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A work made of screenprint on kromekote paper.

Study for Holograms, 1970

Bruce Nauman

A work made of screenprint on kromekote paper.

Study for Holograms, 1970

Bruce Nauman

A work made of screenprint on kromekote paper.

Study for Holograms, 1970

Bruce Nauman

A work made of screenprint on kromekote paper.

Study for Holograms, 1970

Bruce Nauman

Black silhouette of a female figure running after a headless chicken, its head in one hand and a key in the other.

Keys to the Coop, 1997

Kara Walker

A work made of woodcut in colors on cream japanese paper.

Alex, 1991

Chuck Close

A work made of mixed method engraving on ivory chine laid down on off-white plate paper.

The Shadow of Death, 1878

William Holman Hunt

A work made of 31 color 3-d lithograph and screenprint, with collage of vinyl window shade, in a custom plexiglas container.

The Pancake Eater, 1981

Red Grooms

A work made of lithographic crayon, with stumping on ivory wove lithographic transfer paper.

Homage to Blériot, c. 1914

Robert Delaunay

A work made of lithographic crayon and charcoal, with brush and black ink, scraping and smudging, over touches of graphite on cut and pieced cream wove papers, laid down on ivory wove paper.

Counted Out, 1912

George Wesley Bellows

Plate A, from Four Aquatints and One Etching

Plate A, from Four Aquatints and One Etching, 1991

Robert Ryman

A work made of collage of various cut-and-tipped wove papers (prepared with gouache, graphite, and varnish), and brush and pen and black ink, with red watercolor, on cream laminate cardboard.

Proun, 1924–25

El Lissitzky

Plate E, from Four Aquatints and One Etching

Plate E, from Four Aquatints and One Etching, 1991

Robert Ryman

Plate D, from Four Aquatints and One Etching

Plate D, from Four Aquatints and One Etching, 1991

Robert Ryman

Plate C, from Four Aquatints and One Etching

Plate C, from Four Aquatints and One Etching, 1991

Robert Ryman

Plate B, from Four Aquatints and One Etching

Plate B, from Four Aquatints and One Etching, 1991

Robert Ryman

A work made of collage of torn printed papers, tipped to offset lithograph on white wove paper, overprinted in silver and gold inks.

Untitled, 1989

Martin Kippenberger

A work made of black chalk with stumping, with red chalk, heightened with white chalk, on tan laid paper, laid down on card.

The Notary: A Study for "The Marriage Contract", 1761

Jean Baptiste Greuze

A work made of brush, black ink, casein, graphite with smudging, blue pencil on wood veneer.

Untitled, 1984–85

Carroll Dunham

A work made of fiber-tipped pen on ivory wove paper.

Untitled, 2003

Charles Ray

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