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A work made of red chalk with stumping on cream wove paper.

The Balcony, c. 1949

René Magritte

A work made of graphite on ivory wove paper, laid down on black card.

TV Dream/Dream TV, 1963

Nam June Paik

A work made of lithograph printed in dark green on ivory china paper laid down on ivory wove paper.

Frontispiece for Chevaleries sentimentales by Ferdinand Hérold, 1893

Odilon Redon

Allegory of the Old and New Testaments (after Holbein)

Allegory of the Old and New Testaments (after Holbein), 1776

John Downman

A work made of black chalk on brown tinted wove paper.

Standing Boy, c. 1794

John Downman

Silver cylindrical beaker with engraved decoration of band-work, floral scrolls, swags of fruit and at base, three birds perched on fruit, twigs in beaks.

Beaker, c. 1640

A work made of graphite with stumping on off-white laid paper.

Study after Statue of the Knife Grinder (also known as the Scythian), 1774

John Downman

A work made of pen and brown ink, with brush and gray wash, and stumping, over black chalk, on ivory laid paper.

Study after the statue of a Boy Playing with a Theater Mask, 1775

John Downman

A work made of charcoal, with stumping, and black crayon, heightened with white chalk, on ivory laid paper, prepared with a tan ground.

Study after Antique Statue of Seated Putto Holding Mask of Silenus, 1775

John Downman

A work made of pen and brown ink with brush and gray wash and black crayon, heightened with touches of white chalk, on cream laid paper prepared with a tan ground.

Study after Antique Monumental Vase, 1774

John Downman

A work made of charcoal with stumping on cream wove paper.

Moses, c. 1775-1800

John Downman

A work made of pen and brown ink and brush and gray wash, over traces of black chalk, on ivory laid paper.

Study of an Ancient Bas-Relief of Sleeping Hunter and Dog, 1775

John Downman

A work made of pen and brown ink and brush and gray wash on ivory laid paper.

Study after an Ancient Bas-Relief with Battle of the Amazons, 1774

John Downman

A work made of black chalk with stumping on ivory laid paper.

Study after Ancient Statue of the Sleeping Hermaphrodite, 1774

John Downman

A work made of pen and brown ink and brush and gray wash, over traces of graphite, on ivory laid paper.

Study after Statue of a Seated Woman (Agrippina), 1775

John Downman

A work made of pen and brown ink with graphite on ivory laid paper.

Study after Statue of the Capitoline Venus, 1775

John Downman

A work made of pen and brown ink, over graphite, on ivory laid paper.

Study after Statue of the Capitoline Venus, 1774

John Downman

A work made of graphite and charcoal with stumping on ivory laid paper.

Study after Statue of Venus de' Medici, 1774

John Downman

A work made of charcoal with stumping, heightened with traces of white chalk, on ivory wove paper prepared with a pale blue ground.

Study after Antique Sculpture of the Dancing Satyr with Cymbals, 1775

John Downman

A work made of spray paint on canvas.

67-F 13, 1967

Martin Barré

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