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A work made of charcoal, with stumping, heightened with touches of white chalk, on ivory wove paper.

Italian Head, c. 1856

Hilaire Germain Edgar Degas

A work made of charcoal, charcoal wash, and touches of red and yellow and pale blue pastel, with stumping and erasing, on buff wove tracing paper, pieced and laid down on sulphite board.

After the Bath (Woman Drying Her Feet), c. 1900

Hilaire Germain Edgar Degas

A work made of watercolor, with touches of charcoal, brush and red chalk wash, heightened with white gouache, over graphite on cream wove paper.

Mme. Michel Musson and Her Daughters, Estelle and Désirée, January 6, 1865

Hilaire Germain Edgar Degas

A work made of oil and pastel on cardboard.

May Milton, 1895

Henri de Toulouse-Lautrec

A work made of charcoal, reed pen and black ink, blue pastel, and white chalk on blue-gray laid paper.

Cottages with a Woman Working in the Middle Ground, 1890

Vincent van Gogh

A work made of pastel, over etching, aquatint, drypoint, and crayon électrique on tan wove paper.

Mary Cassatt at the Louvre: The Paintings Gallery, 1885

Hilaire Germain Edgar Degas

This collage creates the illusion of both a woman's face and a home interior. Blond hair doubles as curtains in an entryway, while her eyes become framed artwork on the wall. The wall, or the top half of the face, is bright red, and doubles as a face mask.

Mae West's Face which May be Used as a Surrealist Apartment, 1934–35

Salvador Dalí

A work made of various charcoals, with touches of black chalk, stumping, wiping, and erasing, on pale-pink wove paper with red and blue fibers altered to a golden tone.

The Sphinx, 1883

Odilon Redon

A work made of pastel on pale blue wove paper faded to gray.

Portrait of Ari Redon, c. 1898

Odilon Redon

A work made of various charcoals, with stumping, incising, erasing, and subtractive brushwork, on pale-pink wove paper with red and blue fibers altered to a golden tone.

Profile of Shadow, c. 1895

Odilon Redon

A work made of charcoal with black chalk, stumping, scraping and erasing, on pale pink wove paper with red/pink and blue fibers, discolored to buff.

Head Wearing a Phrygian Cap, on a Salver, 1881

Odilon Redon

A work made of various charcoals, with stumping, erasing, and incising, on pale-pink wove paper with red and blue fibers altered to a golden tone.

Cauldron of the Sorceress, 1879

Odilon Redon

A work made of various charcoals, with touches of black chalk, stumping, erasing, incising, and subtractive sponge work, heightened with traces of white chalk, on cream wove paper altered to a golden tone.

Guardian Spirit of the Waters, 1878

Odilon Redon

A work made of various charcoals, with touches of black chalk and black conté crayon, stumping, incising and erasing, on yellowish cream wove paper altered to a golden tone.

Strange Flower (Little Sister of the Poor), 1880

Odilon Redon

A work made of black and white chalk, with stumping, and with traces of blue chalk, on blue laid paper (faded to tan).

Head of Vengeance, c. 1804

Pierre Paul Prud'hon

A work made of pastel on paper.

Le Marquis de Puente-Fuerte, 1761–62

Jean-Baptiste Perronneau

Multi-color pastel drawing of sharply distorted human figures.

Two Women's Torsos, 1952

Willem de Kooning

A work made of pastel, with touches of black conté crayon, over various charcoals, on cream wove paper altered to a golden tone.

Sita, c. 1893

Odilon Redon

A work made of pastel, with graphite, stumping and erasing on ivory wove paper.

The Artist's Mother Playing Checkers, c. 1890–91

Édouard Jean Vuillard

A work made of black and white chalks with traces of blue and red pastels on greenish-brown paper.

Portrait of M. Louis Silvestre, c. 1753

Maurice Quentin de Latour

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