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A work made of bronze with dark brown patina.

Satyr Mother and Child, c. 1510/40

Workshop of Severo da Ravenna (Severo Calzetta)

A work made of wood, traces of gesso.

Virgin and Child, c. 1500

Flemish

A work made of bronze.

Sorrow, Modeled 1882, cast c. 1913–23

Auguste Rodin

A work made of terracotta.

Portrait Bust of Joseph-Louis-Hippolyte Bellange, 1847

Jean-Pierre Dantan

A work made of pen and brown ink, with brush and brown ink, over graphite, on ivory laid paper, tipped onto tan wove paper.

Procession of Three Draped Women Holding Crosses or Sceptres, 1754/1802

George Romney

A work made of wood.

Archangel Michael Overcoming the Devil, c. 1550

French

A work made of pen and brown ink, with brush and brown wash, over graphite (recto), and graphite (verso), on cream laid paper.

Figure Studies, c. late 1770s

George Romney

A work made of digital animation on color video, silent.

Closed Circuit, 1997/2000

Lutz Bacher

A work made of gilt bronze.

Corpus and Superscription Plaque, c. 1550

Florentine

A work made of gilt bronze set against a field lapis lazuli, agate, and sicilian jasper.

Plaque with Virgin and Child, 1580–1600

Painting of a mustached man with a wide-brimmed black hat and white flat collar seen from the waist up, turned to the viewer.

Portrait of an Artist, 1644

Follower of Frans Hals

A work made of oil on panel.

Lucrezia di Lippo di Iacopo Guidi, 1525–28

Andrea del Sarto

A work made of oil on panel.

The Temptation of Saint Jerome, 1541–48

Giorgio Vasari

A work made of oil on panel.

Domenico da Gambassi, 1525–28

Andrea del Sarto

Landscape painting featuring a wavy tree tree in the foreground and a watermill with a red roof adjacent to a river at right. Colors are subdued earth tones, the foliage a dark green and the river a muddy brown. Water flows through the mill wheel under a cloudy sky of gray and blue. Three individuals can be seen in the distance at left.

The Watermill with the Great Red Roof, c. 1665

Meindert Hobbema

A work made of black chalk, with stumping and red chalk, heightened with white chalk, on buff laid paper, laid down on cream laid card.

Study after Apollo Revealing his Divinity before the Shepherdess Isse, c. 1750

Studio of François Boucher

A work made of crayon-manner etching and engraving in red and black ink from two plates on ivory laid paper.

Large Female Head, c. 1788

Gilles Antoine Demarteau, the Younger

A work made of etching, with stipple engraving, roulette, rocker and burnishing, on ivory wove paper.

Labourers, January 1, 1789

George Stubbs

A work made of stipple engraving, with roulette, on ivory laid paper.

Hay-Makers, 1791

George Stubbs

A work made of color crayon-manner etching and engraving on ivory laid paper.

Large Female Head, c. 1786

Gilles Antoine Demarteau, the Younger

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