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A work made of lithograph on white wove paper.

Greenland Courtship, 1934

Rockwell Kent

A work made of wood engraving on cream wove paper.

The End, n.d.

Rockwell Kent

A work made of wood engraving on cream wove paper.

Forest Pool, 1927

Rockwell Kent

The Imperishable

The Imperishable, 1927

Rockwell Kent

A work made of wood engraving on cream wove paper.

The Precipice, n.d.

Rockwell Kent

A work made of oil on canvas.

Alaska, 1919–27

Rockwell Kent

A work made of wood engraving on cream wove paper.

Blue Bird, 1919

Rockwell Kent

A work made of wood engraving on cream wove paper.

Still the Breath Divine does Move/ And the Breath Divine is Love, 1925

Rockwell Kent

A work made of wood engraving on cream wove paper.

Angel - Greetings from the House of Weyhe MCMXXVI, 1926

Rockwell Kent

A work made of pen and brush and black ink on ivory wove paper, laid down on ivory wood pulp laminate board.

Portrait of Me (Improved), 1923

Rockwell Kent

A work made of brush and black ink, with scraping, over graphite, on ivory wood pulp laminate card.

Running Water, 1918/19

Rockwell Kent

A work made of book with 12 color etchings and aquatints and 12 etchings in black on white wove paper.

Lapidari, 1981

Joan Miró

A work made of 8 lithographs.

Derrière le miroir (no. 14–15), Paris: Aimé Maeght, 1948

Joan Miró

A work made of black chalk, over graphite, on cream wove paper.

Composition with Foot, May 1928

Joan Miró

A work made of lithograph on paper.

Portfolio Cover, from Constellations, 1959

Joan Miró

The Anti-Head: The Despairing One (L’Antitête: Le Désespéranto)

The Anti-Head: The Despairing One (L’Antitête: Le Désespéranto), 1949

Joan Miró

Speaking Alone (Parler Seul)

Speaking Alone (Parler Seul), 1948–50

Joan Miró

Foolproof (A Toute Épreuve)

Foolproof (A Toute Épreuve), 1958

Joan Miró

A work made of collage of cut and pasted papers (including flocked paper), and black conté crayon, with touches of white gouache, pen and black ink, and traces of graphite, on cream wove paper.

Untitled, late July–early October 1929

Joan Miró

A work made of etching, from two plates, in black and red on ivory wove paper.

Plate Six, from Black and Red Series, 1938

Joan Miró

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