Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of black and red chalk on cream laid paper, laid down on board.

Shepherd Boy with Lambs in Woods, n.d.

George Morland

A work made of pen and brown ink on ivory wove paper, laid down on board.

On the Thames, n.d.

William Leighton Leitch

A work made of charcoal with stumping and traces of brush and black wash on cream laid paper.

Fright, n.d.

John Downman

A work made of black and red chalk on buff laid paper.

Portrait Bust of Young Woman in Turban, n.d.

David Allan

A work made of black chalk, and brush and gray wash (recto), and black chalk, and brush and brown wash (verso), on ivory laid paper.

Polyphemus Throwing Boulder at Acis, with Galatea (recto), and Pholyphemus Lifting Boulder (verso), n.d.

John William Taverner

A work made of charcoal with stumping on cream laid paper.

Attention, n.d.

John Downman

A work made of graphite on ivory wove paper.

Bampton Grange, n.d.

Lady Amelia Farnborough

A work made of pen and brown ink with brush and brown wash, over traces of graphite, on gray laid paper.

Landscape with Figure Crossing Bridge over Stream, n.d.

Thomas Sandby

A work made of graphite heightened with white gouache and brown wash on tan wove paper.

Square in Aix-en-Provence, n.d.

Samuel Prout

A work made of graphite on cream wove paper laid down on board.

White Friars, Chester, 1831

George Sidney Shepherd

A work made of charcoal on cream wove paper.

Flying Figure, 1837/75

Alfred George Stevens

A work made of black chalk (recto and verso) on gray laid paper.

View of Wilson House and Gardens (recto); View of Wilson House and Gardens (verso), 1760/69 (recto); n.d. (verso)

Richard Wilson

A work made of pen and brown ink, with brush and brown wash, over traces of graphite, on cream laid paper.

Design for an Unexecuted Funerary Monument for the First Duke of Marlborough, n.d.

John Michael Rysbrack

A work made of pen and brown ink, with brush and gray wash, over traces of graphite on cream laid paper.

Statue of Pallas Athene, n.d.

Jan van Nost, the younger

A work made of black chalk with stumping, heightened with white chalk (recto), and black chalk (verso), on blue laid paper.

Landscape with Woman and Cows (recto); Sketch of a Landscape (verso), n.d.

Richard Wilson

A work made of black chalk on blue wove paper, laid down on ivory laid paper.

Italianate Landscape with Bathers, n.d.

Richard Wilson

A work made of pen and brown and gray ink, over traces of graphite, on cream wove paper.

The Colonnade of the Louvre, n.d.

Victor Jean Nicolle

A work made of pen and brown ink with brush and brown wash, on ivory wove paper.

Original Studies for Shakespeare's Tempest, 1824/29

John Massey Wright

A work made of pen and black ink, with brush and gray wash, over graphite, on ivory laid paper.

Walrus Hunt, 1801

Elizabeth Fitzgerald

A work made of red and black chalk on buff wove paper, tipped onto ivory wove paper.

Bardolphe, n.d.

John Hamilton Mortimer

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