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A work made of etching on heavy ivory laid paper.

Egyptian Obelisk. This was erected by Pope Sixtus V in the Piazza of St. John Lateran, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

The Column of Marcus Aurelius, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of Visible Remains of the Baths of Diocletian at S. Maria degli Angeli, from Views of Rome, 1774, published 1800–07

Giovanni Battista Piranesi

A work made of etching with engraving and sulphur tint or open bite on ivory laid paper.

Title Page from Imaginary Prisons, 1749–50

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

Ruins of the Xystus [a long open portico used for athletic exercises], the central hall of the Antonine Baths [The Baths of Caracalla], from Views of Rome, 1765

Giovanni Battista Piranesi

A work made of etching on ivory laid paper.

A., B. View of the remains of the two rows of columns in the Temple of Neptune which originally formed the colonnades along the sides of the cella, and supported the uppermost part of the roof, from Different views of Paestum, 1778

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Temple of Cybele in the Piazza of the Bocca della Verità, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Pyramidal Tomb of Cestius, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Palazzo di Montecitorio, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Palazzo della Consulta on the Quirinal housing the Papal Secretariat, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Façade of the Basilica of S. Croce in Gerusalemme [the Holy Cross in Jerusalem], from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Rear Entrance of the Basilica of S. Maria Maggiore, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Basilica of S. Maria Maggiore with its two flanking wings, from Views of Rome, 1749

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

Internal view of the Atrium of the Portico of Octavia, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Temple of Antoninus and Faustina in the Roman Forum, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Temple of Fortuna Virilis. Now the Armenian church of S. Maria Egizziaca, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Site of the ancient Roman Forum, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Piazza di Spagna, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Piazza della Rotonda, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy white laid paper.

View of Piazza Navona above the ruins of the Circus of Domitian, from Views of Rome, 1750/59, published 1800–07

Giovanni Battista Piranesi

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