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A work made of silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in knot, satin and stem stitches; laid work and couching; sleeve facing: silk, 7:1 satin damask weave; embroidered with silk and gilt-metal-strip-wrapped silk in knot, satin, single satin, split, and stem stitches (under drawing in black ink or graphite); edging and cloud collar: silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-wrapped silk in satin and stem stitches; laid work and couching; collar: silk, 7:1 satin damask weave; ribbons: silk and gold-leaf-over-lacquered-paper-strip-wrapped cotton, stripes of 7:1 satin weave and stripes of plain weave with supplementary patterning warps and of silk and gold-leaf-over-lacquered-paper-strip-wrapped cotton, stripes of 7:1 satin weave, and stripes of plain weave with supplementary patterning warps; tapes: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, 1:1 oblique interlacing and silk, plain weave with self-patterning main warp floats; trim and closures: silk, warp-float faced 7:1 satin weave; lined with silk, plain weave.

Woman's Ao (Short Robe), Qing dynasty (1644–1911), 1875/1900

Han-Chinese

A work made of pen and brown ink and brush and brown wash, on tan laid paper, laid down on tan laid card.

Group of Nine Standing Figures, 1524/27

Parmigianino

The Old Savoyard

The Old Savoyard, 1726, printed after 1755

François Boucher

A work made of chalk manner in black and white ink on blue laid paper.

Marie-Rosalie Vanloo, 1764

Louis-Marin Bonnet

The Dream of Aeneas

The Dream of Aeneas, 1663–1664

Salvator Rosa

Chalk drawing with red and black shading of man carrying crate and pack.

The Old Savoyard, c. 1715

Jean Antoine Watteau

A work made of oil on canvas.

The Sacred Grove, Beloved of the Arts and the Muses, 1884/89

Pierre Puvis de Chavannes

A work made of silver gilt with spessartine garnets.

Chalice, 1827–28

John Bridge

A work made of silver.

Ewer and Basin, c. 1750

A work made of aquatint, with soft-ground etching and drypoint, on cream wove paper.

Lydia Reading, 1880/81

Mary Cassatt

A work made of etching and aquatint in black on cream laid paper.

Head of Edgar Degas in Profile, n.d.

Mary Cassatt

A work made of soft-ground etching in black on cream laid paper.

Mr. and Mrs. Cassatt Reading, c. 1882

Mary Cassatt

A work made of soft-ground etching in black on ivory laid paper.

Mr. and Mrs. Cassatt Reading, c. 1882

Mary Cassatt

A work made of soft-ground etching in black on cream laid paper.

On the Balcony, c. 1889

Mary Cassatt

A work made of soft-ground etching in black on ivory laid paper.

On the Balcony, c. 1889

Mary Cassatt

A work made of drypoint in black with plate tone on cream laid paper.

Edward Schari, c. 1889

Mary Cassatt

A work made of drypoint on ivory laid paper.

Denise Holding Her Child, c. 1908

Mary Cassatt

A work made of pen and brown ink on paper.

The Corner of the Sofa, n.d.

Mary Cassatt

A work made of soft ground etching and aquatint on ivory laid paper.

The Corner of the Sofa (No. 1), c. 1879

Mary Cassatt

A work made of soft ground etching and aquatint on cream laid paper.

Reading the Newspaper, No. 2, c. 1883

Mary Cassatt

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