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A work made of gelatin silver print.

Miss Pogany II, three-quarter view, polished bronze (Melle Pogany, vue de trois-quarts, bronze poli), c. 1920

Constantin Brancusi

A work made of gelatin silver print.

Untitled, c. 1920/29

Unknown Maker

A work made of gelatin silver print.

Untitled, c. 1950/59

Unknown Maker

A work made of gelatin silver print.

Untitled, c. 1960/69

Unknown Maker

A work made of glass with engraved gold leaf decoration.

Beaker (Zwischengoldglas) Incorporating Three Dice, c. 1730

A loose perspective sketch, as through viewed from street level, of an L-shaped high-rise building emphasizing vertical columns.

Highrise Buildings Sketch, Chicago, Illinois, Perspective Sketches, c. 1946–1948

Ludwig Mies van der Rohe

A work made of black chalk (recto and verso) on ivory laid paper.

Two Studies of Carthusians (recto); Three Sketches of Heads of Carthusians (verso), 1591/92

Bernardino Poccetti

A work made of gelatin silver print.

The Three Codonas in the Berlin Wintergarten (Die 3 Codonas im Berliner Wintergarten), 1931/32

Umbo (Otto Umbehr)

A work made of color woodblock print; chuban.

Okazaki: Yahagi Bridge (Okazaki, Yahagi no hashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), c. 1837/42

Utagawa Hiroshige

A work made of gelatin silver print.

Untitled, c. 1940/59

Unknown Maker

A work made of watercolor, gouache, and pen and brown and black inks, over graphite, with cut and pasted typewritten text elements, on three sheets of cream wove paper.

Thanksgiving, 1935

Waldo Peirce

Three Days of the Tribe (Trois Journées de la Tribu)

Three Days of the Tribe (Trois Journées de la Tribu), 1921

Maurice de Vlaminck

A work made of color woodblock print.

Ishibe, from the series “Fifty-Three Stations of the Tokaido”, 1855

Utagawa Hiroshige

A work made of manuscript cutting in tempera and gold leaf, with gothica textualis inscriptions in black and ruled in blue, verso, on parchment.

The Three Marys at the Tomb in a Historiated Initial "E" from a Choirbook, 1470/80

A work made of black chalk with brown ink inscriptions (recto) and black chalk (verso) on ivory laid paper.

Pyramus and Thisbe (recto); Three Male Figures with Mausoleum Floor Plan (verso), n.d. (recto); 1770/1789 or 19th c. (verso)

Thomas Banks

A work made of wool and silk, slit and double interlocking tapestry weave warp: count: 8 warps per cm; wool: s-ply of three z-spun elements; diameter: 0.8–1.0 mm weft: count: varies from 17 to 30 wefts per cm; wool: s-ply of two z-spun elements; diameters: 0.3–1.0 mm; silk: three yarns of s-ply of two z-twisted elements; diameters: 0.6–1.0 mm; wool and silk: paired yarns of s-ply of two z-spun wool elements and s-ply of two z-twisted silk elements; diameters: 0.5–1.2 mm.

Four Servants, part of Telemachus Leading Theoclymenus to Penelope from The Story of Odysseus, c. 1650

Jan van Leefdael

A work made of lithograph on white nacre paper.

Three, 1962

Charles Friedensohn

A work made of charcoal, with stumping, white chalk, and traces of red chalk, with three collage elements on tan wove paper, laid down on cream rag board.

Collage with Box of Matches, 1912–13

Gino Severini

Three Little Islands (Setonaikai Mitsukojima), from the series “The Inland Sea, Second Series”

Three Little Islands (Setonaikai Mitsukojima), from the series “The Inland Sea, Second Series”, 1930

Yoshida Hiroshi

A work made of color woodblock print; oban.

Minakuchi: The Beautiful Pine Trees at Mount Hiramatsu (Minakuchi, Hiramatsuyama bisho)—No. 51, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52

Utagawa Hiroshige

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