Curator

  • Art Institute Chicago
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A work made of engraving in black on cream laid paper.

The Dirty Bride, or The Wedding of Mopsus and Nisa, 1570

Pieter van der Heyden

A work made of engraving and etching in black on cream laid paper.

A Naval Battle, c. 1550

Michele Lucchese

A work made of graphite on ivory bristol board.

Self-Portrait Aged 65, 1917

Vincenzo Gemito

A work made of engraving in black on two sheets of ivory laid paper, pieced.

Vladislav Hall, Prague Castle, the Annual Fair, 1607

Aegidius Sadeler, II

A work made of etching with roulette in black on ivory wove paper.

The Forest of Rochecardon, 1800

Jean-Michel Grobon

A work made of graphite (recto and verso) on ivory wove paper.

Self-Portrait, 1927

Stina Forssell

A work made of glazed terracotta.

Fireplace Block from the Henry B. Babson House, Riverside, Illinois, 1908

Louis H. Sullivan

A work made of carved cherry wood.

Staircase panel from the Benjamin Lindauer House, Chicago, Illinois, 1885

Adler & Sullivan, Architects

A work made of cotton, plain weave; pieced.

Man's Angarkha (Outer Robe), Late 18th or early 19th century

Multi-color pastel drawing of sharply distorted human figures.

Two Women's Torsos, 1952

Willem de Kooning

A work made of ink on paper.

Sparkling Night and Gentle Wind, 2009

BuZi

A work made of silk, satin damask weave; tye dyed; lining: silk, plain weave.

Woman's Aigi (Inner Robe), Edo period (1789–1868), late 1700s

A work made of silk, warp-float faced 7:1 satin damask weave; facings: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 7:1 satin weave with plain interlacings of secondary binding warps and self-patterning ground wefts; ribbons: silk, plain weave with supplementary patterning warps, one with extended ground weft loop fringe, silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, plain weave with supplementary patterning warps, and silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 5:1 satin weave with plain interlacings of secondary binding warps and self-patterning ground wefts; sleeve facings: silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in flat, knot, and pekinese stitches; sleeve bands: silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in satin and stem stitches; laid work and couching; trim and closures: silk, warp-float faced 7:1 satin weave; lined with silk, warp-float faced 3:1 'z' twill weave self-patterned by areas of plain weave.

Woman's Semiformal Domestic Magua (Short Coat), Qing dynasty (1644–1911), 1880–1900

Manchu

A work made of instant photograph.

Visions of Enarc, 1985

Barbara Crane

A work made of instant photograph.

Ithaca, New York, 1983

Barbara Crane

A work made of instant photograph.

Ithaca, New York, 1983

Barbara Crane

A work made of instant photograph.

Ithaca, New York, 1988

Barbara Crane

A work made of gelatin silver print.

Teeth Cases, Mexico, 1975

Eve Sonneman

A work made of gelatin silver print.

Laura, New Mexico, 1968

Eve Sonneman

A work made of chromogenic print.

Daniel Weinberg at Lunch, 1990

John Angus Chamberlain

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