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A work made of heavy boards covered with calf, green outside and black inside; on the front and back are onlays of frogskin; inside boards are reinforced with secondary boards in green with gold lettering, with facing leaves of decorated paper simulating frog skin; the spine is black calf with vertical lines in blind stamping; original paper covers bound in.

La science de Dieu ou La création de l'homme (The Science of God, or The Creation of Man), Published 1900; rebound 1930-1942

Mary Reynolds

A work made of full tan calfskin with leather-covered cutouts; goatskin onlays spelling ubu; gold stamping; gold-speckled, yellow endpapers.

Ubu enchainé (Ubu Enchained), Published 1937; rebound 1937-1942

Mary Reynolds

A work made of fill tan calfskin with leather-covered cutouts; goatskin onlays spelling ubu and cocu; gold stamping; gold speckled, yellow endpapers.

Ubu cocu, restitué en son intégrité tel qu'il a été représenté par les marionnettes du Théâtre des Phynances: Cinq actes (Ubu Cocu: Restored to Its integrity as It was Presented by the Puppets of the Théâtre des Phynances), Published 1944; rebound 1945-1950

Mary Reynolds

A work made of full black morocco binding with onlay; metal corset stay attached to spine; title stamped in gold on spine; mauve endpapers printed with wire-mesh pattern; original paper covers bound in.

Le surmâle: Roman moderne (Superman: A Modern Novel), Published 1945; rebound 1945-1950

Mary Reynolds

A work made of full black calfskin binding; horizontal vellum onlay; title in black ink on front cover; author's name in black ink on back cover; japanese endpapers; original paper covers bound in.

Odile: Roman, Published 1937; rebound 1937-1942

Mary Reynolds

A work made of full goatskin with dotted-blue-calfskin onlays and gold stamping; tan wove endpapers speckled with gold leaf.

Chêne et chien: roman en vers, Published 1937; rebound 1937-1942

Mary Reynolds

A work made of full vellum binding with thick boards; author and title stamped in gold on spine; orange endpapers; gilt edges; original paper covers bound in.

Préface à un livre futur (Preface to a Future Book), Published 1922; rebound 1930-1942

Mary Reynolds

A work made of full gray morocco binding; leather covered raised panel with glass thermometer inset on spine; author and title stamped in gold on spine; doublures with onlays; top edge gilt; original paper covers bound in.

Un rude hiver: Roman (A Hard Winter: Novel), Published 1939; rebound 1939-1950

Mary Reynolds

A work made of full green morocco binding; horizontal onlay across covers and spine; broken china teacup handle attached by onlay to spine; title stamped in gold on front cover; author stamped in gold on back cover; marbled endpapers; original paper covers bound in.

Saint Glinglin: précédé d'une nouvelle version de Gueule de Pierre et des Temps mêlés: Roman (Saint Glinglin: Preceded by a New Version of Stone Mount and Mingled Time: A Nove), Published 1949; rebound 1949-1950

Mary Reynolds

A work made of full tan morocco binding; leather gloves onlaid on front and back covers; author and title stamped in palladium on spine; doublures; silk endpapers; top edge gilt; original paper covers bound in.

Les Mains libres: Dessins de Man Ray, illustrés par les poèmes de Paul Éluard (Free Hands: Drawings illustrated by the poems of Paul Éluard), Published 1937; rebound 1937-1942

Mary Reynolds

A work made of quarter morocco binding with brown paper; reptile-skin inlays; author and title stamped in gold on spine; original paper covers bound in.

Secrets de la jungle (Jungle Ways), Published 1931; rebound 1931-1942

Mary Reynolds

A work made of illustrated book with two loose etchings in black ink on cream laid paper.

Mourir pour la patrie (Die for the Fatherland), Paris: Éditions Cahiers d'Art, 1935

Marcel Jean

A work made of illustrated book with 54 plates.

Les Mains libres: Dessins de Man Ray, illustrés par les poèmes de Paul Éluard (Free Hands: Drawings illustrated by the poems of Paul Éluard), Paris: Éditions J. Bucher, 1937

Man Ray (Emmanuel Radnitzky)

A work made of full vellum with gold stamping on black-calfskin label; wine-colored, glazed-paper endpapers; inscription and drawing by cocteau.

Dessins (Drawings), Published 1924; rebound 1930-1942

Mary Reynolds

A work made of quarter vellum with white paper decorated with fleurs-de-lis; endpapers decorated with gold fleurs-de-lis; title stamped in gold on spine; original paper covers bound in; inscription and pen and ink drawing by cocteau.

Les chevaliers de la table ronde: Pièce en trois actes (The Knights of the Roundtable: A play in three acts), Published 1937; rebound 1937-1942

Mary Reynolds

A work made of quarter vellum binding with cockerell marbled paper; marbled endpapers; original paper covers bound in; inscription and drawing in graphite on half-title by cocteau.

Les parents terribles: Pièce en trois actes (The Terrible Parents: A play in three acts), Published 1938; rebound 1938-1942

Mary Reynolds

A work made of quarter vellum with gold stamping; paper-map sides and endpapers; original paper covers bound in.

Mon premier voyage: Tour du monde en 80 jours (My first voyage: Around the world in 80 days), Published 1936; rebound 1936-1942

Mary Reynolds

A work made of quarter vellum binding with white paper sides repeatedly stamped with an uppercase m in red and black; plain ivory endpapers; author and title stamped in gold on spine; original paper covers bound in.

La machine à écrire: pièce en trois actes (The Typewriter: A Play in Three Acts), Published 1941; rebound 1941-1942

Mary Reynolds

A work made of one-half snake skin with sides and end leaves covered with dark blue paper with jean crotti's name and silver paper panel; partial tinfoil lining of inside front cover; original paper covers bound in.

Jean Crotti, Published 1930; rebound 1930-1950

Mary Reynolds

A work made of full goatskin with calfskin inlays; diagonal false bands on spine with gold stamping; black endpapers and black-painted top edge.

Le vrai visage du Marquis de Sade (The True Face of the Marquis de Sade), Published 1939; rebound 1939-1950

Mary Reynolds

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