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A work made of woodcut in black on off-white wove paper.

Picnic in the Park, from One-Hundred Views of Chicago, 1967

Bronislaw M. Bak

A work made of color woodblock print; chuban.

Geese Descending at Yoshiwara (Yoshiwara no rakugan), from the series "Eight Views of the Edo Pleasure Quarters (Edo irozato hakkei)", c. 1770/72

Isoda Koryusai

A work made of albumen print, plate 6 from the album "photographic views of the sherman campaign" (1866).

Pass in the Raccoon Range, Whiteside No. 1, 1864

George N. Barnard

A work made of lithograph in black on cream chine laid down on ivory wove paper.

View of the Village and Bay of Yalta, Crimea, August 15, 1837, 1840

Denis Auguste Marie Raffet

A work made of color woodblock print.

Actual View of Shimotani, Hoki Province (Hoki Shimotani shinkei), from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)”, 1859

Utagawa Hiroshige II (Shigenobu)

A work made of portfolio cover.

Portfolio Cover for Twelve Views in Wales, 1776

Paul Sandby

A work made of hand-colored lithograph on paper.

The Strand, plate 21 from Original Views of London as It Is, 1842

Thomas Shotter Boys

A work made of watercolor and gouache, with touches of scraping, over traces of graphite, on off-white wove paper.

A View on the South Downs, 1871

Henry George Hine

A work made of color woodblock print.

Tokaido Hodogaya, from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", 1830–33

Katsushika Hokusai

A work made of color woodblock print; oban.

Senju Musashi Province (Bushu Senju), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", c. 1830/33

Katsushika Hokusai

A work made of woodcut in black on off-white wove paper.

John's Tavern, from One-Hundred Views of Chicago, 1967

Bronislaw M. Bak

A work made of etching on heavy ivory laid paper.

Interior view of the ancient Temple of Bacchus, now the church of S. Urbano, two miles from Rome, from Views of Rome, 1767, published 1800–07

Giovanni Battista Piranesi

A work made of etching and aquatint in brownish black on cream wove paper.

View from Palace Terrace at Saint Germain on Laye, from Twenty Views in Paris and its Environs, published 1802

Thomas Girtin

A work made of albumen print, plate 2 from the album "photographic views of the sherman campaign" (1866).

The Capitol, Nashville, Tennessee, 1864

George N. Barnard

A work made of etching on heavy ivory laid paper.

View of the Basilica of S. Lorenzo fuori delle Mura [S. Lorenzo outside the Walls], from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of color woodblock print.

Aerial View of Hara, Suruga Province (Suruga haru no fukei), from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)”, 1860

Utagawa Hiroshige II (Shigenobu)

A work made of soft ground etching and aquatint from a zinc plate in bistre (brown) on ivory wove paper.

Woman Fixing Her Hair, Three-Quarter View, 1902

Théophile-Alexandre Pierre Steinlen

A work made of hand-colored lithograph on paper.

Mansion House, Cheapside, plate one from Original Views of London as It Is, 1842

Thomas Shotter Boys

A work made of color woodblock print; oban.

Night View of Matsuchi Hill and the San’ya Canal (Matsuchiyama San’yabori yakei), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1857

Utagawa Hiroshige

A work made of lithograph in black on ivory wove paper.

View of the Temple of the Sun and Moon from the Coliseum in Rome, 1817

Claude Thiénon

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