Curator

  • Art Institute Chicago
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A work made of etching on paper.

The Almond Tree, n.d.

Childe Hassam

A work made of watercolor over graphite, on ivory wove paper.

Grant Park, Congress Street, 1911/14

Childe Hassam

A work made of graphite, with touches of pen and brownish-red ink and with brush and pink goauche, on dark tan wove paper.

Against the Light, 1907

Childe Hassam

A work made of ink and graphite on polyester film.

The Chicago Stock Exchange Trading Room, Chicago, Illinois, Axonometric, 1977

Vinci & Kenny

A drawing from street level of a busy plaza, a multistory black glass building rising above it, flanked at the left by a light-colored building with many columns and at right by other city buildings.

Chicago Civic Center: Perspective View of Plaza, 1963

Chicago Civic Center Architects

A work made of graphite on clearprint 1000h white tracing paper with sheet number inked at top right corner of each sheet.

Townhouse Competion, Seven Veils of Architecture, Competition Entry Presentation Drawings, 1980

Stephen Wierzbowski

A work made of charcoal and graphite on tracing paper.

Ziegfield Fashion Theatre, "Tertium Quid," Chicago, Illinois, Presentation Drawing, 1930

Henry T. Harringer

A work made of various.

National Gallery Competition, London, England, Competition Entry Sheets, 1982

Skidmore, Owings & Merrill

A work made of watercolor over traces of graphite on cream wove paper.

Small Residence, Perspective Study, 1933

George Fred Keck

A work made of graphite, ink, and watercolor on paper.

Carrara Glass Display Exhibition Booth, Perspective Study, 1939

George Fred Keck

A work made of ink, watercolor, gouache, and graphite on paper.

Student Project, Wall Fountain, Perspective, c. 1927

Mary Ann E. Crawford

Raymond Hilliard Center

Raymond Hilliard Center, 1963

Bertrand Goldberg Associates

A work made of bronze.

Bust of Seleucus Nicator of Syria, Late 19th century reproduction

Sabatino de Angelis

Bronze bust with a dark patina featuring a bearded man with curly hair, the patina on his nose worn to a lighter shade.

Bust of Heraclitus, Late 19th century reproduction

Ancient Greek

A work made of bronze.

Bust of Sulla, Late 19th century reproduction

A work made of bronze.

Bust of Scipio Africanus, Late 19th century reproduction

Ancient Greek

Blurry, stormcloud grey, with etched architectural forms. Beams, joins, in warped perspective. A smear of red and yellow.

Glittering, the Being, 1958

Matta

A large and vibrantly colored abstract painting. The abstract shapes in muted orange, purple, green, and blue suggest a cityscape amongst mountains and trees.

Growing City, 1956

Eleanor Coen

An indescribable diptych of two nearly identical painted scenes. The curve of a lakeshore, speckled grays, mosaic greens and yellows. Smears of ghostly people, salt ponds, dunes, sunlight?

Clay Lake, Morning Sundown, 1975

Irving Petlin

An orange seashell or flower bud or ear canal emerges from darkness to press up against the picture plane alongside lush green flora. A painting reminiscent of a lacquer box or botanical illustration.

Exotic garden, c. 1954

Kurt Seligmann

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