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A work made of gelatin silver print.

View from Worcester County Court House, Worcester, Massachusetts, 1974/76

Nicholas Nixon

A work made of etching on heavy ivory laid paper.

View of the Basilica of San Sebastiano fuori delle mura [St. Sebastian outside the Walls] on the Appian Way, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on paper.

Houses Overlooking a Port, from Views of the Port of Livorno, 1654/55

Stefano della Bella

A work made of pen and black ink, and brush and black and gray wash, over graphite, on cream laid paper tipped on cream wove paper.

View of Palermo, 1700/1799

A work made of albumen print, pl. 8 from the album "egypt and palestine, volume i" (1858).

View at Luxor, 1857

Francis Frith

A work made of color woodblock print.

Actual View of Matsu Island, Oshu Province (Oshu Matsushima shinkei) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)”, 1859

Utagawa Hiroshige II (Shigenobu)

A work made of etching on ivory laid paper.

Charles Deering's Evanston Home, Front View, c. 1911

Bror Julius Olsson Nordfeldt

A work made of woodcut in black on off-white wove paper.

Subway Incident, from One-Hundred Views of Chicago, 1967

Bronislaw M. Bak

A work made of gelatin silver print.

Canal Street at Van Buren Street, View North, 1982

Bob Thall

A work made of color woodblock print; oban.

Drum Bridge and Yuhi Hill at Meguro (Meguro Taikobashi Yuhi-no-oka), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1857

Utagawa Hiroshige

A work made of color woodblock print; ōban.

Night View of Saruwaka-machi (Saruwaka-machi yoru no kei), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei), 1856

Utagawa Hiroshige

A work made of gelatin silver print.

Chicago (View towards U.S. Steel South Works), 1987

Bob Thall

Print shows a sweeping perspective view of a wide expanse of land and water rendered in pastel shades of yellow, green, and blue, the land cutting paths between pools. Figures work along these paths, beneath straw-roofed structures, and in fields. A lone snowy mountain rises in the distance, and clouds encroach upon the scene from the right.

The Tea Plantation of Katakura in Suruga Province (Sunshu Katakura chaen no Fuji), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", c. 1830/33

Katsushika Hokusai

A work made of graphite on vellum.

Drexel Town and Garden Houses, 2nd Floor Unit, Chicago, Illinois, Isometric View, April 27, 1954

Bertrand Goldberg

A work made of gelatin silver print, from the album "a century of progress, international exposition chicago" (1933/34).

Aerial View Looking North, 1933/34

Kaufmann & Fabry Co.

A work made of color woodblock print.

Kara Bridge at Seta (Seta no Karahashi), from the series "Eight Views of Omi (Omi hakkei)", May 1917

Ito Shinsui

A work made of color woodblock print; oban.

Inume Pass in Kai Province (Koshu Inume-toge), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", c. 1830/33

Katsushika Hokusai

A work made of color woodblock print; left sheet of oban triptych.

Viewing Cherry Blossoms at Ueno, c. 1780/1801

Katsukawa Shunchô

A work made of color woodblock print; oban.

View of Mount Fuji from a Teahouse at Zoshigaya (Zoshigaya Fujimi chaya), from the series "Thirty-six Views of Mount Fuji (Fuji sanjurokkei)", 1858

Utagawa Hiroshige

A work made of color woodblock print; right sheet of oban triptych.

Cherry Blossom Viewing at Asuka Hill, c. 1787

Torii Kiyonaga

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