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A work made of inkjet print.

Lake View of Chicago of Burns Harbor, Indiana, from the series “Revealing Chicago” (2003-2004), July 23, 2003

Terry Evans

A work made of etching on heavy ivory laid paper.

View of the upper storey of the Cages for Wild Animals built by the Emperor Domitian, associated with the Flavian Amphitheater and commonly called the Curia Hostilia, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of chromogenic print.

Across from 11777 Foothill Boulevard, Lake View Terrace, Los Angeles, California, from the series "On This Site: Landscape in Memoriam", November 1993

Joel Sternfeld

A work made of hand-colored lithograph on ivory wove paper.

View of the Coastline of Posilipo at Naples, from Views of Italy, 1817

Constant Bourgeois

A work made of engraving on ivory wove paper.

View from the Elysian Bower, n.d.

William Birch

A work made of albumen print, plate 10 from the album "photographic views of the sherman campaign" (1866).

Orchard Knob from Mission Ridge, 1864/66

George N. Barnard

A work made of silk and cotton, warp-float faced 7:1 satin weave self-patterned by areas of weft-float faced 1:3 'z' twill interlacings and plain interlacings.

View through a Window from a Table with Fruit and Wine, c. 1925

Alberto Fabio Lorenzi

A work made of woodcut in black on off-white wove paper.

Pastorale, from One-Hundred Views of Chicago, 1967

Bronislaw M. Bak

A work made of color woodblock print; oban.

Shower Below the Summit (Sanka hakuu), from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjurokkei)", c. 1830/33

Katsushika Hokusai

A work made of color woodblock print; oban.

A Mild Breeze on a Fine Day (Gaifu kaisei), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", c. 1830/33

Katsushika Hokusai

A work made of color woodblock print; shikishiban, surimono.

Distant View of Mount Fuji at Dawn from Hakone, c. 1828/30

Utagawa Kuniyoshi

A work made of color mezzotint, aquatint, and engraving on ivory laid paper.

Posterior View of Muscle Man, plate nine from Myologie complete, 1773

Arnauld Éloi Gautier d'Agoty

A work made of lithograph in black on ivory wove paper.

View From the Banks of the Teverone, 1817

Claude Thienon

A work made of color woodblock print.

Actual View of Muro Harbor, Banshu Province (Banshu Muro-tsu shinkei) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)”, 1859

Utagawa Hiroshige II (Shigenobu)

A work made of color aquatint with etching and engraving in black ink on ivory laid paper.

Vue du Schild-Wald-Bach, Prise Enhiver (View of Schild-Wald Bach, from the Vues remarquables des montagnes des la Suisse ), 1785

Charles Melchior Descourtis

A work made of color woodblock print; oban.

View of Nihonbashi Tori-itchome (Nihonbashi Tori-itchome ryakuzu), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1858

Utagawa Hiroshige

A work made of pen and black ink, with touches of brush and black wash on cream wove paper, laid down on tan wove paper.

View of Town with Water and Mountains in Background, n.d.

André Dunoyer de Segonzac

A work made of paper wrapping for half-tone relief stereographs (15), with accompanying stereograph viewing glasses.

Untitled (Stereo Photographs), 1973

Charles Swedlund

A work made of pen and brown iron gall ink, over charcoal, on ivory laid paper, laid down on cream card.

Landscape with a Large Tree on the Right and a Distant View of a Town on the Left, n.d.

Giovanni Francesco Grimaldi

A work made of aquatint with etching and hand-coloring on cream wove paper.

Lynnhaven Bay, plate one of the second number of Picturesque Views of American Scenery, 1819/21

John Hill

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