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A work made of lithograph on mounted ivory china paper.

Felineness, plate seven from In Dreams, 1879

Odilon Redon

A work made of lithograph on mounted ivory china paper.

Gnome, plate six from In Dreams, 1879

Odilon Redon

A work made of lithograph on mounted ivory china paper.

The Gambler, plate five from In Dreams, 1879

Odilon Redon

A work made of lithograph on mounted ivory china paper.

Sad Ascent, plate nine from In Dreams, 1879

Odilon Redon

A work made of lithograph on mounted cream china paper.

Vision, plate eight from In Dreams, 1879

Odilon Redon

A work made of various charcoals, with touches of black chalk, stumping, wiping and erasing, heightened with touches of white and ocher gouache, on cream wove paper altered to a pale, golden tone.

Primitive Man, 1872

Odilon Redon

A work made of lithograph in black on ivory china paper, laid down on white wove paper.

The Eye, Like a Strange Balloon Moves Towards Infinity, plate one from To Edgar Poe, 1882

Odilon Redon

A work made of lithograph on mounted ivory china paper.

On the Dish, plate ten from In Dreams, 1879

Odilon Redon

A work made of lithograph on mounted ivory china paper.

The Wheel, plate three from In Dreams, 1879

Odilon Redon

A work made of lithograph in black on pinkish-cream china paper laid down on ivory wove paper.

Et que des yeux sans tete flottaient comme des mollusques, plate XIII of Tentation de St. Antoine, 1896

Odilon Redon

A work made of lithograph on tan wove paper.

Germination, plate two from In Dreams, 1879

Odilon Redon

A work made of etching on ivory chine collé on off-white wove paper.

Rescue, plate four from A Glove, 1881

Max Klinger

A work made of etching and aquatint on ivory chine collé on off-white wove paper.

A Glove: Action, 1881

Max Klinger

A work made of ivory chine collé on off-white wove paper.

Place, plate one from A Glove, 1881

Max Klinger

A work made of etching on ivory chine collé on off-white wove paper.

Homage, plate six from A Glove, 1881

Max Klinger

A work made of etching on ivory chine collé on off-white wove paper.

Triumph, plate five from A Glove, 1881

Max Klinger

A work made of etching and aquatint on ivory chine collé on off-white wove paper.

Abduction, plate nine from A Glove, 1881

Max Klinger

A work made of etching on ivory chine collé on off-white wove paper.

Repose, 1881

Max Klinger

A work made of etching on ivory chine collé on off-white wove paper.

Fears, plate seven from A Glove, 1881

Max Klinger

A work made of soft varnish ("vernis mou") etching, drypoint and roulette in brownish-red on cream wove paper.

Frontispiece to Les baisers morts, 1893

Félicien Rops

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