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A work made of linocut in black on red wove paper.

And Then the Dead Jaguar Was Passing before Them, illustration for El Sombrerón, 1946

Alfredo Zalce

Le Testament Dechiré (The Torn-up Will)

Le Testament Dechiré (The Torn-up Will), 1785

Jean Charles Le Vasseur

A work made of etching on heavy ivory laid paper.

View of Ponte Lugano on the Anio, from Views of Rome, 1763, published 1800–07

Giovanni Battista Piranesi

A work made of etching with drypoint in black on ivory laid paper.

The Fall of the Giants, 1663

Salvator Rosa

A work made of etching on heavy ivory laid paper.

Interior view of the Colosseum, from Views of Rome, 1766, published 1807–35

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of Visible Remains of the Baths of Diocletian at S. Maria degli Angeli, from Views of Rome, 1774, published 1800–07

Giovanni Battista Piranesi

A work made of etching on off-white wove paper.

The Arch of Septimus Severus, 1820

Luigi Rossini

A work made of etching on heavy ivory laid paper.

View of the Temple of the Sibyl at Tivoli, from Views of Rome, 1761

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

Ruins of the Xystus [a long open portico used for athletic exercises], the central hall of the Antonine Baths [The Baths of Caracalla], from Views of Rome, 1765, published 1800–07

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

Interior view of the so-called Tempio della Tosse [Temple of the Cough], from Views of Rome, 1764

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Octagonal Temple of Minerva Medica, from Views of Rome, 1764, published 1800–07

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Temple of Cybele in the Piazza of the Bocca della Verità, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Arch of Titus, from Views of Rome, 1771

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Grand Cascade at Tivoli, from Views of Rome, 1765

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

Interior view of the villa of Maecenas, from Views of Rome, 1764, published 1800–07

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

Ruins of the Antonine Baths [Baths of Caracalla], from Views of Rome, 1765, published 1800–07

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

Remains of the temple of the god Canopus at Hadrian's Villa, Tivoli, from Views of Rome, 1768

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Pantheon of Agrippa, today S. Maria ad Martyres, from Views of Rome, 1761

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

Remains of the so-called Temple of Apollo at Hadrian's Villa, Tivoli, from Views of Rome, 1768, published 1800–07

Giovanni Battista Piranesi

A work made of etching on ivory laid paper.

View of the Remains of the Cella of the Temple of Neptune, from Different views of Paestum, 1778

Giovanni Battista Piranesi

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