A work made of etching on white wove paper.

Joseph Telling His Dreams, 1638

Rembrandt van Rijn

A work made of made in form of a cope frontal, gold brocaded, silver ornamented with narrow bands of black and brown flowers;.

Fragment, 1725/75

A work made of etching and drypoint in black on ivory japanese paper, laid down on ivory japanese paper.

Woman at the Bath with a Hat Beside Her, 1658

Rembrandt van Rijn

A work made of halftone relief print.

Arnold Crane, No. 131 from the series "The Baseball-Photographer Trading Cards", 1975

Mike Mandel

A work made of heri, jô: silk, gold-leaf-on-lacquered-paper-strip, warp-float faced 3:1 'z’ twill weave with plain interlacings of secondary binding warps and supplementary patterning wefts; shiten: silk and gold-leaf-over-lacquered-paper-strip, warp-float faced 4:1 satin weave with weft-float faced 1:2 'z’ twill interlacings of secondary binding warps and supplementary patterning wefts; lining: silk, plain weave.

Ôhi (Stole), late Edo period (1789–1868)/Meiji period (1868–1912), 1800/90

A work made of heri, jô: silk, warp-float faced 2:1 ‘z’ twill weave with supplementary patterning wefts; shiten: silk and gold-leaf-over-lacquered-paper-strip, warp-float faced 2:1 ‘z’ twill weave with weft-float faced 1:2 ‘z’ twill interlacings of secondary binding warps and supplementary patterning wefts; lining: silk, predominant warp, weft ribbed, plain weave.

Ôhi (Stole), late Edo period (1789–1868), 1800/68

A work made of silk, plain weave; block printed.

Tablecloth or Bedcover probably titled "Ragged Poppy", 1902

John Scarratt Rigby

A work.

Handkerchief, 19th century

A work made of yellow satin with floral design in white and colors; borders of cone pattern.

Sari, Late 19th century

A work made of etching on cream paper.

Reclining Female Nude, 1658

Rembrandt van Rijn

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