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A work made of color woodblock prints; shikishiban pentaptych, surimono.

Low Tide at Susaki - A Set of Five (Shiohi goban no uchi), c. 1828/30

Utagawa Kuniyoshi

A work made of probably linen, plain weave; appliquéd with silk, warp-float faced 4:1 satin weave over bast fiber padding; embroidered with silk, silk-wrapped-metal-wire coils, silvered-metal-strip-wrapped silk and feathers in bullion, buttonhole, detached twisted trammed buttonhole, encroaching gobelin, individual back, raised stem and tent stitches; laid work and couching; embellished with mica.

Embroidered Picture Depicting an Allegory of Music, 17th century, c. 1640

A work made of linen, plain weave; bands of cut and drawn thread work in darning, interlocking lace, satin, and needle lace filling stitches; bands of needle lace or a cut and drawn thread grid and bands embroidered with silk and linen in algerian eye, back, cross, long-armed cross, two-sided italian cross, double running, running, satin and a variety of buttonhole stitches.

Sampler, 1690

Parnell Mackett

A work made of linen, plain weave; bands of cut and drawn thread work in interlocking lace and romanian stitches; bands of linen, needle lace of a type known as "reticello"; and embroidered with silk in algerian eye, hem, montenegrin cross, running, double running, and satin stitches; buttonhole couching.

Sampler, 1676

Katherine Veren

A work made of linen, plain weave; embroidered with silk and linen.

Sampler, 1651

Mary Bidgood

A work made of linen, plain weave; with bands of cut and drawn thread work in back, buttonhole, darning, double hem, interlocking lace, overcast, and needle lace filling stitches; bands of linen, needle lace; and bands embroidered with silk in algerian eye, antwerp edge, back, cross, double hem, double running, long-armed cross, two-sided italian cross, satin, squared ground, and a variety of buttonhole stitches.

Sampler, 1688

Mercy Mackett

A work made of blackline print on paper.

Marina City, Detroit, Michigan, Perspective, Date unknown

Bertrand Goldberg

Large porcelain punch bowl enameled with polychromic panoramic view of the European trading offices and decorated with floral and leaf motives around the inside of a lip.

Punch Bowl, c. 1780/90

A work made of embroidered on gauze.

Fragment (Touser Bands), Qing dynasty (1644–1911), 1875/1900

Han-Chinese

A work made of embroidered on gauze.

Fragment (From a Sleeve Band), Qing dynasty (1644–1911), 1875/1900

Han-Chinese

A work made of embroidered on gauze.

Panel (Dress Fabric), Qing dynasty (1644–1911), 1875/1900

Han-Chinese

A work made of embroidered on gauze.

Fragment (Trouser Band), Qing dynasty (1644–1911), 1875/1900

Han-Chinese

A work made of embroidered on gauze.

Fragment (Sleeve Band), Qing dynasty (1644–1911), 1875–1900

Han-Chinese

A work made of embroidered on gauze.

Trouser Band, Qing dynasty (1644–1911), 1875/1900

Han-Chinese

A work made of embroidered on gauze.

Panel (Furnishing Fabric), Qing dynasty (1644–1911), 1875/1900

Han-Chinese

A work made of embroidered on gauze.

Woman's Trouser Band, Qing dynasty (1644–1911), 1875/1900

Han-Chinese

A work made of embroidered on gauze.

Trouser Band, Qing dynasty (1644–1911), 1875/1900

Han-Chinese

A work made of embroidered on gauze.

Glasses Case, Qing dynasty (1644–1911), 1875/1900

A work made of embroidered on gauze.

Mirror Case, Qing dynasty (1644–1911), 1875/1900

A work made of embroidered on gauze.

Woman's Trouser Band, Qing dynasty (1644–1911), 1875/1900

Han-Chinese

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