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A work made of black crayon on cream wove paper.

Half-Length Portrait of a Reclining Woman, 1921

George Wesley Bellows

A work made of black crayon, over touches of graphite, on cream wove paper.

Study, c. 1921

George Wesley Bellows

A work made of pen and brush and black ink, with black crayon, on cream wove paper, laid down on cream board.

Nude Man and Woman, 1920

George Wesley Bellows

A work made of black crayon on cream wove paper.

Study for My Mother, c. 1921

George Wesley Bellows

A work made of graphite and watercolor on cream laid paper, laid down on ivory laid paper.

Art Critics, 1909

Max Beerbohm

A work made of brush and black ink and black crayon, with brush and blue and gray wash, on ivory wove paper.

Trafalgar Square, 1922

David Muirhead Bone

A work made of black crayon on pale gray wove paper.

Sketch of Emma Bellows, n.d.

George Wesley Bellows

A work made of graphite and watercolor, with pen and black ink, on cream wove paper, laid down on ivory laminate board.

Sir William Eden Revisiting Paris, 1907

Max Beerbohm

A work made of pen and black ink, with watercolor and touches of pink gouache, over graphite, on cream laid paper, laid down on ivory laid paper.

M. Jacques Blanche Combating M. Maurice Maeterlinck's Reluctance to be Painted, n.d.

Max Beerbohm

A work made of black crayon with brush and gray wash on ivory wove paper, tipped onto blue wove card.

A Good Pipe, 1897

Alexandre Bloch

A work made of pen and black ink over graphite on cream laminated board.

Now Crossed a Mirror's Face, c. 1889

Edwin Austin Abbey

A work made of pen and black ink and watercolor, with graphite, on cream wove paper, laid down on ivory laminate board.

Mr. Max Beerbohm Receives an Influential, though Biased, Deputation, Urging him, in the Cause of Our Common Humanity, and of Good Taste, to Give Over, 1908

Max Beerbohm

A work made of pen and black ink, over graphite, on ivory wove paper, laid down on ivory wove card.

De King Im Sit Right Flat in a Chair, n.d.

Arthur Burdett Frost, Sr.

A work made of graphite, with black crayon, on ivory wove paper, tipped onto blue wove card.

Wounded Soldier Loading his Rifle, c. 1897

Alexandre Bloch

A work made of watercolor on paper.

The Boston Clipper, Lightning, 1854

P. Giles

A work made of transparent watercolor, with touches of opaque watercolor and scraping, over graphite, on moderately thick, rough-textured, ivory wove paper.

Boy in Boat, Gloucester, 1880/81

Winslow Homer

A work made of watercolor, over graphite, heightened with gum arabic, on cream wove paper.

Letter of Congratulations to Karna Martensdottir, 1852

Unknown artist

A work made of transparent watercolor, with touches of opaque watercolor, rewetting, blotting, and scraping, heightened with gum glaze, over graphite, on moderately thick, moderately-textured, ivory wove paper (left and lower edges trimmed).

The Return, Tynemouth (recto) Study (verso), 1881

Winslow Homer

A work made of transparent and opaque watercolor, with rewetting, blotting, and scraping, heightened with gum glaze, over graphite, on moderately thick, slightly textured, cream wove paper (all edges trimmed).

The Watcher, Tynemouth, 1882

Winslow Homer

A work made of ink wash on paper.

Study for a plate from The Task, c. 1800

Thomas Stothard

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