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A work made of etching on heavy ivory laid paper.

View of the Basilica of S. Maria Maggiore with its two flanking wings, from Views of Rome, 1749

Giovanni Battista Piranesi

A work made of albumen print, plate 35 from the album "photographic views of the sherman campaign" (1866).

Scene of Gen. McPhersons Death, 1864/66

George N. Barnard

A work made of albumen print, from the album "views of london".

London Bridge, 1850–1900

Unknown

A work made of letterpress on blue wove paper.

Portfolio Cover for Picturesque Views of American Scenery, No. I, 1819/21

John Hill

A work made of sepia-toned gelatin silver print.

Eight Views of My Lover's Apartment, May 78; and One View of Mine, May 1978, printed 1978

Leslie Robert Krims

A work made of ink on paper.

Shop Bungalow, Castlecrag, Australia, Multiple Views, c. 1924

Marion Mahony Griffin

A work made of color woodblock print; oban.

Evening Bell at Mii Temple (Mii bansho), from the series "Eight Views of Omi (Omi hakkei)", 1857

Utagawa Hiroshige

A work made of lithograph in black on ivory wove paper.

View of the Road from Cascatelles to Tivoli, 1817

Claude Thienon

A work made of woodcut in black on off-white wove paper.

Overpass, from One-Hundred Views of Chicago, 1967

Bronislaw M. Bak

A work made of gelatin silver print.

View to Southside, 1970/78, printed 1977

Kiyoaki Kato

A work made of color woodblock print; oban.

Twilight Moon at the Ryogoku Bridge (Ryogoku no yoizuki), from the series "Famous Views of the Eastern Capital (Toto Meisho)", c. 1831

Utagawa Hiroshige

A work made of albumen print, plate 48 from the album "photographic views of the sherman campaign" (1866).

Buen-Ventura Savannah, Ga., 1866

George N. Barnard

A work made of albumen print, plate 34 from the album "photographic views of the sherman campaign" (1866).

The Battle Field of Peach Tree Creek, Ga., 1864/66

George N. Barnard

A print shows a small caravan of travelers, with a horse and figures in a litter, journeying on a road in the foreground. Two of the figures wear wide, bowl-shaped hats, and one of them is shirtless. Another sits beside the litter, which is resting on the ground. Spindly trees, an open plain, and a lone snow-capped mountain in the distance make up the landscape, rendered in tones of light orange, deep blue, and deep green.

Hodogaya on the Tokaido (Tokaido Hodogaya), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", c. 1830/33

Katsushika Hokusai

A work made of etching on ivory china paper, laid down on white wove paper.

View of One of the Springs of Mount Pentéli, 1845

Théodore Caruelle d' Aligny

A work made of etching on ivory laid paper.

Rear View of the Temple of Pola in Istria. 1. Rear view of another temple, plate 22 from Some Views of Triumphal Arches and other Monuments, 1748

Giovanni Battista Piranesi

A work made of lithograph in black on gray wove china paper.

Steinlen, Frontal View, Head to the Right, February 1905

Théophile-Alexandre Pierre Steinlen

A work made of color woodblock print; oban.

Beneath Mannen Bridge in Fukagawa (Fukagawa Mannenbashi shita) from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", c. 1830/33

Katsushika Hokusai

A work made of etching in black on ivory laid paper.

Imaginary View of S. Giacomo di Rialto, from Vedute, 1735/44

Canaletto

A work made of color woodblock print.

Newly Published Dutch Perspective View: The Tomb of King Mausolus in Asia, c. 1824/25

Utagawa Kuninaga

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