Curator

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A work made of kubachi ware, fritware with blue, black, and turqouise under a tranparent glaze.

Tile with a Portrait of a Young Man Inhaling the Perfume of a Flower, Safavid dynasty (1501–1722), late 16th/early 17th century

Islamic

Multi-Neck Vase

Multi-Neck Vase, Safavid Dynasty (1501-1736), late 17th/early 18th century

Islamic

Bottle with a Flower and Bird Design

Bottle with a Flower and Bird Design, Safavid Dynasty (1501-1736), late 17th/early 18th century

Islamic

Bowl with Scenes from the Shahnama

Bowl with Scenes from the Shahnama, Seljuq dynasty (1037–1194), late 12th/early 13th century

Islamic

A work made of earthenware oainted in luster with overglaze decoration.

Jar with Floral and Geometric Design, Abbasid Caliphate (750–1258), 9th century

A work made of lusterware, fritware with molded decoration and in-glaze painting in cobalt blue and turquoise, and overglaze painting in luster.

Tile with a Double-Arched Prayer Niche (Mihrab), Ilkhanid dynasty (1256–1353), 13th century

Islamic

Pharmacy Jar

Pharmacy Jar, Ilkhanid dynasty (1256–1353), late 13th century

Islamic

A work made of iznik ware, fritware painted in blue, turquoise, red, green, and black under a transparent glaze.

Pair of Tiles with Floral Design, Ottoman dynasty (1299–1923), c. 1560

Islamic

Tile with Floral and Calligraphic Design

Tile with Floral and Calligraphic Design, Ottoman dynasty (1299–1923), early 17th century

Islamic

A work made of lusterware, fritware with cobalt blue and turquoise underglaze and luster-painted overglaze decoration.

Star-Shaped Tile, Ilkhanid dynasty (1256–1353), Late 13th century

Islamic

Listening to the Mountain Stream

Listening to the Mountain Stream, Ming–early Qing dynasty, 16th/17th century

Xu Ben

Landscape

Landscape, Qing dynasty (1644–1912), 17th century

Hongren

A wooden sculpture of a muscular red figure with flaming hair and a third eye, stares fiercely down at us. Left head raised over head holds a vajra, a ritual object.

Shukongojin, 13th century

A work made of color screenprint on coated off-white wove paper.

Westward Ho!, from Screen Prints 1970, 1970

Harold Allen

A work made of color lithograph on ivory wove paper.

Holy Dove, from Autographs, 1976

Harold Allen

A work made of offset lithograph in green and black and greenish blue felt-tip pen on off-white coated paper stapled onto felt-tip pen in black and red and relief print (stamp) in blue on manila envelope, containing color screenprint with relief print (stamp) in red on white card; screenprint in red on white wove paper; and white wove paper envelope with black felt-tip pen and offset lithograph in blue and red and relief print (stamp) in black on white wove paper self-adhesive support (containing relief print (stamp) in red with red felt-tip pen on white wove card (tag) with string; color screenprint on manila envelope; and xeradiograph with red felt-tip pen on off-white wove paper), tipped onto silkscreen on off-white card.

The Envelopes, from Serigraphs by Students of the Art Institute of Chicago, 1966 and 1969

Harold Allen

A work made of gelatin silver print, from the portfolio "photographs from the school of the art institute of chicago" (1975).

Untitled, c. 1975

Harold Allen

A work made of gelatin silver print, from the portfolio "first student independent 1968–1969: the school of the art institute of chicago".

Untitled, n.d.

Harold Allen

A work made of gelatin silver print.

Untitled, n.d.

Harold Allen

A work made of gelatin silver print, from the portfolio crackerjacks, 1977.

Wooden Eagle Formerly Over the Gate of Old Fort Winnebago, Wisconsin, Carved by One of the Soldiers. "Tramp-Art" Frame Painted Gold., c. 1977

Harold Allen

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