Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Sketch of a Building

Sketch of a Building, n.d.

Pierre Antoine Mongin

A work made of watercolor on paper.

St. Peter’s Seen Through the Porta Angelica, n.d.

Joseph Mallord William Turner

A work made of watercolor, with black crayon, heightened with touches of lead white (discolored) on ivory watercolor paper.

The King's Card Game, copy, after 1895

Imitator of Henri de Toulouse-Lautrec

A work made of black chalk, heightened with white chalk, on tan tracing paper, laid down on buff wove paper.

Vanitas of Venus: Parisian Virtues, c. 1890

Pierre Puvis de Chavannes

A work made of watercolor and gouache, heightened with gum varnish, on tan wove paper.

Ceremony in a Cathedral, n.d.

Louis Haghe

A work made of charcoal and black chalk, with stumping, heightened with white chalk and touches of red-orange pastel, on grayish-tan laid paper.

Portrait of a Woman (Martha Hess), 1781

Henry Fuseli

A work made of watercolor, and pen and brown ink and brush and brown wash, on cream wove paper.

Study, 1856

Constantin Guys

A work made of watercolor and gouache, with traces of graphite, on ivory wove paper.

The Translation of the Ashes of Napoleon: 15 December, 1840, c. 1842

Eugène Louis Lami

A work made of watercolor with touches of gouache, over traces of graphite, and scraping, on off-white wove paper.

The Entrance to the Harbor of Marseilles, c. 1838

William Callow

A work made of brush and gray wash, over graphite, on cream laid paper.

Wooded Landscape, 1754/97

Joseph Wright of Derby

A work made of charcoal heightened with white chalk on tan laid paper.

Aquemoun, Algeria, c. 1865

Gustave Achille Guillaumet

A work made of pen and brown ink with watercolor, over graphite, on tan laid paper, laid down on tan laid paper.

Women Bathing in Pond, 1765/70

John William Taverner

A work made of brush and brown wash, varnished, with oil paint, on ivory wove paper.

Study after Nature, 1774

John Downman

A work made of graphite with touches of white chalk, on cream wove paper.

Reclining Lion, 1816

Edwin Henry Landseer

A work made of watercolor and gouache, over traces of graphite, on tan laid paper, laid down on tan laid paper.

Women Drying Selves by Pond, 1740/50

John William Taverner

A work made of pen and black ink, with brush and watercolor, over graphite on ivory laid paper, laid down on card.

Farm House in Ruins, n.d.

Michael "Angelo" Rooker

A work made of graphite on cream wove paper.

Reclining Lion, From Back, 1816

Edwin Henry Landseer

A work made of black and white chalks on blue wove paper.

The Woodcutters' Repast, 1815

John Linnell

A work made of brush and brown ink and wash, over traces of graphite on cream wove paper, laid down on tan board.

Landscape with a Ruined Castle, 1819

John Martin

A work made of pen and brush and black and brown wash and graphite, heightened with white gouache on cream laid paper.

Phaedre, Having Declared Her Passion, Attempts to Kill Herself with the Sword of Hippolytus, c. 1801

Anne-Louis Girodet de Roussy-Trioson

<<<295296297298 >>>