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A work made of woodcut in black on ivory laid paper.

The Flagellation, from The Large Passion, c. 1496–97

Albrecht Dürer

A work made of woodcut in black on ivory laid paper.

The Betrayal of Christ, from The Large Passion, 1510

Albrecht Dürer

A work made of metalcut on paper (dotted manner).

Adoration of the Magi, 1425–50

A work made of etching in black on ivory laid paper.

Agony in the Garden, 1515

Albrecht Dürer

A work made of woodcut in black on ivory laid paper.

The Deposition of Christ, from The Large Passion, c. 1496–97

Albrecht Dürer

A work made of engraving in black on ivory laid paper.

Saint Peter, 1522

Master of the Breisach High Altar

A work made of engraving in black on buff laid paper.

The Temptation of Christ, c. 1475

Master of the Strache Altar

A work made of gelatin silver print.

Texture Study, Student Project, Institute of Design, Chicago, Illinois, Late 1940s

Art Sinsabaugh

A work made of gelatin silver prints.

Texture Study, Student Project, Institute of Design, Chicago, Illinois, Late 1940s

Art Sinsabaugh

A work made of gelatin silver print.

Texture Study, Student Project, Institute of Design, Chicago, Illinois, Late 1940s

Art Sinsabaugh

A work made of graphite on paper.

Chair Studies, Lounge Chair and Side Chair, Elevation Sketch, c. 1930–1935

Mcnally and Quinn

A work made of graphite on paper.

Chair Studies, Lounge Chair, Sketch, c.1930–1935

Ludwig Mies van der Rohe

A work made of pen and black ink on paper.

Sinmi Stool, Design Sketch, 2015

Norman Teague

A work made of pen and black ink on paper.

Sinmi Stool, Design Sketch, 2015

Norman Teague

A work made of graphite on paper.

Chair Studies, Bent Tubular Steel Chairs, Perspective Sketch, 1927

Ludwig Mies van der Rohe

A work made of graphite on note paper.

Chair Study, Lounge Chair Design Sketch, c. 1935

Ludwig Mies van der Rohe

A work made of pen and black ink on paper.

Sinmi Stool, Design Sketch, 2015

Norman Teague

A square dark-blue textile with a circular grid of lighter-blue dots that seem to drift from their locations. Running from the top to bottom in the middle of the circle is a zig-zagging shape in variegated dark and light pink, while a winding solid light-blue line winds across the lower third of the circle horizontally. Other shapes suggest land masses, like on a map.

Immeasurability: The Ridge, 2020

AD—WO

A work made of graphite and colored pencil on polyester film.

Energy Housing, University of Houston, Texas, Axonometric Study, 1982

Walter Andrew Netsch

A work made of postcards.

History Rising, 2010

Amir Berbic

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