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A work made of color mezzotint, aquatint, and engraving on ivory laid paper.

Posterior View of Muscle Man, plate nine from Complete Anatomy Course, 1773

Arnauld Éloi Gautier d'Agoty

A work made of gelatin silver print.

Chicago (View towards U.S. Steel South Works), 1987

Bob Thall

A work made of color woodblock print; oban.

Drum Bridge and Yuhi Hill at Meguro (Meguro Taikobashi Yuhi-no-oka), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1857

Utagawa Hiroshige

A work made of color woodblock print; ōban.

Night View of Saruwaka-machi (Saruwaka-machi yoru no kei), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei), 1856

Utagawa Hiroshige

A work made of albumen print, from "photographs of views of rome" (c. 1857).

Untitled (Statue of the Laocoon), c. 1857

Robert MacPherson

Print shows a sweeping perspective view of a wide expanse of land and water rendered in pastel shades of yellow, green, and blue, the land cutting paths between pools. Figures work along these paths, beneath straw-roofed structures, and in fields. A lone snowy mountain rises in the distance, and clouds encroach upon the scene from the right.

The Tea Plantation of Katakura in Suruga Province (Sunshu Katakura chaen no Fuji), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", c. 1830/33

Katsushika Hokusai

A work made of gelatin silver print, from the album "a century of progress, international exposition chicago" (1933/34).

Aerial View Looking North, 1933/34

Kaufmann & Fabry Co.

A work made of graphite on vellum.

Drexel Town and Garden Houses, 2nd Floor Unit, Chicago, Illinois, Isometric View, April 27, 1954

Bertrand Goldberg

A work made of color woodblock print.

Kara Bridge at Seta (Seta no Karahashi), from the series "Eight Views of Omi (Omi hakkei)", May 1917

Ito Shinsui

A work made of color woodblock print; left sheet of oban triptych.

Viewing Cherry Blossoms at Ueno, c. 1780/1801

Katsukawa Shunchô

A work made of color woodblock print; oban.

Inume Pass in Kai Province (Koshu Inume-toge), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", c. 1830/33

Katsushika Hokusai

A work made of color woodblock print; right sheet of oban triptych.

Cherry Blossom Viewing at Asuka Hill, c. 1787

Torii Kiyonaga

A work made of gelatin silver print.

Untitled (Interior View, Table and Chairs), 1924

Werner Mantz

A work made of color woodblock print; oban.

View of Mount Fuji from a Teahouse at Zoshigaya (Zoshigaya Fujimi chaya), from the series "Thirty-six Views of Mount Fuji (Fuji sanjurokkei)", 1858

Utagawa Hiroshige

A work made of lithograph in black with second fawn tint stone on ivory wove paper.

Tzarskoé-sélo Palace, View of the Chinese Bridge, c. 1820

C. Schultz

A work made of color woodblock print.

View of Mount Yakedake from Taisho Pond in Kamikochi in June, 1939

Yamaguchi Susumu

A work made of color woodblock print; chuban.

Shirasuka: View of Shiomi Slope (Shirasuka, Shiomizaka no zu), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), c. 1837/42

Utagawa Hiroshige

A work made of woodblock printed book, sumizuri-e.

The Fanciful Eight Views in Military Love Affairs (Furyu budo iro-bakkei), 1705

Torii Kiyonobu I

A work made of color woodblock print; oban.

Yabu Street at the foot of Atago Hill (Atagoshita yabukoji), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1857

Utagawa Hiroshige

A work made of albumen print, plate 37 from the album "photographic views of the sherman campaign" (1866).

Battle Field of Atlanta, GA, No. 2, July 22, 1864

George N. Barnard

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