Results for artworks - Page 139 from chicago

A work made of engraving in black on laid paper.

Saint Mark, plate two from The Four Evangelists, 1588

Jacques de Gheyn, II

Saint Matthew, plate one from The Four Evangelists, 1588

Jacques de Gheyn, II

Syntagma Arateorum, 1600

Jacques de Gheyn, II

A work made of engraving, with stippling, in black on cream laid paper.

Carolus Clusius, 1601

Jacques de Gheyn, II

A work made of engraving on ivory laid paper.

The Anatomical Lesson of Professor Pauw, 1615

Jacques de Gheyn, II

A work made of engraving on cream laid paper.

Fortune-Teller, c. 1608

Jacques de Gheyn, II

A work made of pen and brown ink and brush and gray wash, over touches of charcoal, ruled with pen and black ink, on ivory laid paper, incised with a stylus for transfer, laid down on cream laid paper.

A Huntsman with a Dead Hare and a Dog (Study for "Terra"), 1590/95

Jacques de Gheyn, II

A work made of engraving in black on ivory laid paper.

The Miracle of the Five Loaves, 1595

Jacques de Gheyn, II

A work made of pen and black iron gall ink on tan laid paper.

Two Studies of a Roma Woman and a Roma Boy in a Large Hat, c. 1605

Jacques de Gheyn, II

A work made of lithograph on white wove paper.

Hand, 1963

Jasper Johns

Sideboard, c. 1820

Edward Priestley

Untitled XI, 1975

Willem de Kooning

Flagon, 1765–80

William Will

The Print Collector, c. 1860

Honoré-Victorin Daumier

Vase, 1904–14

Tiffany Studios (Firm)

Towering Trees, 1911

Daniel Garber

A work made of cotton and linen, crochet.

Collar, 1890s/1900s

A work made of pair of hanging scrolls; ink on paper.

Poetic Couplet in Seal Script, Qing dynasty (1644–1911), 18th century

Wang Xu

A work made of plain compound twill, silk and gilt paper; 3 strips to m.m..

Fragment, late Edo period (1789–1868)/ Meiji period (1868–1912), 1850/1900

A work made of brocaded plain simple twill (kara ori) silk..

Saint Mark, plate two from The Four Evangelists, 1588

Saint Matthew, plate one from The Four Evangelists, 1588

Syntagma Arateorum, 1600

Carolus Clusius, 1601

The Anatomical Lesson of Professor Pauw, 1615

Fortune-Teller, c. 1608

A Huntsman with a Dead Hare and a Dog (Study for "Terra"), 1590/95

The Miracle of the Five Loaves, 1595

Two Studies of a Roma Woman and a Roma Boy in a Large Hat, c. 1605

Hand, 1963

Sideboard, c. 1820

Untitled XI, 1975

Flagon, 1765–80

The Print Collector, c. 1860

Vase, 1904–14

Towering Trees, 1911

Collar, 1890s/1900s

Poetic Couplet in Seal Script, Qing dynasty (1644–1911), 18th century

Fragment, late Edo period (1789–1868)/ Meiji period (1868–1912), 1850/1900

Fragment (From Noh Costume), late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century

Saint Mark, plate two from The Four Evangelists, 1588

Saint Matthew, plate one from The Four Evangelists, 1588

Syntagma Arateorum, 1600

Carolus Clusius, 1601

The Anatomical Lesson of Professor Pauw, 1615

Fortune-Teller, c. 1608

A Huntsman with a Dead Hare and a Dog (Study for "Terra"), 1590/95

The Miracle of the Five Loaves, 1595

Two Studies of a Roma Woman and a Roma Boy in a Large Hat, c. 1605

Hand, 1963

Sideboard, c. 1820

Untitled XI, 1975

Flagon, 1765–80

The Print Collector, c. 1860

Vase, 1904–14

Towering Trees, 1911

Collar, 1890s/1900s

Poetic Couplet in Seal Script, Qing dynasty (1644–1911), 18th century

Fragment, late Edo period (1789–1868)/ Meiji period (1868–1912), 1850/1900

Fragment (From Noh Costume), late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century