Curator

  • Art Institute Chicago
  • Harvard art museum
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A work made of prismacolor on mylar.

Untitled, Presentation Drawings, 1981

Lauretta Vinciarelli

A work made of digital print on paper.

Prototype of Social Housing Unit Drawing, 2015

Tatiana Bilbao

A work made of gelatin silver print.

Builders and doctors in Brasilia: Brasilia, the most modern capital city in the world has 65,000 inhabitants in 1959. Today, its population totals 250,000. In three years this figure will increase to 500,000. Since the first foundations were laid, builders and doctors worked closely together, first of all to see to it that the 60,000 workers who took part in building the new city stayed in good health, then to prevent the town from being invaded by the diseases of bush and forest. Immigrants' health is checked systematically on the road into Brasilia, while specialists study the flora and fauna of the environment in order to discover possible sources of dangerous diseases. At present time the symbol of Brasilia is its National Assembly Hall, its Senate Building and the two skyscrapers which house all the administrative services of the national government. The National Assembly Hall is in the form of an immense saucer while the Senate building looks like an enormous dome. Ca, 1960s

A beige textile with may tight rows of multiple dark lines intersecting at a their central bases, orbs of red, yellow, and brown at the ends of these angled lines.

Roman Candles, c. 1951

Joel Robinson

A work made of linen, cotton and wool, plain weave with supplementary wrapping wefts forming cut pile through a technique known as "ghiordes knots".

Carpet, 1908/12

George Grant Elmslie

A work made of digital print on white wove paper.

Reggio School, Water Reclamation and Transspecies Reparation Nodes, 2022

Andres Jaque

A work made of digital print on white wove paper.

Reggio School, Vertical Stacking (Ecosystem of Architectural Traditions), 2022

Andres Jaque

Two rectangles in blue and red faded color appear on top of tan. The object appears almost water damaged or lined from the effects of the artists work.

Khee II, 1978

Jack Whitten

A work made of silver, glass, and ebony.

Claret Jug, c. 1892-c. 1893

Christopher Dresser

A work made of blown glass.

Clutha Vase, c. 1895

Christopher Dresser

Lady in Brown

Lady in Brown, c. 1855

Frederick R. Spencer

A tall, wooden sculpture that leans against the gallery wall. A hollow box at the top is supported by two wooden branches that connect to a wheel at the bottom. The rough tree branches contrast with the refined wood of the box.

Sanctuary, 1982

Martin Puryear

Sculpture of wooden panels shaped like an abstract chair with a deep narrow base.

Lever #1, 1988/89

Martin Puryear

A work made of hard-paste biscuit porcelain and silver.

Centerpiece: The Scarf Dance (Surtout: Le jeu de l'écharpe), 1901/02

Manufacture nationale de Sèvres

A work made of black chalk, with stumping, and traces of red chalk, heightened with traces of white chalk, over stylus incising, on cream laid paper.

Christ before Pilate, 1522/23

Pontormo, (Jacopo Carrucci)

A work made of oil on panel.

The Capture of Samson, 1609–10

Peter Paul Rubens

A work made of oil on cradled panel.

Mountain Road with Travelers, c. 1615

Joos de Momper, II

A work made of oil on panel.

The Flight into Egypt, c. 1650

Abraham Jansz. van Diepenbeeck

A work made of oil on panel.

The Adoration of the Eucharist, c. 1626

Peter Paul Rubens

Large painting of Holy Family: Mary in red, holding baby Jesus.

The Holy Family with Saints Elizabeth and John the Baptist, c. 1615

Peter Paul Rubens

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