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A work made of aquatint and etching on ivory china paper laid down on cream laid paper.

Back into Nothingness, plate fifteen from A Life, 1884

Max Klinger

A work made of cotton, plain weave; resist printed with blocks.

Panel, 18th century

A work made of cotton, plain weave; resist printed.

Panel, 1775/1800

A work made of cotton, plain weave; resist printed.

Fragment, Meiji period (1868–1912)/ Taishô period (1912–1926), 1875/1925

A work made of compound satin weave; silk and gilt-paper.

Zagu (Seating Mat), Edo period (1615–1868), 1775/1800

A work made of silk; lampas technique.

Fragment, 1200-50

A work made of cotton, plain weave; resist printed with blocks.

Fragment, 18th century

A work made of silk, satin weave; brocaded.

Panel (Dress Fabric), 18th century

A work.

Panel, c. 1780/1800

A work made of pieced: 18 fragments of silk and gold-leaf-over-lacquered-paper strip, warp-float faced 4:1 satin weave with weft-float faced 1:2 'z' twill interlacings of secondary binding warp and supplementary patterning wefts; lined with silk, plain weave.

Seating Mat, Meiji period (1868–1912), 1875/1900

A work made of silk, warp-float faced mixed twill weave with creped paired wefts (chirimen); stenciled.

Sample, Shôwa period (1926–1989), 1984

A work made of silk, warp-float faced 2:1 ’s’ twill weave with creped paired wefts (chirimen); stenciled and resist dyed (yuzen-zome).

Sample, Shôwa period (1926–1989), 1984

A work made of linen, twill weave; resist printed.

Fragment, 18th century

A work made of cotton, plain weave; resist printed.

Panel, 1901/25

A work made of marker on tracing paper.

River City: Exterior Elevation, 1979

Bertrand Goldberg

A work made of pen and brown ink, with brush and brown wash, and black chalk, heightened with lead white (discolored), on blue laid paper, laid down on blue wove paper.

Landscape with the Temptation of Christ, n.d.

Angeluccio

A work made of watercolor with incising, over graphite, on ivory wove paper, laid down on tan board.

Italianate Landscape with Traveling Peasants in Foreground, 1700/99

Frederick de Moucheron

A work made of found stuffed cloth toys.

Eviscerated Corpse, 1989

Mike Kelley

A work made of pen and brown ink, with brush, brown wash and red chalk, on cream laid paper.

Neptune and Minerva Discussing the Foundation of Athens, n.d.

Charles Le Brun

A work made of black chalk with smudging, scraping and erasing with traces of white chalk on cream laid paper.

The Lectern, 1871

Léon Augustin Lhermitte

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