Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of ink and watercolor on paper.

White Statuary Marble Mantel Design, Elevations and Plan, 1877

Peter Bonnett Wight

A work made of graphite, red pencil, and ink on tracing paper.

Chocolate-Menier Pavilion, World's Colombian Exposition, Chicago, Illinois, Section Sketch, 1893

Peter Joseph Weber

A work made of graphite on tracing paper.

Seven Veils of Architecture Townhouse Competition, Cross Section, 1980

Stephen Wierzbowski

A work made of ink, graphite, colored pencil, and colored ink markers on tracing paper.

Grand Avenue Connector to Navy Pier, Chicago, Illinois, Annotated Concept Sketch, 1979

Harry Weese

A work made of black ink on paper.

TRIZEK 60-Story Office Building Proposal, Kansas City, Design Sketches, 1981

Harry Weese Associates

A work made of black ink on paper.

TRIZEK 60-Story Office Building Proposal, Kansas City, Design Sketches, 1981

Harry Weese Associates

A work made of graphite on tracing paper.

Seven Veils of Architecture Townhouse Competition, Cross Section, 1980

Stephen Wierzbowski

A work made of ink on paper.

Chicago Sketches, Belmont Harbor, 1996

John Vinci

A work made of ink on paper.

Chicago Sketches, Belmont Harbor, 1996

John Vinci

A work made of ink and graphite on vellum.

Willard Gidwitz House, Chicago, Illinois, Site Plan, 1947

John Van der Meulen

A work made of graphite pencil and colored marker on tracing paper.

Museum of Contemporary Art Proposal, Illinois Central Air-Rights East of Michigan Ave., Chicago, Illinois, Perspective Elevation, c. 1980

Harry Weese Associates

A work made of graphite pencil and colored marker on tracing paper.

Museum of Contemporary Art Proposal, Illinois Central Air-Rights East of Michigan Ave., Chicago, Illinois, Perspective Elevation, c. 1980

Harry Weese Associates

A work made of graphite and colored pencil on tracing paper.

Crerar Library Proposal, Chicago, Illinois, Perspective, 1980

Harry Weese Associates

A work made of graphite and colored pencil on yellow tracing paper.

Lowrise Apartment Building, Chicago, Illinois, Presentation Design Study, c. late 1940s to early 1950s

Harry Weese Associates

A work made of graphite and colored pencil on tracing paper.

Crerar Library Proposal, Chicago, Illinois, Plan Studies, 1980

Harry Weese Associates

A work made of ink and watercolor on paper.

Stewart–Bentley Building, Chicago, Illinois, Perspective, 1872

Carter, Drake and Wight

A drawing of the front of a three-story building with arched windows, an arched doorway, and a flat roof. The space above the door reads "Stewart Bentley" with the numbers 114 and 112.

Stewart–Bentley Building, Chicago, Illinois, Elevation and Exterior Wall Section, 1872

Carter, Drake and Wight

A perspective drawing of a three-story building façade with a central archway and steps.

Lenox Building, Chicago, Illinois, Perspective, 1872

Carter, Drake and Wight

A work made of graphite, watercolor, gouache, and ink on tan paper.

Sears Building, Chicago, Illinois, Elevation of Competition Drawing, c. 1873

Drake + Wight

A work made of gouache on paper.

Ottawa Opera House, Ottawa, Illinois, Wall Stencil Design, c. 1875

Peter Bonnett Wight

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