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A work made of color woodblock print.

Summer Moon at Miyajima, from the series "Collection of Views of Japan", 1936

Tsuchiya Koitsu

A work made of color woodblock print; center sheet of oban triptych (right sheet: 1925.3087).

Women Viewing Cherry Blossoms, c. 1793

Chôbunsai Eishi

A work made of photogravure, plate ii from "pictures of east anglian life," published by sampson low, marston, searle & rivington (1888).

The Poacher - A Hare in View, (Suffolk), c. 1883/87, printed 1888

Peter Henry Emerson

A work made of etching on heavy ivory laid paper.

View of the Palazzo di Montecitorio, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of albumen print, plate 24 from the album "photographic views of the sherman campaign" (1866).

Allatoona from the Etawah, 1866

George N. Barnard

A black-and-white perspective aerial photograph of city blocks, one section overlaid with drawings of building developments.

Berlin Development Project, Friedrichstadt District, Office and Commercial Buildings, Berlin, Germany, Perspective View, 1928

Ludwig Karl Hilberseimer

A work made of color woodblock print; oban.

Surugacho, from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1856

Utagawa Hiroshige

A work made of letterpress magazine with blue paper front cover, front and back covers by marcel duchamp; includes insert and 45 pages offset and letterpress on paper..

View: The Modern Magazine Marcel Duchamp Volume (Series V, Number 1, March 1945), New York: View, 1945

Marcel Duchamp

A work made of woodblock print; ishizuri-e, harimaze.

Seikenji Fuji, from the series "Mirror of Stone Rubbings of Views of the Provinces (Kohon meihitsu ishizuri kagami)", n.d.

Utagawa Hiroshige

A work made of woodcut in black on off-white wove paper.

4:30 P.M. on the Edens Expressway, from One-Hundred Views of Chicago, 1967

Bronislaw M. Bak

A work made of color woodblock print; oban.

Kinryuzan Temple at Asakusa (Asakusa Kinryuzan), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1856

Utagawa Hiroshige

A work made of etching on heavy ivory laid paper.

View of the Rear Entrance of the Basilica of S. Maria Maggiore, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of color woodblock print; oban.

Night View of Matsuchi Hill and the San’ya Canal (Matsuchiyama San’yabori yakei), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1857

Utagawa Hiroshige

A work made of color woodblock print; oban.

Ushibori in Hitachi Province (Joshu Ushibori), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", c. 1830/33

Katsushika Hokusai

A work made of lithograph in black on ivory wove paper.

View from La Riccia, 1817

Claude Thiénon

A work made of woodblock print; ishizuri-e, harimaze.

Badger, from the series "Mirror of Stone Rubbings of Views of the Provinces" (Kohon meihitsu ishizuri kagami), n.d.

Utagawa Hiroshige

A work made of albumen print, plate 14 from the album "photographic views of the sherman campaign" (1866).

Chattanooga Valley from Lookout Mountain, No. 2, 1864/66

George N. Barnard

A work made of albumen print, plate 44 from the album "photographic views of the sherman campaign" (1866).

Destruction of Hood's Ordinance Train, 1864

George N. Barnard

A work made of glass; colorless, blown, cut, stained and painted in transparent and opaque enamels and gilding.

Beaker with a view of Dresden, 1816

Samuel Mohn

A work made of pen and gray and brown ink with brush and watercolor, over traces of graphite, on ivory wove paper, laid down on ivory wove paper.

View of Prizes Taken by Lord Howe Coming in Portsmouth, July 1794

Thomas Rowlandson

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