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A work made of etching on heavy ivory laid paper.

View of the Capitoline Hill with the steps to the Church of S. Maria in Aracoeli, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

Ancient temple commonly called the Temple of Health on the Via d'Albano five miles outside Rome, from Views of Rome, 1763

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

Remains of a covered portico, or a cryptoporticus, in a villa of Domitian, five miles outside Rome on the Frascati road, from Views of Rome, 1766

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Remains of the Dining Room of the Golden House of Nero, commonly called the Temple of Peace, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Fountainhead of the Acqua Paola on Monte Aureo, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

Trajan's Column, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Basilica of S. Maria Maggiore with its two flanking wings, from Views of Rome, 1749

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Palazzo Odescalchi, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on ivory laid paper.

Interior view of the Basilica of S. Maria Maggiore, from Views of Rome, 1768

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

Cut-away view of the interior of the Basilica of S. Paolo fuori delle Mura [St. Paul outside the Walls], from Views of Rome, 1749

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Fountainhead of the Acqua Felice, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of Ponte Lugano on the Anio, from Views of Rome, 1763

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

Interior view of the ancient Temple of Bacchus, now the church of S. Urbano, two miles from Rome, from Views of Rome, 1767

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

Another interior view of the Villa of Maecenas, Tivoli, from Views of Rome, 1767, published 1800–07

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the upper storey of the Cages for Wild Animals built by the Emperor Domitian, associated with the Flavian Amphitheater and commonly called the Curia Hostilia, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Temple of Jupiter Tonans [Jupiter the Thunderer], from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

The Theater of Marcellus, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

Interior view of the Pantheon, from Views of Rome, 1768, published 1800–07

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the So-Called Temple of Concord, from Views of Rome, 1774, published 1800–07

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of Visible Remains of the Baths of Diocletian, from Views of Rome, 1774, published 1800–07

Giovanni Battista Piranesi

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