Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Construction of Wool and Needle Lace

Construction of Wool and Needle Lace, 1970s

Claire Zeisler

Study

Study, 1970s

Claire Zeisler

Element for “OddBall” or “Dots and Dashes”

Element for “OddBall” or “Dots and Dashes”, 1970s

Claire Zeisler

Studies

Studies, 1970s

Claire Zeisler

Unfinished Construction of Suede and Spheres

Unfinished Construction of Suede and Spheres, 1970s

Claire Zeisler

Studies

Studies, 1970s

Claire Zeisler

Studies, Possibly for Necklaces

Studies, Possibly for Necklaces, 1970s

Claire Zeisler

Elements for “Dots and Dashes”

Elements for “Dots and Dashes”, 1970s

Claire Zeisler

Elements for “Oddball” or “Dots and Dashes”

Elements for “Oddball” or “Dots and Dashes”, 1970s

Claire Zeisler

Studies for Installation of Suede Elements

Studies for Installation of Suede Elements, 1970s

Claire Zeisler

Studies

Studies, 1970s

Claire Zeisler

Study

Study, 1970s

Claire Zeisler

Composition of Embroidered Suede with Organic Materials

Composition of Embroidered Suede with Organic Materials, 1970s

Claire Zeisler

Composition of Painted Suede

Composition of Painted Suede, 1970s

Claire Zeisler

Composition of Leather with Stone and Needle Lace

Composition of Leather with Stone and Needle Lace, 1970s

Claire Zeisler

Composition of Leather with Stones and Needle Lace

Composition of Leather with Stones and Needle Lace, 1970s

Claire Zeisler

Length of Netting with Pinked Suede Squares

Length of Netting with Pinked Suede Squares, About 1980

Claire Zeisler

A work made of soft-paste porcelain, polychrome enamels, gilding, and gilt-bronze mounts.

Pair of Vases (Vases à Pied de Globe), 1769

Manufacture nationale de Sèvres

A work made of carved and gilded wood; marble top.

Console Table, c. 1730

A work made of color etching and aquatint on organza.

Male of Sorrows #1, 1970-1971

Barbara Rossi

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