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A work made of black chalk, heightened with white chalk, on gray laid paper with blue fibers.

Christ at Emmaus Presenting the Bread, 1630/40

Bernardo Strozzi

A work made of pen and brown ink, with brush and brown wash, over graphite, on cream laid paper.

Saint Charles Borromeo Venerating the Relics, c. 1604

Cesare Nebbia

A work made of black chalk, heightened with traces of white chalk (recto), and black chalk (verso) on tan laid paper.

Female Head Study Looking Up to Right (recto); Study of Two Figures Supporting an Object (verso), 1630/70

School of Guido Reni

A work made of pen and brown ink and brush and brown wash, with black chalk and touches of pen and black ink (recto), and pen and brown and black inks, with red and black chalk and brush and brown wash (verso), on cream laid paper.

Judith and Holofernes and Other Studies (recto); Diana and Endymion (verso), c. 1718

Giuseppe Nicola Nasini

A work made of pen and brown ink, brown and gray wash, and white opaque watercolor (recto) and pen and brown-black ink (verso) on laid paper.

The Virgin and Saint Joseph with Saint Anthony of Padua Seated in the Heavens Interceding for the Souls in Purgatory, While an Angel Pours Fluid from a Vase onto the Crowd Below (recto and verso), 1690/1710

Pietro Antonio di Pietri

A work made of brush and brown and gray (possibly discolored) washes and pen and brown ink, over traces of black chalk, on tan laid paper; laid down on tan paper; ruled along edges in yellow metallic paint.

The Nurturing of Jupiter, n.d.

Salvator Rosa

A work made of red chalk, with brush and red chalk wash, squared in black chalk, on tan laid paper, ruled in red chalk.

The Virgin and Child with Saint Anthony of Padua Handing a Lily to the Child, n.d.

Andrea Sacchi

A work made of red chalk on buff laid paper.

Sketches for the Balli di Sfessania (recto) Sketches of Dancers (verso), 1616/19

Jacques Callot

A work made of pen and brown ink, over red chalk, on ivory laid paper.

Finding of Moses, n.d.

Antonio Molinari

A work made of red chalk on ivory laid paper.

Two Bearded Men in Ragged Cloaks, n.d.

Style of Jacques Callot

A work made of black chalk, heightened with traces of white chalk, on blue laid paper.

Minerva Crowned by Rome, n.d.

Noël Coypel

A work made of pen and brown ink with brush and brown and gray wash, on ivory laid paper.

Classical Landscape with Ruined Temple on Hill, Female Figures Below, n.d.

Antonio Zucchi

A work made of red chalk, with brush and gray-brown and red chalk wash, with touches of black chalk, heightened with lead white (partially discolored), on tan laid paper with blue fibers, laid down on cream laid paper.

Scene From Roman History, n.d.

Thomas Blanchet

A work made of pen and brown ink with brush and gray wash on ivory laid paper, laid down on tan laid paper.

Religious Procession Entering Schloss Mirabell, Salzburg, n.d.

Israel Silvestre, the younger

A work made of oil paint, on laid paper, laid down on japanese paper.

Man with Hands Clasped, n.d.

Style of Thomas Willeboirts

A work made of red chalk with brush and gray-brown wash, with traces of black chalk, heightened with lead white (partly discolored), on tan laid paper with blue fibers, laid down on cream laid paper.

Coriolanus with Veturia and Volumnia at the Volscian Camp, n.d.

Circle of Agostino Masucci

A work made of red chalk on ivory laid paper.

Mars and Venus (recto and verso), 1648/79

Guillaume Courtois

A work made of red chalk on ivory laid paper.

Study for God the Father, c. 1660

Guillaume Courtois

A work made of pen and gray ink, with brush and gray wash, on buff laid paper, laid down on ivory laid paper.

Mercury and Mars, n.d.

Marco Marcola

A work made of black chalk on cream laid paper.

Adoration of the Virgin, n.d.

Antoine Rivalz

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