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A work made of albumen print, plate 47 from the album "photographic views of the sherman campaign" (1866).

Savannah River, near Savannah, GA, 1866

George N. Barnard

A work made of color woodblock print; hashira-e.

Viewing Cherry Blossoms, c. 1788/89

Katsukawa Shunchô

A work made of graphite on cream laid paper.

View of Brooklyn, 1964

Gabriel Laderman

A work made of etching in black on cream laid paper.

View of the Port of Dieppe, c. 1727

Jean-Baptiste Oudry

A work made of color woodblock print; uchiwa-e.

Distant View of Mount Asama in the Shinshu District, Early to mid-18th century

Utagawa Hiroshige

A work made of etching on ivory laid paper.

Rear view of the remains of the pronaos of the Temple of Neptune, drawn in the two preceding plates, from Different views of Paestum, 1778

Giovanni Battista Piranesi

A work made of color woodblock print; oban.

Ancient View of the Eight-planked Bridge in Mikawa Province (Mikawa no Yatsuhashi no kozu), from the series "Unusual Views of Famous Bridges in Various Provinces (Shokoku meikyo kiran)", c. 1833/34

Katsushika Hokusai

A work made of color woodblock print; right sheet of oban triptych (center sheet: 1925.3088).

Women Viewing Cherry Blossoms, c. 1793

Chôbunsai Eishi

A work made of salted paper print, from the album "photographic pictures of the seat of war in the crimea" (1856).

General View of Balaklava, 1855

Roger Fenton

A work made of lithograph with gray tintstone on ivory wove paper.

View of the Battle Ground at Concord, Massachusetts, c. 1850

Fitz Henry Lane

A work made of color woodblock print; chuban, surimono.

Returning Sails of the Towel Rack (Tenugui-kake no kihan), from the series "Eight Views of the Parlor (Zashiki hakkei)", c. 1766

Suzuki Harunobu

A work made of color woodblock print.

Pine Tree at Karasaki (Karasaki no matsu), from the series “Eight Views of Omi (Omi hakkei) “, 1918

Ito Shinsui

A work made of etching on heavy ivory laid paper.

View of the Basilica of S. Maria Maggiore with its two flanking wings, from Views of Rome, 1749

Giovanni Battista Piranesi

A work made of lithograph on ivory wove paper.

View from Kings, Weston Hill, from Three Views, Illustrative of The Scenery of Bristol, and its Vicinity, 1823

Francis Danby

A work made of etching on heavy ivory laid paper.

View of the Temple of Bacchus, now the church of S. Urbano, two miles distant from Rome, beyond the Porta S. Sebastiano, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of lithograph in black on grayish china paper, laid down on white wove paper (chine collé).

The Legislative belly. View of the ministerial benches in the Improstituted House of 1834, plate 18 from L’Association mensuelle, 1834

Honoré-Victorin Daumier

A work made of letterpress on blue wove paper.

Portfolio Cover for Picturesque Views of American Scenery, No. I, 1819/21

John Hill

A work made of ink on paper.

Shop Bungalow, Castlecrag, Australia, Multiple Views, c. 1924

Marion Mahony Griffin

A work made of sepia-toned gelatin silver print.

Eight Views of My Lover's Apartment, May 78; and One View of Mine, May 1978, printed 1978

Leslie Robert Krims

A work made of gelatin silver print.

View to Southside, 1970/78, printed 1977

Kiyoaki Kato

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