Shinagawa: Teahouses at Samegafuchi (Shinagawa, Samegafuchi no chaya)—No. 2, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52
Utagawa Hiroshige
Steuben Club Building, Chicago, Illinois, Perspective, c. 1929
Karl Martin Vitzthum
The House of Fear (La Maison de la Peur), 1938
Max Ernst
Untitled, c. 1960/69
Unknown Maker
Untitled, c. 1940/49
Unknown Maker
Untitled, c. 1910/19
Unknown Maker
Untitled, c. 1950/59
Unknown Maker
Adoration of the Shepherds (recto); Three Sketches: Buildings by Canal with Boats, Landscape with Buldings on Hillside, Buildings with Portico (verso), c. 1770
Francesco Guardi
Untitled (Look Pleasant), c. 1910/19
Unknown Maker
Charging an Ox-fence, plate three from Indispensable Accomplishments, published June 24, 1811
Sir Robert Frankland
Reliquary Jar, Three Kingdoms period (57 B.C.–A.D. 676), early 7th century
Title Page and Text, from The Raven (Le Corbeau), 1875
Édouard Manet
Melon-Shaped Jar, Tang dynasty (618–907)
The Pious Infant Henry Clump, n.d.
Edward Gorey
Ono no Komachi, from A Set of Three Beauties (Bijin sanpukutsui), c. 1720s
Nishimura Shigenobu
A bearded old man seated on a rock and making a hortatory gesture toward three men opposite him, from Figurine series, n.d.
Salvator Rosa
Akasaka—No. 37, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52
Utagawa Hiroshige
Flying Love, 1963
Sam Francis
Plate three, from A Harlot's Progress, 1732
William Hogarth