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A work made of etching on ivory laid paper.

A., B. View of the remains of the two rows of columns in the Temple of Neptune which originally formed the colonnades along the sides of the cella, and supported the uppermost part of the roof, from Different views of Paestum, 1778

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Temple of Cybele in the Piazza of the Bocca della Verità, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Pyramidal Tomb of Cestius, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Palazzo di Montecitorio, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Palazzo della Consulta on the Quirinal housing the Papal Secretariat, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Façade of the Basilica of S. Croce in Gerusalemme [the Holy Cross in Jerusalem], from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Rear Entrance of the Basilica of S. Maria Maggiore, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Basilica of S. Maria Maggiore with its two flanking wings, from Views of Rome, 1749

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

Internal view of the Atrium of the Portico of Octavia, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Temple of Antoninus and Faustina in the Roman Forum, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Temple of Fortuna Virilis. Now the Armenian church of S. Maria Egizziaca, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Site of the ancient Roman Forum, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Piazza di Spagna, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Piazza della Rotonda, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy white laid paper.

View of Piazza Navona above the ruins of the Circus of Domitian, from Views of Rome, 1750/59, published 1800–07

Giovanni Battista Piranesi

A work made of collage composed of cut and pasted paper elements, with graphite, gouache and yellow pencil, on incised tan wove paper, adhered to a wood panel.

Mica Magritte, 1963

Joseph Cornell

A work made of etching on heavy ivory laid paper.

View along the Via del Corso of the Palazzo dell' Accademia established by Louis XIV, King of France for French students of Painting, Sculpture and Architecture, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

The Pyramid of Gaius Cestius, from Views of Rome, 1750/59, published 1800–07

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the large Trevi Fountain formerly called the Acqua Vergine, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Piazza del Popolo, from Views of Rome, 1750/59

Giovanni Battista Piranesi

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