Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Horizontal image of four distinct cut or uprooted flowers rendered in fine black ink. The first three feature small leaves and blossoms, the fourth a large central bloom.

Flowers of the Four Seasons 四季花卉圖, Ming dynasty (1368–1644), dated 1599

Chen Jiayan

A work made of transfer lithograph in black on ivory laid paper.

La Jolie New Yorkaise, 1894

James McNeill Whistler

A work made of transfer lithograph in black on ivory laid paper.

Confidences in the Garden, 1894

James McNeill Whistler

A work made of copper.

Statuette of a Striding Figure, 3000-2800 BCE

Ancient Mesopotamian

A work made of wood, metal, glass beads, cowrie shells, fabric, pigment, seeds, thread, and leather.

Helmet Mask (Bwoom), Possibly late 19th to mid-20th century

Kuba

A work made of transfer lithograph in black with stumping, on cream laid paper.

The Forge, Passage du Dragon, 1894

James McNeill Whistler

A work made of transfer lithograph in black, with stumping and scraping, on cream laid paper, laid down on a heavy backing sheet.

La Belle Jardinière, 1894

James McNeill Whistler

A vertical painting of a bundle of many types of flowers set in a vase-like vessel. The bottom of this vessel contains netted rope through which many blossoms can be seen. A plethora of blooms and leaves extend upward from the top of the vessel.

Flowers of the Four Seasons, Qing dynasty (1644–1911), 18th/19th century

Artist Unknown

A work made of transfer lithograph in black with stumping, on grayish white chine, laid down on ivory plate paper.

The Smith, Passage du Dragon, 1894

James McNeill Whistler

A work made of transfer lithograph in black with stumping, on grayish white chine, laid down on ivory plate paper.

The Forge, Passage du Dragon, 1894

James McNeill Whistler

A work made of transfer lithograph in black with stumping and scraping, on cream japanese paper.

The Priest's House, Rouen, 1894/95

James McNeill Whistler

A work made of transfer lithograph in black with stumping and scraping, on cream wove japanese vellum laid down on a heavy backing sheet.

The Priest's House, Rouen, 1894/95

James McNeill Whistler

A work made of transfer lithograph in black with stumping, on ivory wove proofing paper laid down on a heavy backing sheet.

The Smith, Passage du Dragon, 1894

James McNeill Whistler

A work made of transfer lithograph in black on cream laid paper.

The Duet, 1894

James McNeill Whistler

A work made of transfer lithograph in black, with stumping and scraping, on cream laid paper.

The Priest's House, Rouen, 1894–95

James McNeill Whistler

A work made of transfer lithograph in black with stumping and scraping, on off-white chine, laid down on white plate paper.

The Priest's House, Rouen, 1894/95

James McNeill Whistler

A work made of transfer lithograph in black, with stumping, on cream wove japanese vellum.

The Smith, Passage du Dragon, 1894

James McNeill Whistler

A work made of transfer lithograph in black on cream laid japanese vellum.

La Fruitière de la rue de Grenelle, 1894

James McNeill Whistler

A work made of transfer lithograph in black on grayish white chine, laid down on white plate paper.

La Belle Dame endormie, 1894

James McNeill Whistler

A work made of transfer lithograph in black on ivory laid paper.

La Robe Rouge, 1894

James McNeill Whistler

<<<140141142143 >>>