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A work made of three chromogenic prints, edition number five of five.

Portrait of S.A.M. (Europeans), 1993

Fred Wilson

A work made of etching on ivory laid paper.

A bearded old man seated on a rock and making a hortatory gesture toward three men opposite him, from Figurine series, n.d.

Salvator Rosa

A work made of gelatin silver print, from "portfolio three" (1974).

Untitled ("Motion-Sound" Landscape), 1969, printed 1974

Ralph Eugene Meatyard

A work made of color woodblock print; oban.

Akasaka—No. 37, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52

Utagawa Hiroshige

A work made of gelatin silver print.

Untitled, c. 1940/49

Unknown Maker

A work made of wool and silk, slit and double interlocking tapestry weave warp: count: 8 warps per cm; wool: s-ply of three z-spun elements; diameter: 0.8–1.0 mm weft: count: varies from 17 to 30 wefts per cm; wool: s-ply of two z-spun elements; diameters: 0.3–1.0 mm; silk: three yarns of s-ply of two z-twisted elements; diameters: 0.6–1.0 mm; wool and silk: paired yarns of s-ply of two z-spun wool elements and s-ply of two z-twisted silk elements; diameters: 0.5–1.2 mm.

Four Servants, part of Telemachus Leading Theoclymenus to Penelope from The Story of Odysseus, c. 1650

Jan van Leefdael

A work made of chromogenic print.

Racehorse: The Farm - Three Month Old Filly Sired by Swaps, c. 1957

Robert Riger

A work made of gelatin silver print.

Untitled (Sitting on one of the "boilers", Elba Beach, stamped Parker & Battersby, Cutlery, Kodaks, Leather Goods, Knickerbocker Bldg., 146 W. 42nd St. N.Y. City), c. 1920/29

Unknown Maker

A work made of pen and brown ink with brush and brown wash, heightened with lead white (partly discolored), over traces of black chalk, on pink tinted laid paper (recto) red chalk heightened with touches of white chalk, on cream laid paper (verso).

Three Sketches of a Goat (recto) Drapery of Standing Female Figure (verso), c. 1610

Abraham Bloemaert

A work made of etching on copper in black on off-white laid paper.

Sculptures Representing Marie-Thérese and the Head of a Sculptor, with a Vase of Three Flowers, from the Vollard Suite, May 5, 1933, printed 1939

Pablo Picasso

A work made of pen and brown ink on ivory laid paper.

Three Ships at Sea, c. 1600

School of Pieter Bruegel, the elder

A work made of watercolor, gouache, and pen and brown and black inks, over graphite, with cut and pasted typewritten text elements, on three sheets of cream wove paper.

Thanksgiving, 1935

Waldo Peirce

A work made of etching on ivory laid china paper.

Page Three, from Letter on the Elements of Etching, 1864

Adolphe Martial Potémont

A work made of charcoal, with stumping, white chalk, and traces of red chalk, with three collage elements on tan wove paper, laid down on cream rag board.

Collage with Box of Matches, 1912–13

Gino Severini

A work made of watercolor and tempera on paper.

Steuben Club Building, Chicago, Illinois, Perspective, c. 1929

Karl Martin Vitzthum

A work made of color woodblock print; oban.

Hiratsuka—No. 8, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52

Utagawa Hiroshige

A work made of colorcore formica.

Pair of Cuff Links and Three Studs, 1984

Ivy Ross

A work made of color woodblock print; kokonotsugiri-ban.

Mishima, from an untitled series of the fifty-three stations of the Tokaido, c. 1804

Katsushika Hokusai

A work made of gelatin silver print.

Miss Pogany II, three-quarter view, polished bronze (Melle Pogany, vue de trois-quarts, bronze poli), c. 1920

Constantin Brancusi

A work made of silk and gilt-animal-substrate-wrapped silk, three-color complementary weft plain weave with inner warps.

Fragment from the Mantle of Don Felipe, 1275/1300

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