Curator

  • Art Institute Chicago
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A work made of glass; colorless, blown, cut, stained and painted in transparent and opaque enamels and gilding.

Beaker with a view of Dresden, 1816

Samuel Mohn

A work made of pen and gray and brown ink with brush and watercolor, over traces of graphite, on ivory wove paper, laid down on ivory wove paper.

View of Prizes Taken by Lord Howe Coming in Portsmouth, July 1794

Thomas Rowlandson

A work made of orotone.

View of Mt. Rainier, Seattle, Washington, c. 1920

Asahel Curtis

A work made of lithograph on wove paper.

View of the Town of Gloucester, Massachusetts, c. 1836

Fitz Henry Lane

A work made of color woodblock print; ebangire, surimono.

View of Koganei (Koganei no kei), from an untitled series of famous views of the Edo suburbs, c. 1839/40

Utagawa Hiroshige

A work made of woodcut in black on off-white wove paper.

Therapy, from One-Hundred Views of Chicago, 1967

Bronislaw M. Bak

A work made of color woodblock print; oban.

Hilltop View from Yushima Tenjin Shrine (Yushima Tenjin sakaue tenbo), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1856

Utagawa Hiroshige

A work made of aquatint with etching on cream laid paper.

Pont-Aber-Glassin, plate seven from Twelve Views in Wales, 1777

Paul Sandby

A work made of woodcut in black on off-white wove paper.

St. Patrick's Day, from One-Hundred Views of Chicago, 1967

Bronislaw M. Bak

A work made of color woodblock print; right sheet of oban triptych.

Viewing Cherry Blossoms at Ueno, c. 1780/1801

Katsukawa Shunchô

A work made of color woodblock print; oban.

Seashore at Nobutoura (Nobutoura), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", c. 1830/33

Katsushika Hokusai

A work made of color woodblock print; chuban.

Evening Rain at Nihonzutsumi (Nihonzutsumi no yau), from the series "Eight Fashionable Views of Edo (Furyu Edo hakkei)", c. 1768/69

Suzuki Harunobu

A work made of gelatin silver print.

Untitled (Carson Pirie Scott & Co. Store, General View from Street Level), c. 1970, printed 1973

Richard Nickel

A work made of woodcut in black on off-white wove paper.

Skid Row, from One-Hundred Views of Chicago, 1967

Bronislaw M. Bak

A work made of albumen print, plate 7 from the album "photographic views of the sherman campaign" (1866).

Pass in the Raccoon Range, Whiteside No. 2, 1864

George N. Barnard

A work made of albumen print, plate 15 from the album "photographic views of the sherman campaign" (1866).

Lu-La Lake Lookout Mountain, 1864/66

George N. Barnard

A work made of color woodblock print; oban.

Togetsu Bridge at Arashiyama in Yamashiro Province (Yamashiro Arashiyama no Togetsukyo), from the series "Unusual Views of Famous Bridges in Various Provinces (Shokoku meikyo kiran)", c. 1833/34

Katsushika Hokusai

A work made of color woodblock print.

Actual View of Hirose, Unshu Province (Unshu hirose shinkei) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)”, 1859

Utagawa Hiroshige II (Shigenobu)

A work made of etching on heavy ivory laid paper.

Interior view of the Basilica of S. Maria Maggiore, from Views of Rome, 1768, published 1800–07

Giovanni Battista Piranesi

A work made of gelatin silver print.

View of Lower Manhattan from the Brooklyn Bridge, 1946

Esther Bubley

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