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A work made of etching on cream laid paper.

Meal for a Convalescent, 1862

Jules de Goncourt

A work made of etching on ivory laid paper.

The Fountain of the Oak, 1653/55

Stefano della Bella

A work made of etching in black on ivory laid paper.

The Shipwreck, 1753–54

Adrien Manglard

A work made of lithograph on ivory chine, laid down on cream wove paper.

Boy with a Dog, c. 1822

Pierre Paul Prud'hon

A work made of etching on ivory laid paper.

Lot and His Daughters, 1748

Joseph Marie Vien, I

A work made of etching, with additions in pen and black ink on cream laid paper.

The Parade on the Boulevard, 1760

Antoine-Jean Duclos

A work made of drypoint on ivory wove paper.

Man with a Pipe, 1879

Marcellin Gilbert Desboutin

A work made of mezzotint on ivory laid paper.

Lady Charles Spencer, 1776

William Dickinson

A work made of engraving in black on cream laid paper.

To Bury the Dead, from The Works of Mercy, 1656–57

Sébastien Bourdon

A work made of engraving on ivory laid paper.

Lot and His Daughters, 1748

Joseph Marie Vien, I

A work made of drypoint in black on cream laid paper.

Smoking in Large Hat (Self Portrait), 1888

Marcellin Gilbert Desboutin

Marchande de Ballons (B), Paris, 1950

Marchande de Ballons (B), Paris, 1950, 1950, printed 1976

Irving Penn

Issey Miyake, New York, 1988

Issey Miyake, New York, 1988, 1988

Irving Penn

Dovima and Leon Danielian, New York, 1949

Dovima and Leon Danielian, New York, 1949, 1949

Irving Penn

The Brown Sisters, Brookline, Massachusetts

The Brown Sisters, Brookline, Massachusetts, 2019

Nicholas Nixon

A work made of gelatin silver print; 4/5, plus artist's proofs.

Donkey, Pomfret Asbestos Mine, 2011, from the series The Borderlands, 2011-2013, 2011, printed 2013

Jo Ractliffe

A work made of gelatin silver print.

The Brown Sisters, Natick, Massachusetts, 2022

Nicholas Nixon

A work made of inkjet print.

Grounded #107, 2006-2007, printed 2018

Laura Aguilar

A work made of inkjet print.

Grounded #109, 2006-2007, printed 2018

Laura Aguilar

A work made of albumen print, plate 44 from the album "photographic views of the sherman campaign" (1866).

Destruction of Hood's Ordinance Train, 1864

George N. Barnard

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