Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of chromogenic print, leaves, and oil on canvas.

Aging Tree 2, 1968

Alan Sonfist

Sharp white lines inscribe a heavy black slab, implying a kind of screenwork person: flat, sharp, a little silly. A soft cloth floats over the figure's "abdomen." On it, two white owls contrast sharply with their soft, luminous featheriness.

Human Figure with Two Birds, 1925/29

Max Ernst

A work made of stoneware with ash glaze.

Tamba-Ware Jar, 15th century

A work made of stoneware with ash glaze.

Tokoname-Ware Jar, 14th century

A work made of stoneware with ash glaze.

Shigaraki-Ware Jar, 16th century

A work made of stoneware with ash glaze.

Shigaraki-Ware Jar, 14th century

A work made of stoneware with ash glaze.

Shigaraki-Ware Jar, 15th century

A work made of stoneware with ash glaze.

Tokoname-Ware Jar, 15th century

A work made of oil on linen.

Untitled, 2021

Kai Althoff

A work made of black chalk on cream laid paper.

Antigone with the Body of Polynices, 1773–75

George Romney

A work made of oil on canvas.

Still Life, 1926

Fernand Léger

A work made of honduras rosewood.

Ark, 2015

Norm Sartorius

A work made of porcelain, enamels, metallic lusters, and glazes.

Painted Cup, 1985

Ralph Bacerra

A work made of desert root.

Collaboration with Nature, 2012

Norm Sartorius

A work made of black and white ebony.

Black Spot, 2017

Norm Sartorius

A work made of yew.

Spoon, 2008

Norm Sartorius

A work made of algerita.

Curling Up, 2012

Norm Sartorius

A work made of macassar ebony.

Spoon from a Forgotten Ceremony Miniature, 2013

Norm Sartorius

A work made of amboyna burl.

Spoon, 2022

Norm Sartorius

A work made of porcelain, enamels, metallic lusters, and glazes.

Covered Vessel #11, 1980

Ralph Bacerra

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