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Natura Morta

Natura Morta, 1948

Giorgio Morandi

Stencil Section from the Chicago Stock Exchange Trading Room

Stencil Section from the Chicago Stock Exchange Trading Room, 1893-94

Adler & Sullivan, Architects

A work made of copper-plated bronze.

Entrance Kick Plate from the Chicago Stock Exchange, 1894

Louis H. Sullivan

Two rectangular grille panels with matching patterns made up of circles arranged into rows and columns with additional linear details.

Elevator Grilles from the Chicago Stock Exchange, 1894

Adler & Sullivan, Architects

A work made of terra-cotta.

Facade Panel from the Chicago Stock Exchange, 1894

Adler & Sullivan, Architects

A T-shaped architectural fragment with ornate geometric patterning consisting of repeating ellipses and some foliage detail.

Elevator T-Plate from the Chicago Stock Exchange, 1894

Adler & Sullivan, Architects

A work made of lithograph on mounted ivory china paper.

Blossoming, plate one from In Dreams, 1879

Odilon Redon

A work made of lithograph on mounted ivory china paper.

The Gambler, plate five from In Dreams, 1879

Odilon Redon

A work made of lithograph on mounted ivory china paper.

Limbo, plate four from In Dreams, 1879

Odilon Redon

A work made of lithograph on mounted cream china paper.

Vision, plate eight from In Dreams, 1879

Odilon Redon

A work made of lithograph on mounted ivory china paper.

Felineness, plate seven from In Dreams, 1879

Odilon Redon

A work made of lithograph on mounted ivory china paper.

Gnome, plate six from In Dreams, 1879

Odilon Redon

A work made of lithograph in black on ivory china paper, laid down on white wove paper.

The Eye, Like a Strange Balloon Moves Towards Infinity, plate one from To Edgar Poe, 1882

Odilon Redon

A work made of lithograph on mounted ivory china paper.

On the Dish, plate ten from In Dreams, 1879

Odilon Redon

A work made of lithograph on mounted ivory china paper.

Sad Ascent, plate nine from In Dreams, 1879

Odilon Redon

A work made of lithograph on tan wove paper.

Germination, plate two from In Dreams, 1879

Odilon Redon

A work made of various charcoals, with touches of black chalk, stumping, wiping and erasing, heightened with touches of white and ocher gouache, on cream wove paper altered to a pale, golden tone.

Primitive Man, 1872

Odilon Redon

A work made of ivory chine collé on off-white wove paper.

Place, plate one from A Glove, 1881

Max Klinger

A work made of lithograph on mounted ivory china paper.

The Wheel, plate three from In Dreams, 1879

Odilon Redon

A work made of lithograph in black on pinkish-cream china paper laid down on ivory wove paper.

Et que des yeux sans tete flottaient comme des mollusques, plate XIII of Tentation de St. Antoine, 1896

Odilon Redon

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