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A work made of etching on heavy white laid paper.

View of Piazza Navona above the ruins of the Circus of Domitian, from Views of Rome, 1750/59, published 1800–07

Giovanni Battista Piranesi

A work made of etching on paper.

View of Hadrian's Villa at Tivoli, 1792

Friedrich-Wilhelm Gmelin

A work made of color woodblock print; oban.

Ancient View of the Eight-planked Bridge in Mikawa Province (Mikawa no Yatsuhashi no kozu), from the series "Unusual Views of Famous Bridges in Various Provinces (Shokoku meikyo kiran)", c. 1833/34

Katsushika Hokusai

A work made of etching on ivory laid paper.

Rear view of the remains of the pronaos of the Temple of Neptune, drawn in the two preceding plates, from Different views of Paestum, 1778

Giovanni Battista Piranesi

A work made of color woodblock print; uchiwa-e.

Distant View of Mount Asama in the Shinshu District, n.d.

Utagawa Hiroshige

A work made of color woodblock print; hashira-e.

Viewing Cherry Blossoms, c. 1788/89

Katsukawa Shunchô

A work made of graphite on cream laid paper.

View of Brooklyn, 1964

Gabriel Laderman

A work made of etching in black on cream laid paper.

View of the Port of Dieppe, c. 1727

Jean-Baptiste Oudry

A work made of color woodblock print; chuban, surimono.

Returning Sails of the Towel Rack (Tenugui-kake no kihan), from the series "Eight Views of the Parlor (Zashiki hakkei)", c. 1766

Suzuki Harunobu

A work made of lithograph with gray tintstone on ivory wove paper.

View of the Battle Ground at Concord, Massachusetts, c. 1850

Fitz Henry Lane

A work made of color woodblock print; right sheet of oban triptych (center sheet: 1925.3088).

Women Viewing Cherry Blossoms, c. 1793

Chôbunsai Eishi

A work made of salted paper print, from the album "photographic pictures of the seat of war in the crimea" (1856).

General View of Balaklava, 1855

Roger Fenton

A work made of color woodblock print.

Pine Tree at Karasaki (Karasaki no matsu), from the series “Eight Views of Omi (Omi hakkei) “, 1918

Ito Shinsui

A work made of etching on heavy ivory laid paper.

View of the Temple of Bacchus, now the church of S. Urbano, two miles distant from Rome, beyond the Porta S. Sebastiano, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of lithograph in black on grayish china paper, laid down on white wove paper (chine collé).

The Legislative belly. View of the ministerial benches in the Improstituted House of 1834, plate 18 from L’Association mensuelle, 1834

Honoré-Victorin Daumier

A work made of etching on heavy ivory laid paper.

View of the Basilica of S. Maria Maggiore with its two flanking wings, from Views of Rome, 1749

Giovanni Battista Piranesi

A work made of lithograph on ivory wove paper.

View from Kings, Weston Hill, from Three Views, Illustrative of The Scenery of Bristol, and its Vicinity, 1823

Francis Danby

A work made of albumen print, plate 35 from the album "photographic views of the sherman campaign" (1866).

Scene of Gen. McPhersons Death, 1864/66

George N. Barnard

A work made of graphite and colored pencil on paper.

Gene and Nancy Bavinger House: Interior View Showing Stairs and Suspended Child's Spaces, 1950/51

Bruce Alonzo Goff

A work made of albumen print, from the album "views of london".

London Bridge, 1850–1900

Unknown

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