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A work made of copper alloy.

Goldweight Depicting a Drum, 19th/mid–20th century

Asante

A work made of copper alloy.

Goldweight Depicting a Pyramid, 19th/mid–20th century

Asante

A work made of copper alloy.

Goldweight Depictng a Scorpion, 19th/mid–20th century

Asante

A work made of brown-stained oak.

Armchair, 1904–5

J.S. Ford, Johnson and Company

A work made of bronze.

Candelabrum, 1902

Jessie M. Preston

A work made of black chalk, with stumping and white heightening (recto), charcoal with white heightening (verso), on buff laid paper.

Standing Male Nude (recto); Classical Head (verso), n.d.

Paul Émile Detouche

A work made of silver.

Collection Plate, 1912

Kalo Shop (Firm)

A work made of oil on canvas.

Loading Hay, c. 1886-87

Mihály Munkácsy

A work made of gelatin silver print.

Balenciaga Sleeve (Regine), Paris, 1950, printed 1984

Irving Penn

A work made of earthenware (redware), cream-colored slip, and colored lead glazes.

Plate, 1792

Rudolph Drach

A work made of plant fibers.

Twined Basketry Bowl, c. 1870–1900

Sally Burris

Painting of two fishermen in small wooden boat on rocky seas

Feathered Bottleneck Basket with Bands of Interlocking Diamonds, Late 19th–early 20th century

Yokuts

A work made of acrylic, pastel, pencil and metallic paint on canvas; mirrored aluminum composite sheet and wooden shelf.

A Bar at ... #5 (feat. a Bar, AM-painting, Pain Bottle, Man, Bruised Grid, Infiniti, Balls, Spectator), 2013

Jutta Koether

A stylized, yellow-toned lithograph of a housing development consisting of a series of houses situated amongst foliage and pastoral land.

Rock Crest/Rock Glen, Mason City, Iowa, Perspective, c. 1912

Walter Burley Griffin

A work made of wood, copper, ceiling tin, bronze, tar and vintage found tools.

Cotton, 2018

Alison Saar

Abstract painting with an orange mass in the center surrounded by green and pink tones, painted in wide brushstrokes.

Untitled, 1960

Eva Hesse

A work made of brocaded silk.

Fragment, Mid–18th century

A work made of pen and brown ink, with brush and brown and gray wash, heightened with white chalk, on cream laid paper, squared in black chalk, laid down on off-white japanese paper.

The Holy Family with Saint John the Baptist, 1570/80

Follower of Federico Barocci

A work made of silk, gilt-and-silvered-metal-strip-wrapped silk, warp-float faced 7:1 satin weave with supplementary patterning wefts, supplementary brocading wefts, and self-patterned by areas of plain weave.

Fragment, c. 1705/06

Untitled

Untitled, 1990

Martin Kippenberger

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