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A work made of pen and black ink with brush and gray wash, ink and white gouache, with touches of non-photo blue pencil, on cream wove card.

He Goes On Record, from Peter Public, 1925

Clifford Alexander

A work made of pen and black ink, non-photo blue pencil, white correcting fluid and letraset tapes on ivory card, with overlay in brush and red ink on tracing paper.

Untitled, right side, n.d.

Sergio Aragones

A work made of pen and black ink, non-photo blue pencil, and white correcting fluid on white wove paper.

The Don King Institute of Accounting, from Curtis, 1995

Ray Billingsley

A work made of pen and black ink and watercolor on white wove card with tracing paper overlay.

“He's hardly how I imagined him,” from Bigfoot, c. 1981

Nick Downes

A work made of pen and black ink and watercolor on white wove card with tracing paper overlay.

"I've been putting up with their insinuations that I'm a lousy math teacher for this many years!", from Mathematics Dept., c. 1989

Nick Downes

A work made of pen and black ink, and black fiber-tipped pen, with touches of white correcting fluid and non-photo blue pencil, over graphite, with cut-and-pasted text, on ivory wove card.

In the Secret Cellar Laboratory of Sidney Sykes…David Banner Awakes!, from The Incredible Hulk, 1981

Larry Lieber

A work made of pen and black ink, non-photo blue pencil and black fiber-tipped pen, on white wove paper.

If There are Any Fish There, Ol Joe Jinks'll Catch 'Em!, from Joe Jinks, 1940

Lynn Jenkins

A work made of brush and black ink on white wove paper.

Psst...Have you tried Retin-A?, from Mother Goose & Grimm, c. 1988

Mike Peters

A work made of pen and black ink on ivory card with cut and pasted text.

Now Free from Electronic Control, The Hulk Grabs Angrily at the Inactive Remnant of His Endowment, from The Incredible Hulk, 1981

Larry Lieber

A work made of pen and black ink, white correcting fluid and black fiber-tipped pen on cream wove paper.

All You Could Hear was the Rustling of Her Psoriasis, from Casey, 1977

Charles Rodrigues

A work made of pen and brush and black ink, and colored crayons, with self-adhesive toning film, on cream wove card.

Untitled, 1956

Dorothy Bond

A work made of pen and black ink, and graphite on cream wove paper (substrate is made of at least three sheets layered together); graphite, blue, and red pencil sketches, verso.

Dad, Also, Has an Idea, from Tommy McCraw, 1928

Boody Rogers

A work made of photomechanical engraving plate nailed to wood block.

Line block featuring "Dick Tracy" characters, 1948

Chester Gould

A work made of black wax crayon, with graphite on cream wove paper.

Seated Nude with Lamp, c. 1925

Jan Matulka

A work made of lithograph on cream japanese paper.

Nude, 1925

Jan Matulka

A work made of soft ground etching, lift-ground aquatint, engraving, scraping and burnishing, in twenty-three colors from five plates on white wove paper.

Bronze by Gold, from Imaging Ulysses, 1985–87

Richard Hamilton

A work made of heliogravure, lift-ground and spit-bite aquatint, engraving and burnishing on white wove paper.

Finn MacCool, from Imaging Ulysses, 1983

Richard Hamilton

A work made of soft ground etching, lift-ground and spit-bite aquatint, line and stipple etching, and engraving on white wove paper.

In Horne's House, from Imaging Ulysses, 1981–82

Richard Hamilton

A work made of soft ground etching, roulette, engraving and aquatint on white wove paper.

Leopold Bloom, from Imaging Ulysses, 1983

Richard Hamilton

A work made of color lithograph on ivory japanese paper.

Ding Dong Daddy #9 Loven, 1967

William Aubrey Walmsley

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