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A work made of color woodblock print; oban.

Shinagawa: Teahouses at Samegafuchi (Shinagawa, Samegafuchi no chaya)—No. 2, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52

Utagawa Hiroshige

A work made of watercolor and tempera on paper.

Steuben Club Building, Chicago, Illinois, Perspective, c. 1929

Karl Martin Vitzthum

The House of Fear (La Maison de la Peur)

The House of Fear (La Maison de la Peur), 1938

Max Ernst

A work made of chromogenic print.

Untitled, c. 1960/69

Unknown Maker

A work made of gelatin silver print.

Untitled, c. 1940/49

Unknown Maker

A work made of gelatin silver print.

Untitled, c. 1910/19

Unknown Maker

A work made of gelatin silver print.

Untitled, c. 1950/59

Unknown Maker

A work made of pen and brown ink and brush and pale brown wash, with traces of black chalk (recto), and pen and brown ink with brush and black and gray and brown wash and touches of red chalk (verso), on gray laid paper.

Adoration of the Shepherds (recto); Three Sketches: Buildings by Canal with Boats, Landscape with Buldings on Hillside, Buildings with Portico (verso), c. 1770

Francesco Guardi

A work made of gelatin silver print.

Untitled (Look Pleasant), c. 1910/19

Unknown Maker

A work made of hand-colored etching on paper.

Charging an Ox-fence, plate three from Indispensable Accomplishments, published June 24, 1811

Sir Robert Frankland

A work made of wool, stripes of plain weave and three-color complementary warp weave; joined with darning stitches; bottom edged with tape of three-color complementary warp weave; plain weave with extended supplementary patterning weft fringe.

Poncho, 1850/1900

Aymara

A work made of stoneware with impressed decoration.

Reliquary Jar, Three Kingdoms period (57 B.C.–A.D. 676), early 7th century

A work made of unbound book, three folded sheets, with letterpress in red and black on cream laid paper.

Title Page and Text, from The Raven (Le Corbeau), 1875

Édouard Manet

A work made of earthenware with three-color (sancai) lead glazes.

Melon-Shaped Jar, Tang dynasty (618–907)

A work made of commercially printed off-set lithographs in black on three sheets of cream wove paper, folded.

The Pious Infant Henry Clump, n.d.

Edward Gorey

A work made of hand-colored woodblock print; right sheet of hosoban triptych, urushi-e.

Ono no Komachi, from A Set of Three Beauties (Bijin sanpukutsui), c. 1720s

Nishimura Shigenobu

A work made of etching on ivory laid paper.

A bearded old man seated on a rock and making a hortatory gesture toward three men opposite him, from Figurine series, n.d.

Salvator Rosa

A work made of color woodblock print; oban.

Akasaka—No. 37, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52

Utagawa Hiroshige

A work made of color lithograph from three zinc plates on ivory wove paper.

Flying Love, 1963

Sam Francis

A work made of engraving in black on ivory laid paper.

Plate three, from A Harlot's Progress, 1732

William Hogarth

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