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A work made of oil on canvas.

Coast of Maine, 1893

Winslow Homer

A work made of hand-colored engraving with aquatint and etching on ivory wove paper.

Harlequin Duck, 1826/39

Robert Havell

A work made of hand-colored engraving with aquatint and etching on cream wove paper.

Black Backed Gull, 1826/39

Robert Havell

A work made of oil on canvas.

Just Dessert, 1891

William Michael Harnett

A work made of oil on mahogany panel.

Major-General Henry Dearborn, 1812

Gilbert Stuart

Moonlight Marine

Moonlight Marine, 1883; reworked c. 1923

Albert Pinkham Ryder

In a beige room, a group of light-skinned men of various ages and a young boy clap as a figure in tattered clothing at center, his back to the viewer, dances and holds a tin cup in the air. At dark figure in shadows looks on from the far-right corner.

Bar-room Scene, 1835

William Sidney Mount

A work made of iron.

Pair of Stirrups, 16th century

A work made of color lithograph on ivory wove paper.

Little Nimbus, 1979

Roger Brown

A work made of a multiple consisting of 128 books, 5 packing cartons, 1 table and 1 bookmark.

Remainders: Novel, Sculpture, Film, 1991

Allen Rawson Ruppersberg

A work made of soot and saliva, applied with sharpened stick and smudging, with crayon and blue ink, on found paper, folded and wrapped around card.

Untitled (Blonde figure no. 1), n.d.

James Castle

A work made of soot and saliva, applied with sharpened stick and smudging (recto and verso) on ivory card.

Untitled (recto and verso), n.d.

James Castle

A man with sparse brown facial hair stands in a full-length black robe on a multicolored tiled floor, a white and brown dog behind him.

Gian Lodovico Madruzzo, 1551–52

Giovanni Battista Moroni

A work made of gouache, with touches of watercolor and graphite on cream wove paper.

Still Life: Preparation for Lunch, 1940

Pierre Bonnard

Dozens of figures in a brown field filled with discarded corn silks form two rows and sit across from each other husking corn, a farm in the background.

Husking Bee, Island of Nantucket, 1876

Eastman Johnson

A work made of soot and saliva, applied with sharpened stick and smudging, with crayon and blue ink, on found paper, folded and wrapped around card.

Untitled (Blonde figure no. 2), n.d.

James Castle

A work made of soot and saliva, applied with sharpened stick and smudging, with crayon and blue ink, on found paper, folded and wrapped around card.

Untitled (Blonde figure no. 3), n.d.

James Castle

A work made of soot and saliva, applied with sharpened stick, on found card prepared with colored paper pulp (pulp painting).

Untitled, n.d.

James Castle

A work made of soot and saliva, applied with sharpened stick and smudging, with crayon and blue ink, on found paper, folded and wrapped around card.

Untitled (Blonde figure no. 4), n.d.

James Castle

A work made of double-sided drawing of soot and saliva, applied with sharpened stick and smudging, on found card, creased (unfolded box).

Untitled, n.d.

James Castle

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