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A work made of embroidered.

Fukusa (Gift Cover), Meiji period (1868–1912), late 19th century

A work made of color etching and acquaint on white wove paper.

June 1, 1923, “Hero of Race” laid to rest at Arlington, from the University of Wisconsin-Madison Print Seminar, March 1975 Portfolio, 1975

Joann C. Sannet

A work made of color soft-ground etching, with vibrograver, and viscosity inking on paper.

A Brief History of Flight, from the University of Wisconsin-Madison Print Seminar, March 1975 Portfolio, 1975

Warrington Colescott

A work made of letterpress in brown on cream wove paper.

Title Page, from the University of Wisconsin-Madison Print Seminar, March 1975 Portfolio, 1975

Warrington Colescott

A work made of portfolio of prints (25) of various media.

Photographs from Class of '74, c. 1974

School of The Art Institute of Chicago, Graduate Photography Class of 1974

A work made of embroidered.

Fukusa (Gift Cover), late Edo period (1789–1868)/ Meiji period (1868–1912), 1870/95

A work made of etching in black and red, inked à la poupée, on cream wove paper.

Fresh, from the University of Wisconsin-Madison Print Seminar, March 1975 Portfolio, 1975

Stephen J. Weitz

A work made of color screenprint on white wove paper.

Untitled, from the University of Wisconsin-Madison Print Seminar, March 1975 Portfolio, 1975

Edward Shalala

A work made of color acquaint, soft ground etching, and hard ground etching on white wove paper.

Persian Faults, from the University of Wisconsin-Madison Print Seminar, March 1975 Portfolio, 1975

Lawrence J. List

A work made of color lithograph, embossing, and collage (recto and verso) on white wove paper.

@#!*#!*…, from the University of Wisconsin-Madison Print Seminar, March 1975 Portfolio, 1975

Jim Pernotto

A work made of mezzotint in black on white wove paper.

Untitled, from the University of Wisconsin-Madison Print Seminar, March 1975 Portfolio, 1975

John Stemmer

A work made of color screenprint on white wove paper.

Wings of Purple Passion, from the University of Wisconsin-Madison Print Seminar, March 1975 Portfolio, 1975

Janet Norsetter

A work made of hand-colored wood engraving on white wove paper.

Night Heron on the Going to the Sun Highway, from the University of Wisconsin-Madison Print Seminar, March 1975 Portfolio, 1975

Elizabeth Coberly

A work made of color screenprint on white wove paper.

Harry Hits the Dusty Trail / or Good-bye Gold Brick Road, from the University of Wisconsin-Madison Print Seminar, March 1975 Portfolio, 1975

Cathie Ruggie

A work made of color screenprint on white wove paper.

Chichen Itza / Sendero Hacia las Estrella (Chichen Itza / I Walk Towards the Stars), from the University of Wisconsin-Madison Print Seminar, March 1975 Portfolio, 1975

Timothy High

A work made of color screenprint on ivory laid paper.

38th Section, 6, 12, N.W., from the University of Wisconsin-Madison Print Seminar, March 1975 Portfolio, 1975

Caroline Greenwald

A work made of lithograph in black on white wove paper.

Nobody Eats the Feathers, from the University of Wisconsin-Madison Print Seminar, March 1975 Portfolio, 1975

Barbara Tisserat

A work made of color lithograph and screenprint on white wove paper.

Homage to Chevy, from the University of Wisconsin-Madison Print Seminar, March 1975 Portfolio, 1975

Gregory Page

A work made of gelatin silver print, tipped onto white paperboard.

Untitled, from the University of Wisconsin-Madison Print Seminar, March 1975 Portfolio, 1975

Linda G. Rich

A work made of color screenprint on white wove paper.

Pillows in Recession, from the University of Wisconsin-Madison Print Seminar, March 1975 Portfolio, 1975

Jan J. Norbeck

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