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A work made of etching on ivory laid paper.

Charles Deering's Evanston Home, Front View, c. 1911

Bror Julius Olsson Nordfeldt

A work made of color woodblock print.

Actual View of Matsu Island, Oshu Province (Oshu Matsushima shinkei) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)”, 1859

Utagawa Hiroshige II (Shigenobu)

A work made of gelatin silver print.

Canal Street at Van Buren Street, View North, 1982

Bob Thall

A work made of woodcut in black on off-white wove paper.

Subway Incident, from One-Hundred Views of Chicago, 1967

Bronislaw M. Bak

A work made of albumen print, from "photographs of views of rome" (c. 1857).

Untitled (Statue of the Laocoon), c. 1857

Robert MacPherson

A work made of gelatin silver print.

Chicago (View towards U.S. Steel South Works), 1987

Bob Thall

A work made of color mezzotint, aquatint, and engraving on ivory laid paper.

Posterior View of Muscle Man, plate nine from Complete Anatomy Course, 1773

Arnauld Éloi Gautier d'Agoty

A work made of color woodblock print; ōban.

Night View of Saruwaka-machi (Saruwaka-machi yoru no kei), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei), 1856

Utagawa Hiroshige

A work made of color woodblock print; oban.

Drum Bridge and Yuhi Hill at Meguro (Meguro Taikobashi Yuhi-no-oka), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1857

Utagawa Hiroshige

A work made of gelatin silver print, from the album "a century of progress, international exposition chicago" (1933/34).

Aerial View Looking North, 1933/34

Kaufmann & Fabry Co.

Print shows a sweeping perspective view of a wide expanse of land and water rendered in pastel shades of yellow, green, and blue, the land cutting paths between pools. Figures work along these paths, beneath straw-roofed structures, and in fields. A lone snowy mountain rises in the distance, and clouds encroach upon the scene from the right.

The Tea Plantation of Katakura in Suruga Province (Sunshu Katakura chaen no Fuji), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", c. 1830/33

Katsushika Hokusai

A work made of graphite on vellum.

Drexel Town and Garden Houses, 2nd Floor Unit, Chicago, Illinois, Isometric View, April 27, 1954

Bertrand Goldberg

A work made of color woodblock print.

Kara Bridge at Seta (Seta no Karahashi), from the series "Eight Views of Omi (Omi hakkei)", May 1917

Ito Shinsui

A work made of color woodblock print; left sheet of oban triptych.

Viewing Cherry Blossoms at Ueno, c. 1780/1801

Katsukawa Shunchô

A work made of color woodblock print; right sheet of oban triptych.

Cherry Blossom Viewing at Asuka Hill, c. 1787

Torii Kiyonaga

A work made of gelatin silver print.

Untitled (Interior View, Table and Chairs), 1924

Werner Mantz

A work made of color woodblock print; oban.

Inume Pass in Kai Province (Koshu Inume-toge), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", c. 1830/33

Katsushika Hokusai

A work made of lithograph in black with second fawn tint stone on ivory wove paper.

Tzarskoé-sélo Palace, View of the Chinese Bridge, c. 1820

C. Schultz

A work made of color woodblock print; oban.

View of Mount Fuji from a Teahouse at Zoshigaya (Zoshigaya Fujimi chaya), from the series "Thirty-six Views of Mount Fuji (Fuji sanjurokkei)", 1858

Utagawa Hiroshige

A work made of color woodblock print.

View of Mount Yakedake from Taisho Pond in Kamikochi in June, 1939

Yamaguchi Susumu

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