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A work made of gelatin silver print.

Portrait of Dorothea Lange by Window, 1960s

Rondal Partridge

A work made of gelatin silver print.

For Ever and Ever, Paris, 1938

Joseph Breitenbach

A work made of painted wood.

Door panel from the Henry Stern House, Chicago, Illinois, 1885

Adler & Sullivan, Architects

A work made of bronze.

Sea Treasures, Modeled 1911, cast 1913–14

Abastenia St. Leger Eberle

A work made of gelatin silver print.

3:15 a.m. Going to work: standing room only now, on the Wolwekraal-Marabastad bus, which is licensed to carry 62 sitting and 29 standing passengers, 1983, printed 2007

David Goldblatt

A work made of gelatin silver print.

2:40 a.m. Going to work, Mathysloop, KwaNdebele, 1984, printed c. 2012

David Goldblatt

A black-and-white photograph of a short-haired, dark-skinned figure underneath a chrome showerhead and in front of light-colored square tiles. The figure is obscured both by a mask-like cloth over their nose and a plastic sheet that has been strung up on twine.

Dry Pipes, from the series "Men Only", 2008

Sabelo Mlangeni

A work made of gelatin silver print.

Room Visit, from the series "Men Only", 2009

Sabelo Mlangeni

A work made of glass.

Grand Bernard Rose Jug, 2008

Scholten and Baijings

A work made of whalebone, antler, and leather.

Drummer, Before 1984

Kania Etungat

A work made of painted cast iron.

Anchor Plate from the Pullman-Jennings Building, Chicago, Illinois, 1882-83 (demolished 1978)

Solon Spencer Beman

A work made of silver.

Hand Mirror, c. 1904

Unger Brothers

A work made of stone, bone, and braided fiber.

Hunter and Walrus, Late 20th century

Judas Ullulaq, ᔪᑕ ᐅᓗᓚ

A work made of bone.

Spirit no. 16, 1972

Karoo Ashevak, (ᑲᕈ ᐊᓴᕙ)

A work made of cotton and synthetic fiber, stripes of warp-faced plain weave with secondary patterning wefts and supplementary brocading wefts; plied and twisted extending warp fringe with varying densities in groupings, some unplied; both salvages present.

Textile (Wrapper?), 20th century

A work made of cotton; plain weave with supplementary brocading wefts; unwoven warp sections between bands of weaving (warp floats); extending warp fringe; 24 strips of joined.

Kente Wrapper, Early/mid-20th century

Asante

A work made of cotton; warp-faced plain weave with bands discontinuous wefts; 15 strips joined.

Wrapper, Early/mid-20th century

Yoruba

A work made of wool, wedge tapestry weave, bound edges with corner tassels.

Men's Wearing Blanket (Third Phase Chief Style), c. 1870–1880

Diné (Navajo)

A work made of cotton and probably silk; stripes of warp-faced plain weave; supplementary brocading wefts with crossing and wavering weft turns; embroidered; two panels joined with machine stitching; four salvages present; group and twisted extending warp fringe.

Wrapper, 20th century

Nupe

A work made of wool; stripes of warp-faced plain weave and self-patterning warp float weave; two panels joined.

Lliklla (Shoulder cloth or carrying cloth), 20th century

Quechua

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