Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of color woodblock print; oban.

Mariko—No. 21, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52

Utagawa Hiroshige

A work made of transfer lithograph on yellowish-ivory wove paper tipped at top to ivory card.

Three French Infantrymen Carrying Supplies through a Bombed Town, n.d.

Charles Huard

A work made of color woodblock print; oban.

Hara: Mount Fuji in the Morning (Hara, asa no Fuji), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido, c. 1833/34

Utagawa Hiroshige

A work made of chromogenic print.

Untitled, c. 1960/69

Unknown Maker

A work made of gelatin silver print.

Untitled, c. 1940/49

Unknown Maker

A work made of gelatin silver print.

Untitled, c. 1910/19

Unknown Maker

A work made of gelatin silver print.

Untitled, c. 1950/59

Unknown Maker

A work made of gelatin silver print.

Untitled (Look Pleasant), c. 1910/19

Unknown Maker

A work made of red chalk (recto and verso) on tan laid paper.

Kneeling Figure from the Back (recto); Three Half-length Studies of Veiled Female Figure (verso), 1595/1600

Andrea Boscoli

A work made of color woodblock print; chuban.

Kawasaki, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), c. 1837/42

Utagawa Hiroshige

A work made of watercolor, gouache, and pen and brown and black inks, over graphite, with cut and pasted typewritten text elements, on three sheets of cream wove paper.

Thanksgiving, 1935

Waldo Peirce

A work made of charcoal, with stumping, white chalk, and traces of red chalk, with three collage elements on tan wove paper, laid down on cream rag board.

Collage with Box of Matches, 1912–13

Gino Severini

A work made of wool and silk, slit and double interlocking tapestry weave
warp: count: 8 warps per cm; wool: s-ply of three z-spun elements; diameter: 0.8–1.0 mm
weft: count: varies from 17 to 30 wefts per cm; wool: s-ply of two z-spun elements; diameters: 0.3–1.0 mm; silk: three yarns of s-ply of two z-twisted elements; diameters: 0.6–1.0 mm; wool and silk: paired yarns of s-ply of two z-spun wool elements and s-ply of two z-twisted silk elements; diameters: 0.5–1.2 mm.

Four Servants, part of Telemachus Leading Theoclymenus to Penelope from The Story of Odysseus, c. 1650

Jan van Leefdael

A work made of ceramic and pigment.

Handle Spout Vessel in the Form of a Composite Scene Depicting Three Figures, 100 BCE–500 CE

Moche

A work made of three color lithograph on white wove paper.

Pelicana, 1969

Mel Ramos

A work made of earthenware with three-color (sancai) lead glazes.

Tripod Jar, Tang dynasty (618–907), first half of 8th century

A work made of silk and gilt-animal-substrate-wrapped silk, three-color complementary weft plain weave with inner warps.

Fragment from the Mantle of Don Felipe, 1275-1300

A work made of color woodblock print; koban.

Act Three: The Quarrel Scene from the play Chushingura (Treasury of the Forty-seven Loyal Retainers), c. 1795

Katsukawa Shun'ei

A work made of etching on ivory laid paper.

Three Female Bathers, Two in the Water, the Third Getting in by Herself, 1742/89

Johann Heinrich Tischbein, I

A work made of color woodblock print; oban.

Shinagawa: Teahouses at Samegafuchi (Shinagawa, Samegafuchi no chaya)—No. 2, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52

Utagawa Hiroshige

<<<42434445 >>>