Curator

  • Art Institute Chicago
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  • My Exhibition
A work made of pen and black in on ivory wove paper.

Heartbroken Fans, 1985

William Steig

A work made of pen and black ink on ivory wove paper.

Three Lives, 1978

William Steig

A work made of pen and black ink on ivory wove paper.

Untitled (Cigar, Native American, and Smoker), 1977

William Steig

A work made of pen and black ink on cream wove paper.

Untitled (Man Climbing with Chain), c. 1975

William Steig

A work made of pen and black ink on ivory laid paper.

Sardines, 1989

William Steig

A work made of pen and black ink on ivory wove paper.

Scary [Worrisome] Room, c. 1980

William Steig

A work made of pen and black ink on ivory wove paper.

Acrobats, c. 1975

William Steig

A work made of pen and black ink, with touches of white gouache, on ivory wove paper.

Untitled (Dog Asks Man for Change), c. 1980

William Steig

A work made of pen and black ink on ivory paper with fibrous inclusions.

Charade, c. 1975

William Steig

A work made of pen and black ink on ivory wove paper.

Untitled (Woman Scolding Beheaded Man), c. 1974

William Steig

A work made of pen and black ink and brush and gray wash on ivory wove paper.

Some people can't take a joke, 1986

William Steig

A work made of pen and black ink and gray wash on ivory wove paper.

Tree of Life, 1985

William Steig

A work made of pen and black ink on ivory laid paper.

Untitled (Sleepwalking Man), 1974

William Steig

A work made of pen and black ink and brush and gray wash on white wove paper.

The Parting of the Ways, c. 1993

William Steig

A work made of pen and black ink and gray wash on ivory laid paper.

New Neighborhood, 1982

William Steig

A work made of pen and black ink and colored pencil on white wove paper.

The Affectionate Panhandler, c. 1980

William Steig

A work made of tin-glazed earthenware.

Drug Jar (Albarello), c. 1470-c. 1490

A work made of tin-glazed earthenware.

Drug Jar (Albarello), c. 1550

Castel Durante Potteries

A work made of full black calfskin with raised bands and gold stamping; agate-marbled laid paper endpapers.

Les Derniers jours: Roman (The Last Days: Novel), Published 1936; rebound 1936-1950

Mary Reynolds

A work made of full ostrich with gold stamping on black calfskin; gold-speckled lilac endpapers; original paper covers bound in.

Les yeux fertiles (Fertile Eyes), Published 1936; rebound 1940

Mary Reynolds

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