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A work made of manuscript cutting in tempera and gold leaf, with gothica textualis and rounded gothica textualis inscriptions in latin in black ink, ruled in red, and with other decorations, on parchment.

Martyr Saint in a Historiated Initial "V" from an Antiphonary, 1310/15

Neri da Rimini

A work made of manuscript cutting in tempera and gold leaf, with gothica textualis inscriptions in latin in black ink, ruled in red and blue, and with other decorations, on parchment.

Angel in a Historiated Initial "A" from an Antiphonary, 1300/10

Neri da Rimini

A work made of manuscript cutting in tempera and gold leaf, with gothica textualis inscriptions in latin in black ink, ruled in red ink, and with other decorations, on parchment.

Saint Kneeling Before God Enthroned in a Historiated Initial "V" from an Antiphonary, 1310/15

Neri da Rimini

A work made of manuscript cutting in tempera and gold leaf, with gothica textualis inscriptions in latin in black and red ink, ruled in red ink, on parchment.

Saint Agnes in a Historiated Initial "V" from an Antiphonary, 1310/15

Neri da Rimini

Maria Sèthe at the Piano

Maria Sèthe at the Piano, 1891

Théo van Rysselberghe

A work made of red chalk, on cream laid paper, laid down on ivory wove paper.

Standing Young Man With Outstretched Arms, n.d.

Giovanni Balducci

A work made of pen and brown ink with brush and gray-brown wash, over black chalk, on tan laid paper; later additions of white gouache.

Saint Roch and the Virgin Interceding with Christ on Behalf of Plague Victims, n.d.

Sante Peranda

A work made of pen and brown ink and brush and brown wash on ivory laid paper, laid down on cream laid paper.

The Coronation of the Virgin and The Flight into Egypt, 1648/71

Jan de Bisschop

A work made of black pastel, with charcoal and stumping, on ivory wove paper.

Seated Old Man, c. 1895

Jozef Israëls

A work made of pen and black ink with brush and brown wash, squared in graphite, on paper.

Monk in the Ruins of a Monastery, 1820/1830

Domenico Quaglio

A work made of pen and black ink, and brush and gray wash, over graphite, on buff laid paper.

Design for a Saltcellar, 17th century

Hans Friedrich Schorer

A work made of charcoal, heightened with touches of white chalk, on gray laid paper.

Massacre of the Innocents, 1585/1600

Circle of Titian

A work made of pen and black ink, with brush and gray and brown wash, over red chalk, partially squared in graphite and red chalk (recto), and red chalk (verso), on ivory laid paper.

Design for a Ceiling: Apotheosis of Callisto or Diana (recto), and Sketch of Figures (verso), 1731

Jacob de Wit

A work made of watercolor, with black chalk, touches of red chalk, and wiping, on cream wood-pulp card.

A Long Road, n.d.

Jozef Israëls

A work made of pen and brown ink, over graphite, on cream laid paper, laid down on ivory laid paper.

Plants at Water's Edge, c. 1800

Carl Wilhelm Kolbe, the elder

A work made of graphite on tan wove paper.

Baden-Baden, n.d.

Christian Grabau

A work made of red chalk on ivory laid paper.

Sketches of a Lute Player and Lute, 1756

Jan Anton Garemyn

A work made of pen and brown ink and brush and brown ink wash, with black chalk, brush and gray wash, and opaque white watercolor, on pieced cream laid paper.

The Goatherd Lamon Handing the Infant Daphnis to His Wife Myrtele, after 1606

Ambroise Dubois

A work made of graphite and blue, yellow, brown, and red pencil on off-white laid paper.

Aunt Tonl, c. 1795

Wilhelm Alexander Wolfgang von Kobell

A work made of pen and brown ink, with brush and brown and gray wash, over graphite, with touches of graphite over the washes, on cream laid paper.

Villa of Maecenas at Tivoli, c. 1627

Bartholomeus Breenbergh

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