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Wooden fold-out desk with many drawers, two gryphons perched at bottom.

Fall-Front Desk, c. 1810

A work made of wood, parchment, copper, and pigments.

Cobra Chair, 1902

Carlo Bugatti

A work made of gelatin silver print.

Ted Hughes, 1978

Bill Brandt

A work made of earthenware, glaze, and engobe.

Jazz Bowl, c. 1931

Viktor Schreckengost

A work made of walnut, gilt bronze, and glass.

Display Cabinet, c. 1900

Eugène Gaillard

A work made of chrome, black enameled metal, and ebonized wood.

Ball Clock, 1948–69

Irving Harper

A work made of earthenware with three color (sancai) lead glazes and traces of pigments.

Armored Guardian King (Tianwang) Trampling Demon, Tang dynasty (618–907 A.D.), first half of 8th century

A work made of oil on canvas.

Kitchen Scene, 1618–20

Diego Velázquez

A work made of oil on canvas.

Day (Truth), 1896/98

Ferdinand Hodler

A work made of mahogany, red oak, and white pine.

Desk and Bookcase, 1750–70

Artist unknown

Bust of young boy with large eyes and long curly hair, looking to his side.

Bust of a Youth (Saint John the Baptist), 1630/40

Francesco Mochi

Large painting of cupid being whipped, a woman tries to hold back the a man in red dress.

Cupid Chastised, 1613

Bartolomeo Manfredi

A work made of bronze.

Foot of a Cista (Storage Box), early 5th century BCE

Ancient Etruscan

A work made of oil on canvas.

Are They Thinking about the Grape? (Pensent-ils au raisin?), 1747

François Boucher

A work made of terracotta, black-figure.

Kylix (Drinking Cup), 530-520 BCE

Ancient Greek

A work made of sandstone.

Crowned Buddha on a Multi-Headed Serpent (<em>Naga</em>), Angkor period, 12th–13th century

Khmer

Portrait of white man dressed in all black with medallion and sword.

Amédée-David, the Comte de Pastoret, 1823–26

Jean Auguste Dominique Ingres

A work made of tulipwood, maple, hickory, and oak.

Fan-Back Windsor Chair, 1760–70

Artist unknown

A wall fragment with five metal grill panels—two small horizontal rectangular panels at the top and three larger vertical ones on the bottom. Vertical bars dominate the design, with cross bars forming 90-degree angles. The upper and lower registers of the three large panels feature geometric designs.

Elevator Grille from the Chicago Stock Exchange, Chicago, Illinois, 1894

Louis H. Sullivan

A work made of tempera on panel.

Diptych of the Virgin and Child Enthroned and the Crucifixion, c. 1280

Eastern Mediterranean

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