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A work made of etching in black on ivory laid paper.

Imaginary View of S. Giacomo di Rialto, from Vedute, 1735/44

Canaletto

A work made of color woodblock print.

Newly Published Dutch Perspective View: The Tomb of King Mausolus in Asia, c. 1824/25

Utagawa Kuninaga

A work made of soft ground etching, with aquatint in brown ink on cream wove paper.

View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, etc. taken from Pont Notre Dame, from A Selection of Twenty of the Most Picturesque Views in Paris, July 12, 1802

Thomas Girtin

A work made of color woodblock print.

Summer Moon at Miyajima, from the series "Collection of Views of Japan", 1936

Tsuchiya Koitsu

A work made of photogravure, plate ii from "pictures of east anglian life," published by sampson low, marston, searle & rivington (1888).

The Poacher - A Hare in View, (Suffolk), c. 1883/87, printed 1888

Peter Henry Emerson

A work made of color woodblock print; center sheet of oban triptych (right sheet: 1925.3087).

Women Viewing Cherry Blossoms, c. 1793

Chôbunsai Eishi

A black-and-white perspective aerial photograph of city blocks, one section overlaid with drawings of building developments.

Berlin Development Project, Friedrichstadt District, Office and Commercial Buildings, Berlin, Germany, Perspective View, 1928

Ludwig Karl Hilberseimer

A work made of etching on heavy ivory laid paper.

View of the Palazzo di Montecitorio, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of color woodblock print; oban.

Surugacho, from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1856

Utagawa Hiroshige

A work made of woodblock print; ishizuri-e, harimaze.

Seikenji Fuji, from the series "Mirror of Stone Rubbings of Views of the Provinces (Kohon meihitsu ishizuri kagami)", n.d.

Utagawa Hiroshige

A work made of color woodblock print; oban.

Kinryuzan Temple at Asakusa (Asakusa Kinryuzan), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1856

Utagawa Hiroshige

A work made of woodcut in black on off-white wove paper.

4:30 P.M. on the Edens Expressway, from One-Hundred Views of Chicago, 1967

Bronislaw M. Bak

A work made of albumen print, plate 14 from the album "photographic views of the sherman campaign" (1866).

Chattanooga Valley from Lookout Mountain, No. 2, 1864/66

George N. Barnard

A work made of albumen print, plate 44 from the album "photographic views of the sherman campaign" (1866).

Destruction of Hood's Ordinance Train, 1864

George N. Barnard

A work made of color woodblock print; oban.

Night View of Matsuchi Hill and the San’ya Canal (Matsuchiyama San’yabori yakei), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1857

Utagawa Hiroshige

A work made of etching on heavy ivory laid paper.

View of the Rear Entrance of the Basilica of S. Maria Maggiore, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of color woodblock print; oban.

Ushibori in Hitachi Province (Joshu Ushibori), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", c. 1830/33

Katsushika Hokusai

A work made of lithograph in black on ivory wove paper.

View from La Riccia, 1817

Claude Thienon

A work made of woodblock print; ishizuri-e, harimaze.

Badger, from the series "Mirror of Stone Rubbings of Views of the Provinces" (Kohon meihitsu ishizuri kagami), n.d.

Utagawa Hiroshige

A work made of pen and gray and brown ink with brush and watercolor, over traces of graphite, on ivory wove paper, laid down on ivory wove paper.

View of Prizes Taken by Lord Howe Coming in Portsmouth, July 1794

Thomas Rowlandson

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