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A work made of lithograph in black on ivory wove paper.

View From the Banks of the Teverone, 1817

Claude Thiénon

A work made of color woodblock print; shikishiban, surimono.

Distant View of Mount Fuji at Dawn from Hakone, c. 1828/30

Utagawa Kuniyoshi

A work made of color woodblock print; oban.

Shower Below the Summit (Sanka hakuu), from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjurokkei)", c. 1830/33

Katsushika Hokusai

A work made of color woodblock print; oban.

A Mild Breeze on a Fine Day (Gaifu kaisei), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", c. 1830/33

Katsushika Hokusai

A work made of color woodblock print.

Actual View of Muro Harbor, Banshu Province (Banshu Muro-tsu shinkei) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)”, 1859

Utagawa Hiroshige II (Shigenobu)

A work made of color woodblock print; oban.

View of Nihonbashi Tori-itchome (Nihonbashi Tori-itchome ryakuzu), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1858

Utagawa Hiroshige

A work made of pen and black ink, with touches of brush and black wash on cream wove paper, laid down on tan wove paper.

View of Town with Water and Mountains in Background, n.d.

André Dunoyer de Segonzac

A work made of aquatint with etching and hand-coloring on cream wove paper.

Lynnhaven Bay, plate one of the second number of Picturesque Views of American Scenery, 1819/21

John Hill

A work made of pen and brown iron gall ink, over charcoal, on ivory laid paper, laid down on cream card.

Landscape with a Large Tree on the Right and a Distant View of a Town on the Left, n.d.

Giovanni Francesco Grimaldi

A work made of color woodblock print; oban.

Night View of Saruwaka-machi (Saruwaka-machi yoru no kei), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1856

Utagawa Hiroshige

A work made of color woodblock print; chuban.

The Sagami River (Sagamigawa), from the series "Thirty-six Views of Mount Fuji (Fuji sanjurokkei)", 1852

Utagawa Hiroshige

A work made of woodblock print; right sheet of oban triptych, keyblock proof impression (color sheet: 1925.3091, left sheet: 1939.2195).

Viewing Cherry Blossoms at Goten Hill, c. 1787

Chôbunsai Eishi

A work made of woodcut in black on off-white wove paper.

Mies van der Rohe-ism, from One-Hundred Views of Chicago, 1967

Bronislaw M. Bak

A work made of color woodblock print; oban.

Bamboo Yards and Kyo Bridge (Kyobashi Takegashi), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1857

Utagawa Hiroshige

A work made of watercolor, over graphite, on ivory laid paper, laid down on white laid paper, folded.

A View from the Palatine Hill, Rome, the Alban Hills in the Distance, c. 1775

Carlo Labruzzi

A work made of color woodblock print.

The Floating Pavilion at Katada (Katada Ukimido), from the series "Eight Views of Omi (Omi hakkei)", May 1918

Ito Shinsui

A work made of pen and black ink with brush and gray wash, on ivory laid paper, tipped onto tan wove paper.

View of the City and Harbor of Palermo with a View of Monte Pellegrino, n.d.

Adrien Manglard

A work made of albumen print, plate 53 from the album "photographic views of the sherman campaign" (1866).

Columbia from the Capitol, 1866

George N. Barnard

A work made of etching on ivory laid paper.

View of a City (Christ with the Good Samaritan at the Well), 17th century

Sébastien Bourdon

A work made of woodcut in black on off-white wove paper.

O' Hare Terminal, from One-Hundred Views of Chicago, 1967

Bronislaw M. Bak

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