Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of etching on ivory chine collé on off-white wove paper.

Triumph, plate five from A Glove, 1881

Max Klinger

A work made of etching on ivory chine collé on off-white wove paper.

Rescue, plate four from A Glove, 1881

Max Klinger

A work made of etching and aquatint on ivory chine collé on off-white wove paper.

A Glove: Action, 1881

Max Klinger

A work made of etching on ivory chine collé on off-white wove paper.

Repose, 1881

Max Klinger

A work made of etching on ivory chine collé on off-white wove paper.

Fears, plate seven from A Glove, 1881

Max Klinger

A work made of etching on ivory chine collé on off-white wove paper.

Homage, plate six from A Glove, 1881

Max Klinger

A work made of etching and aquatint on ivory chine collé on off-white wove paper.

Wishes, plate three from A Glove, 1881

Max Klinger

A work made of etching and aquatint on ivory chine collé on off-white wove paper.

Cupid, plate ten from A Glove, 1881

Max Klinger

A work made of etching and aquatint on ivory chine collé on off-white wove paper.

Abduction, plate nine from A Glove, 1881

Max Klinger

A work made of various charcoals, with wiping, stumping, erasing, and incising, on cream wove paper altered to a golden tone.

Faust and Mephistopheles, 1880

Odilon Redon

A work made of soft varnish ("vernis mou") etching, drypoint and roulette in brownish-red on cream wove paper.

Frontispiece to Les baisers morts, 1893

Félicien Rops

Under the Hill

Under the Hill, 1904

Aubrey Vincent Beardsley

A work made of lithograph on chine laid down on cream wove paper.

Des Esseintes, 1888

Odilon Redon

A work made of charcoal and graphite with stumping on ivory wove paper, laid down on wood pulp board.

The Veil, c. 1887

Fernand Khnopff

A work made of handcolored lithograph in black on mottled gray-blue wove paper (discolored to gray-green), laid down on white wove paper.

Madonna, 1895/96

Edvard Munch

A work made of graphite with stumping, scratching and erasing on off-white wove paper, prepared with a white gouache ground (scratchboard).

The Greatest Love of Don Juan, 1879

Félicien Rops

A work made of color etching and aquatint, with drypoint, on cream wove paper.

Song of Bilitis (Chanson de Bilitis), 1905

Marie Laurencin

A work made of color lithograph on off-white wove paper.

Morphine Addict, from The Album of Original Prints from Galerie Vollard (Morphinomaniac, from L'album d'estampes originales de la Galerie Vollard), 1897

Eugène Samuel Grasset

A work made of colored pencils and wax crayons, with pen and blue ink, brush and gold paint and blue gouache, over graphite, on yellow wove paper, laid down on white card (a modern mount).

Medusa, 1893

Jean Delville

A work made of lithograph on aluminum in red on cream japanese paper.

Fate (Die Parze), 1898

Cornelia Paczka-Wagner

<<<420421422423 >>>