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A work made of gelatin silver print.

Untitled, c. 1930/39

Unknown Maker

A work made of gelatin silver print.

Untitled (From Cora, Helen Sole[n], stamped The Penny Studio A.L. Wright-Prop, Over Boston Cafe, Sioux Falls, S.D., Cabinets, Post Cards, Stamp Photos & Viewing), c. 1910/19

Unknown Maker

A work made of chiaroscuro woodcut from three blocks on paper.

Moses with the Tables of the Law, n.d.

Ludolph Büsinck

A work made of ink and wash on white paper.

McDonald's Floating Restaurant, Perspective Sketch, 1982–1983

S.I.T.E., Inc.

A work made of kraft paper envelope containing one poster, three black and white negatives, twenty-three other sheets of lithograph or text, from the portfolio umbra, 1978.

Survivors, c. 1978

Alex Sweetman

A work made of silk, warp printed; plain weave (chiné imprimé); three loom widths pieced horizontally.

Lilium (Furnishing Fabric), 1985

Jack Lenor Larsen Inc.

A work made of color lithograph from three stones on gray wove paper.

Card, 1971

Helen Frankenthaler

A work made of slip-coated earthenware with three-color (sancai) lead glazes.

Candle Stand, Tang dynasty (618–907), first half of 8th century

A work made of pen and iron gall ink on buff laid paper.

Three Male Caricatures, n.d.

Pier Francesco Mola

A work made of color woodblock print; chuban.

Hodogaya, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), c. 1837/42

Utagawa Hiroshige

A work made of color lithograph from three stones on cream wove paper.

Orange Hoop, 1965

Helen Frankenthaler

A work made of brush and gray wash over traces of black chalk on ivory laid paper, tipped onto laid paper.

Three Boats on a River with Ruins Along the Shore, n.d.

Allaert van Everdingen

A work made of color woodblock print; section of oban sheet.

Mishima, from the series "Fifty-three Pairings for the Tokaido Road (Tokaido gojusan tsui)", c. 1845/46

Utagawa Hiroshige

A work made of earthenware with three color (sancai) lead glazes and underglaze molded decoration.

Bowl with Swirls, Tang dynasty (618–906), first half of 8th century

A work made of red chalk on ivory laid paper, laid down on board.

Head of Bearded Man in Three-Quarter Profile to Right, n.d.

Pietro Dandini

A work made of hand-colored lithograph on paper.

The Custom House, plate three from Original Views of London as It Is, 1842

Thomas Shotter Boys

A work made of lithograph in black, with additions in pen and brown ink and caption in pen and brown ink, on ivory wove paper, tipped onto ivory wove paper.

A New Way to Float Down the River of Life, plate three from Les Canotiers Parisiens, 1843

Honoré-Victorin Daumier

A work made of slip-coated earthenware with three-color (sancai) lead glazes.

Covered Jar with Medallions, Tang dynasty (618–906)

A work made of red chalk (recto) and black chalk with pen and brown ink and red chalk (verso) on cream laid paper.

Head in Three-Quarter Profile (recto); Standing Young Man Pointing Left and Sketches of Feet, Arm (verso), n.d.

Giorgione

A work made of wool and silk, slit and double interlocking tapestry weave warp: count: 6–7 warps per cm; wool: s-ply of three z-spun elements; diameters: 0.8–1.0 mm weft: count: varies from 20 to 34 wefts per cm; wool: s-ply of two z-spun elements; diameters: 0.3–1.1 mm; silk; s-ply of two z-twisted elements; pairs of s-ply of two z-twisted elements; three yarns of s-ply of two z-twisted silk elements; diameters: 0.7–1.2 mm.

Diana and Her Nymphs with the Ox Hunt, c. 1600

Hans Bol

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