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A work made of black fiber-tipped pen and graphite on blue-lined graph paper.

Untitled (Study for 3 x 3), 1966

Mel Bochner

A work made of silk, satin weave with brocading wefts and self-patterning complementary ground wefts bound in twill interlacings and self-patterned by areas of plain weave.

Panel (Dress Fabric), Qing dynasty (1644–1911), Mid–18th century

A work made of black fiber-tipped pen on blue-lined graph paper.

Study for Sculpture (5-Part Progression), 1966

Mel Bochner

A work made of black fiber-tipped pen and graphite on blue-lined graph paper.

Study for Sculpture (5-Part Progression), 1966

Mel Bochner

A work made of silk and gilt-metal-strip-wrapped cotton, warp and weft resist-dyed (warp and weft ikat) warp-float faced 4:1 satin weave with supplementary patterning wefts; woven on a loom with a jacquard attachment.

Panel, 1920s

Coudurier-Fructus-Descher

A work made of pen and black ink on blue-lined graph paper.

Untitled (Study for 3-Way Fibonacci Progression), 1966

Mel Bochner

A work made of silk; plain weave, embroidered with silk and gilt-paper-strip-wrapped silk.

Kesa, Second half of the 18th century, Late Edo period (1789–1868)

A work made of silk and gilt-metal-strip-wrapped cotton, plain weave with creped wefts and supplementary patterning wefts; woven on a loom with a jacquard attachment.

Panel, 1920s

A work made of silk; plain weave, embroidered with silk and gilt-paper-strip-wrapped silk; silk cords.

Kesa, 1750/1800, Edo period (1615–1868)

A work made of silk; plain weave self-patterned by rows of gauze crossings, embroidered with silk.

Kesa, 19th century, Edo period (1789–1868)/ Meiji period (1868–1912)

A work made of silk and gilt-paper strip; twill weave with secondary binding warp and supplementary patterning wefts.

Kesa, 1650/1700, Edo period (1615–1868)

A work made of silk and gilt-paper strip; twill weave with secondary binding warps and supplementary patterning wefts; silk tassels.

Kesa, First half of the 19th century, Late Edo period (1789–1868)

A work made of silk; satin damask and twill weaves with secondary binding warps and supplementary patterning wefts; stenciled silver foil.

Kesa, Late 18th or early 19th century, Late Edo period (1789–1868)

A work made of silk and gilt-paper strip; twill and satin weaves with secondary binding warps and supplementary patterning wefts.

Kesa, 17th century, Edo period (1615–1868)

A work made of silk, wild silk, and gilt-paper strip; twill weave with secondary binding warps and supplementary patterning wefts.

Kesa, Early 20th century, Meiji period (1868–1912)/ Taishô period (1912–1926)

A work made of silk and gilt-paper strip; twill weaves with supplementary patterning and brocading wefts; lining: silk; plain weave with creped wefts, painted and embroidered with silk and gilt-paper-strip-wrapped silk.

Kesa, Early 20th century, Meiji period (1868–1912)/ Taishô period (1912–1926)

A work made of silk; satin damask and plain weaves.

Ôhi (Stole), Early or mid–19th century, Late Edo period (1789–1868)

A work made of silk, satin damask and plain weaves.

Kesa, Early or mid–19th century, Late Edo period (1789–1868)

A work made of silk and gilt-paper strip; twill and satin weaves with secondary binding warps and supplementary patterning wefts.

Kesa, Early or mid–19th century, Edo period (1789–1868)

A work made of silk and gilt-paper strip; plain weave with secondary binding warps and supplementary patterning wefts.

Priest's Hat, Late 19th century, Meiji period (1868–1912)

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