Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Black silhouette of a female figure running after a headless chicken, its head in one hand and a key in the other.

Keys to the Coop

1997

Kara Walker American, born 1969

United States

Kara Walker’s use of silhouettes is inspired by the folk tradition commonly practiced by “proper ladies,” particularly during the years leading up to the Civil War. By loading her images with sexual content, mythological undertones, and voodoo symbolism, Walker subverts the gentle tradition by grafting onto it her contemporary point of view that the slave girl uses her sexuality as the key to her release: the key to the chicken coop that she dangles from her finger implies this. Like her masters over her, she holds the freedom of this chicken in the palm of her hand.

Linocut on white wove paper

Prints and Drawings

African Diaspora

African American artists

Women artists