Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A seascape painted in pastel tones, light-colored houses with red chimneys and light-green shutters in the foreground. The scene is set on a rocky, green hillside overlooking a blue sea with small sailboats.

New England Headlands, 1899

Childe Hassam

A work made of walnut, steel, silver, and baleen.

Percussion Fowling Piece, 1810/20

Berthon-Perrin

A work made of steel, gilded brass, iron, wood, horn, and mother-of-pearl.

Wheellock Hunting Rifle, 1660

A work made of stained and painted glass.

Two Minstrels, 1885-95

A work made of steel.

Crupper with Tail Guard, mid–16th century

A work made of gilded copper.

Shishak, late 16th/early 17th century

Islamic

A work made of steel and silver.

Turban Helmet, c. 1475–1500

Islamic

A work made of red chalk with stumping on cream wove paper.

The Balcony, c. 1949

René Magritte

A work made of graphite on ivory wove paper, laid down on black card.

TV Dream/Dream TV, 1963

Nam June Paik

A work made of lithograph printed in dark green on ivory china paper laid down on ivory wove paper.

Frontispiece for Chevaleries sentimentales by Ferdinand Hérold, 1893

Odilon Redon

Allegory of the Old and New Testaments (after Holbein)

Allegory of the Old and New Testaments (after Holbein), 1776

John Downman

A work made of black chalk on brown tinted wove paper.

Standing Boy, c. 1794

John Downman

Silver cylindrical beaker with engraved decoration of band-work, floral scrolls, swags of fruit and at base, three birds perched on fruit, twigs in beaks.

Beaker, c. 1640

A work made of graphite with stumping on off-white laid paper.

Study after Statue of the Knife Grinder (also known as the Scythian), 1774

John Downman

A work made of pen and brown ink, with brush and gray wash, and stumping, over black chalk, on ivory laid paper.

Study after the statue of a Boy Playing with a Theater Mask, 1775

John Downman

A work made of charcoal, with stumping, and black crayon, heightened with white chalk, on ivory laid paper, prepared with a tan ground.

Study after Antique Statue of Seated Putto Holding Mask of Silenus, 1775

John Downman

A work made of pen and brown ink with brush and gray wash and black crayon, heightened with touches of white chalk, on cream laid paper prepared with a tan ground.

Study after Antique Monumental Vase, 1774

John Downman

A work made of charcoal with stumping on cream wove paper.

Moses, c. 1775-1800

John Downman

A work made of pen and brown ink and brush and gray wash, over traces of black chalk, on ivory laid paper.

Study of an Ancient Bas-Relief of Sleeping Hunter and Dog, 1775

John Downman

A work made of pen and brown ink and brush and gray wash on ivory laid paper.

Study after an Ancient Bas-Relief with Battle of the Amazons, 1774

John Downman

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