Lion Hunt

In 1832 Eugène Delacroix joined a diplomatic envoy to French-colonized Algeria. The sights and experiences from this six-month journey fueled the rest of his career, lending his canvases an illusion of accuracy that his less-traveled competitors lacked. The artist expressed in his journals from abroad his admiration for Arab culture, even characterizing it as superior to that of post-revolutionary France. Nevertheless, in paintings like this he catered to violent European fantasies about the Arab world. Having never witnessed a lion hunt, Delacroix skillfully synthesized studies of landscapes, Islamic costume, and zoo animals to bring this narrative to life with theatrical intensity.